André Thomkins zählt zu den innovativen und vielseitigen Künstlern der zweiten Hälfte des 20. Jahrhunderts.

Photography becomes a way of reading Mondrian’s self-image, his studios, and the public perception of his work.

Die Spätgotik erscheint hier als eine Epoche tiefgreifender künstlerischer und medialer Veränderungen.

This book looks at Paul McCarthy's drawings, a rarely examined aspect of his oeuvre, and offers a greater understanding of the work of this provocative artist.

The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century.

The book traces the history of Raphael through the reproduction of all his paintings,

Zoffany’s painting presents the eighteenth century as a stage of social roles.

The Düsseldorf School marks one of the most influential developments in late twentieth-century photography.

Joseph Beuys used the poster as an important medium for communication, distribution, and public visibility.

Photography is approached here as a form of social observation, political attention, and critical image-making.

Artemisia Gentileschi was the greatest female artists of the Baroque age.

Arnulf Rainer’s work is defined by overpainting, erasure, intensification, and physical intervention.

The book examines 18th-century Mexican painting as a distinct and highly productive artistic field.

Renaissance art and architecture are presented here through images, diagrams, and interactive paper elements.

Industrial photography appears here as a broad visual field in which labour, technology, architecture, production, and social organization become visible.

Industrial photography is presented here as a field in transition:

At the interface between art and industry, the MAK has been a partner of the company J. & L. Lobmeyr since its founding.

Die Publikation widmet sich einem eigenständigen Bestand der Wiener MAK-Sammlung und richtet den Fokus auf Knüpfteppiche aus China und Ostturkestan.

Mihály Biró (1886–1948) is one of the best-known and most uncompromising Hungarian graphic artists of the early 20th century.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

Late Antique and early Islamic textiles, often referred to as Coptic textiles, form the focus of this volume.

“A Longing for Beauty: The Wiener Werkstätte and the Stoclet House” explores the Wiener Werkstätte as one of the central reform projects of Viennese Modernism.

Vanilla. Ein Lokal und seine Zeit traces the history of a Viennese venue where gastronomy, art, music, fashion, and urban culture intersected.

Kunst und Industrie. Die Anfänge des Museums für Angewandte Kunst in Wien untersucht die Entstehung des heutigen MAK aus dem Zusammenspiel von Kunst, Gewerbe, Industrie und Bildung im 19. Jahrhundert.

Heinz Franks Arbeit bewegt sich zwischen Zeichnung, Sprache, Objekt, Architektur und philosophischer Reflexion. Seine Zeichnungen und Texte arbeiten häufig mit Paradoxien, Verdichtungen und einer bewusst instabilen Bedeutung.

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

Fluxus Subjektiv was published in 1990 on the occasion of the exhibition of the same name and the Fluxus actions at Galerie Krinzinger in Vienna.

This unique collaboration between two key figures in performance art spans all phases of their twelve-year partnership and shared life.

Gold in the Art of West Africa is an exhibition catalogue published in conjunction with a thematic exhibition at the former Helvetisches Goldmuseum (now part of the Goldkammer Schweiz in Schloss Burgdorf, Switzerland).

Marcel Broodthaers (Brussels, 1924-1976), a poet before becoming an artist in 1964, was a pioneer of intermedia and site-specific installation art but above all an in-depth theorist who ranged widely over the visual arts in his writings. Broodthaers’ work is widely recognized for its movement and combination of mediums: performance, film, text-based work, etc. Often overlooked, his artworks include genuine research into the nature of language, giving a conceptual continuity to all his practice.