An artist's book published in celebration of Peles Duo's twenty years of work.

Peter Buschs künstlerische Praxis kreist um eine subtile, atmosphärisch dichte Malerei, die sich durch Zurückhaltung und emotionale Tiefe auszeichnet.

No super hero was able to prevent the attacks on the World Trade Center in 2001.

Das Künstlerbuch beinhaltet 64 schwarz-weiße und 8 dreifarbige Linolschnitte und wurde auf der Präsident-Zylinderpresse von Thomas Siemon, carpe plumbum, gedruckt.

This book is published on the occasion of Pablo Bronstein: Pissoir, at Kunsthal Charlottenborg in 2011, curated by Mark Sladen.

This artists’ publication was published on the occasion of the exhibition Polyphonia, which ran at the Goethe Institut in Sofia, Bulgaria, from October 6 through November 6, 2017. This small publication isn’t a catalogue of the exhibition, although it does include some pictures of it; it is, rather, a second platform for the Polyphonia concept, for which the artists have

This concertina opens in vibrant color to reveal in progressive spreads of two, four and six pages a rich sensory exploration of Edward James’ surreal jungle garden Las Posaz, in Mexico. Lush vegetation intertwines with the constructed buildings and staircases of James’ imagination and with Douglas’ own, in experiencing this garden and the rich culture of Mexico.

"body to book” is an upcycling project that explores the relationship between the human body and books. It comprises six sculptures assembled from coat fragments and books, each covering a naked body. This arrangement invites explorations of sensuality and intimacy and encourages direct interaction with the subject. Through calling us to examine the subtle interactions between the body and the books, it offers new perspectives for artistic, philosophical and personal reflection on matter, media and the human condition.

Almost All the Flowers in My Mother’s Garden is a 144-page work containing more than 100 pictures of flowers, mainly photographed in the author’s mother’s garden, and intimate memories of mothers by anonymous daughters.

Erika Hirose is a miso brewer based in Rotterdam in the Netherlands. Using traditional technique from her native Japan, she makes miso from local Dutch ingredients, creating an amazingly delicious product that is prized by everyone from home cooks to Michelin-starred chefs.

Colonial Banality, printed by the Print Room, is a personal project, questioning the imperialist, colonial hierarchies of Russian culture. Masha was born and raised in Russia and has been living in The Netherlands since 2009. She grew up in Bashkortostan,

Mit zahlreichen Farbtafeln und 1 s/w Porträttafel als Frontispiz. 51 nn. Bl. Orig.-Kart. - Mit einem Text von Hans Bisanz und einer Kurzbiografie.

Latitudes is a collage whose only constraint is to use fragments of existing texts and images and whose objective is to briefly suggest the outline of an imaginary novel.

Daily Weeding depicts Kuba Ryniewicz's everyday life in Newcastle. The British photographer of Polish origins gives us a glimpse into a number of intimate and public moments spent with his husband and closest friends, set against the familiar backdrop of his home and surrounding fields, sharing them with both poetry and humor. His photos are enhanced by a moving work of literary fiction written by playwright and novelist Yelena Moskovich and a postscript written by James Tait Black Memorial Prize winner Olivia Laing.

Artist’s book with twenty-one colour illustrations of German artist Maximilian Kirmse’s paintings, as well as several drawings. The book includes a prose poem by Jan Koslowski, and an essay by Fid. Fischer which situates Kirmse’s work within contemporary painting.

Die großen, grotesken Fotoserien von Anna und Bernhard Blume sind heute wohlbekannt. In ihnen inszenieren die Künstler im dokumentarischen Gestus paranormale Situationen, die sich im Inneren einer „kleinbürgerlichen“ Welt oder in symbolisch besetzten Regionen deutscher Kunst (wie dem Schwarzwald) abspielen.

The notebook of James William Lacelot Lowther brings together drawings, sketches, dreams, watercolours, and paintings that document the artistic work of the artist. William, who passed away at the age of 21, was a talented, passionate, and empathetic young artist.

