Die Spätgotik erscheint hier als eine Epoche tiefgreifender künstlerischer und medialer Veränderungen.

Zoffany’s painting presents the eighteenth century as a stage of social roles.

Joseph Beuys used the poster as an important medium for communication, distribution, and public visibility.

Die Publikation widmet sich einem eigenständigen Bestand der Wiener MAK-Sammlung und richtet den Fokus auf Knüpfteppiche aus China und Ostturkestan.

Late Antique and early Islamic textiles, often referred to as Coptic textiles, form the focus of this volume.

Gold in the Art of West Africa is an exhibition catalogue published in conjunction with a thematic exhibition at the former Helvetisches Goldmuseum (now part of the Goldkammer Schweiz in Schloss Burgdorf, Switzerland).

Marcel Broodthaers (Brussels, 1924-1976), a poet before becoming an artist in 1964, was a pioneer of intermedia and site-specific installation art but above all an in-depth theorist who ranged widely over the visual arts in his writings. Broodthaers’ work is widely recognized for its movement and combination of mediums: performance, film, text-based work, etc. Often overlooked, his artworks include genuine research into the nature of language, giving a conceptual continuity to all his practice.