The publication explores artistic practice as an open-ended process grounded in experimentation, testing, and provisional structures.

Rather than presenting finished works or fixed interpretations, it foregrounds methods, conditions, and situations in which art emerges through repetition, variation, and risk.

Art is understood here as a mode of inquiry. Visual material and texts operate side by side, not to explain one another, but to create friction, resonance, and productive uncertainty. Emphasis is placed on process, temporality, and the shifting relationships between concept, material, and context.

The book positions itself as a space for ongoing negotiation rather than closure. It treats artistic production as something fundamentally unfinished—an activity that unfolds through use, dialogue, and continual reconfiguration, and that resists being reduced to stable form or singular meaning.