Pollution Diaries is a collectively written text, based on a small corpus of authentic recordings from the WhatsApp group of the same name, intended to share daily experiences of life in one of the most polluted cities in the world - Delhi.

SCHÖN VERMÄHLT is an artist’s book by Kamilla Bischof accompanying the most comprehensive solo exhibition of her work to date at KM - Künstlerhaus, Halle für Kunst & Medien in Graz.

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

"For my artist's book for the Secession, I reproduced my diary calendar from 1986, the year I was eighteen. The calendar is full of dense handwritten entries that obsessively revolve around questions of my identity. Finding myself was what it was about.
"Als Künstlerbuch für die Secession reproduziere ich meinen Tagebuchkalender von 1986, aus dem Jahr, in dem ich 18 war. Der Kalender ist eng handschriftlich beschrieben und verhandelt Fragen zu meiner Identität im Dauerloop.


Which man? Daniel, Olli, Arnd? My math teacher? No one? Passages that now strike me as too private were blacked out in the process. Today's digital trace masks the analogue trace from decades ago. The censorship becomes a graphical addition, a drawing that pulls together the two different periods of time, separated by thirty-three years." (Alexandra Bircken)
Die Suche war das Thema. Welcher Mann? Daniel, Olli, Arnd? Mein Mathelehrer? Keiner? Subjektiv als zu privat empfundene Passagen wurden im Prozess nachträglich geschwärzt. Die digitale Spur von heute legt sich über die analoge von damals. Die Zensur wird zu einem zeichenhaften Zusatz, einer Zeichnung, der die beiden Zeitebenen, die 33 Jahre auseinander liegen, zusammenzurrt." (Alexandra Bircken)
Berlin 2019, 216 pages, 11 x 15,5 cm, Flexocover, English

Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends;

The publication “Jean-Frédéric Schnyder. Mappe A55” shows 17 female nudes from the “How To Paint (1973–75)” works series created according to the instructions of the DIY painting course of the same name by Walter T. Foster.

Das Operndorf Afrika ist zehn Jahre alt geworden. Was ist aus Schlingensiefs Vision, ein Operndorf im westafrikanischen Burkina Faso zu gründen, geworden? Werden dreißig Kilometer außerhalb der burkinischen Hauptstadt Ouagadougou nun Wagner-Opern inszeniert?

Als Blinky Palermo im Alter von 33 Jahren auf den Malediven starb, studierte Förg noch an der Münchner Akademie. Die beiden sind sich nie begegnet. Kann man trotzdem von einer Freundschaft der beiden sprechen? Nein, kann man nicht. Man muss!
When Blinky Palermo died unexpectedly in February 1977 while on a trip to the Maldives, he was 33 years old and Günther Förg studied at the Munich Academy of Fine Arts. So, Förg and Palermo never met.

Her most recent comic seemingly depicts Amelie von Wulffen’s own life. It stands in for a parody of the contemporary, female, mid-career artist.

Cet ouvrage est publié à l'occasion de l'exposition Amelie von Wulffen, à l'espace 315, Musée national d'art moderne du Centre Georges Pompidou, Paris, 2 mars-2 mai 2005.

This is an anthology of the artist’s collected comics from 2011 to 2020, only allegedly a casual branch of her practice. It includes November (2011) and At the cool table (2013) as well as lesser known, shorter comics of the last few years.

A catalogue as reader: the enclosed texts describe the nearly one hundred works the artist produced through the year 2020 under the name “Stefan Riebel”; these texts, however, are autonomous pieces of writing * in their own right.

THE LINE – Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth. This volume focuses on a segment that goes from the River Rhine to the High Alps extending through the territory of Liechtenstein. THE LINE is a project by the Institute for Linear Research, an independent research platform.

