Late Antique and early Islamic textiles, often referred to as Coptic textiles, form the focus of this volume.

“A Longing for Beauty: The Wiener Werkstätte and the Stoclet House” explores the Wiener Werkstätte as one of the central reform projects of Viennese Modernism.

Vanilla. Ein Lokal und seine Zeit traces the history of a Viennese venue where gastronomy, art, music, fashion, and urban culture intersected.

Kunst und Industrie. Die Anfänge des Museums für Angewandte Kunst in Wien untersucht die Entstehung des heutigen MAK aus dem Zusammenspiel von Kunst, Gewerbe, Industrie und Bildung im 19. Jahrhundert.

Heinz Franks Arbeit bewegt sich zwischen Zeichnung, Sprache, Objekt, Architektur und philosophischer Reflexion. Seine Zeichnungen und Texte arbeiten häufig mit Paradoxien, Verdichtungen und einer bewusst instabilen Bedeutung.

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

Fluxus Subjektiv was published in 1990 on the occasion of the exhibition of the same name and the Fluxus actions at Galerie Krinzinger in Vienna.

This unique collaboration between two key figures in performance art spans all phases of their twelve-year partnership and shared life.

Gold in the Art of West Africa is an exhibition catalogue published in conjunction with a thematic exhibition at the former Helvetisches Goldmuseum (now part of the Goldkammer Schweiz in Schloss Burgdorf, Switzerland).

Marcel Broodthaers (Brussels, 1924-1976), a poet before becoming an artist in 1964, was a pioneer of intermedia and site-specific installation art but above all an in-depth theorist who ranged widely over the visual arts in his writings. Broodthaers’ work is widely recognized for its movement and combination of mediums: performance, film, text-based work, etc. Often overlooked, his artworks include genuine research into the nature of language, giving a conceptual continuity to all his practice.