The publication reflects a scene marked by self-organization, shifting institutional frameworks, and the need to create new spaces for art after political rupture.

It presents three group projects and thirteen individual positions or collaborations, making visible a network of relationships through which artistic practices could be read both locally and in wider international contexts.
As a catalogue, Belgrade Art Inc. documents not only artworks, but also the structures, collaborations, and independent initiatives that sustained contemporary art production in Belgrade. It offers an important snapshot of a post-socialist cultural field in transition, where artistic work, theory, public space, and institutional critique were closely connected.