Hedwig’s Betrayal frames these works within a broader inquiry into how images can embody conflict, vulnerability, and

agency without collapsing into illustration. Through sequences, variations, and careful compositional choices, the publication reveals von Wulffen’s interest in the interplay between presence and absence, narrative suggestion and formal autonomy, making it a richly layered contribution to contemporary painting and visual storytelling.

Hedwig’s Betrayal presents the work of Amelie von Wulffen as a sustained investigation into narrative, mood, and the emotional architecture of image-making. Rather than resolving into a single story, the works in this publication operate through suggestion, recurrence, and psychological tension.

Von Wulffen’s practice frequently juxtaposes figuration and abstraction in ways that unsettle easy interpretation. Figures appear in fragmentary settings, gestures hover between intimacy and detachment, and pictorial spaces resist clarity. The resulting images function like visual echoes: they invite projection but resist definitive reading, prompting the viewer to become complicit in the act of meaning-making.