“I wanted a newspaper, the picture in my head was of someone slapping a fat stack of paper on the table in front of you, in your face, saying: Right, now it’s happened.” (Siggi Hofer)
The versatility that distinguishes Siggi Hofer’s exhibitions is also evident in a publication accompanying his current

A three-dimensional paper sculpture with eight different views. A pop-up book as an homage to the contemporary art book scene.

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

Vrach is Renaud Regnery's collection of all the sketches made for the painting of the same name: Vrach, 2019, plaster, acrylic paint and alkyd lacquer on wallpaper on canvas, 200 x 135 cm.

Each drawing in the Codification of intimacy is based on a chapter, a passage or a key word that Voigt has chosen to distill from Niklas Luhmann's Love as Passion (1982). Voigt began her drawings by first marking those passages in the text that triggered intuitive associations.

Through his photographs of lobbies captured in more than two hundred hotels in Vienna, Wolfgang Thaler has succeeded in portraying an entire city, the hybrid face with which it welcomes and takes leave of its guests, offcially and incognito. (Andreas Spiegl)

A corporate report as conceptual intervention

Im Notfall Meditation: der programmatische Titel erhebt den prekären und bedrohten Augenblick zur Dauer, er ist dem gleichnamigen Gedichtband von Frank O’Hara entnommen.

In case you don't usually take the bus around New York City, I highly recommend it - it's cheap and air-conditioned and you get to sit next to, and sometimes touch, people you don't know. There's plenty to see, inside and out: street action, fashion statements, and most of all, people...

Katalog zur Ausstellung im Mai 2007 im KW Institute for Contemporary Art

Queer Publishing - A Family Tree: The Queer Tree of Life maps the landscape of queer LGBTQ publishing between 1880 and 2019 in an international context.

Remake des in den 60er Jahren vierteljährlich erschienen Heftes "tips für sie".

“Tomorrow I will be going to Nassau, the Bahamas. For the duration of my stay, I’ll be posting a blog every day. But this won’t be a conventional travel blog."

'Untranslatables' is not a dictionary. It is not an encyclopaedia. It is not a language course, a grammar book or linguistic research: it is an imaginary word universe that shows gaps and (im)possibilities. It reflects the inability to name everything there is, and the indomitable human desire to do so. It is a colourful answer for the grey zone in our daily vocabularies.

The edition of Dénes Farkas’ artist’s book “Credo” consists of 592 books with 16 different covers and with content bound 16 times in different order.

A collection of seductive recent photographs taken in Paris, Rio, Buenos Aires, Las Vegas, Miami, 29 Palms, Costa Rica, India, New York.

It is not easy to translate into English the Italian word autoprogettazione. Literally it means auto = self and progettazione = design. But the term ‘self-design’ is misleading since the word ‘design’ to the general public now signifies a series of superficially decorative objects.

André Robillards Assemblagen faszinieren nicht nur, weil sie zugleich verspielt, poetisch und brutal sind. Sie bilden Universen, die auf hintergründige Weise die Geschichte des 20. Jahrhunderts reflektieren.

Schwarzgeld wird nicht in Tüten verpackt, auf denen Schwarzgeld steht. Anders bei Lakritzbonbons, die Erik Steinbrecher als Material für seine neue Arbeitsserie verwendet hat.

An endless bunk bed, resembling a stack of single beds. - Dimensions are reduced to child size. - Furnishings are identical. - Mattresses and duvets are covered with - white sheets.

Der italienische Künstler Mario Rizzi hat sieben Wochen lang im syrischen Flüchtlingscamp Zaazari in Jordanien gelebt.

Klangteppich 2010
(Psychodelic Supra Spirit)

wenn es gut riecht, dann schmeckt es auch.

Künstlerbuch zur Ausstellung mit einem literarischen Text von Moyra Davey und einer Antwort von Alison Strayer.

Seit 2003 werden von den beiden 1964 in Graz geborenen Künstlern Martin Behr und Martin Osterider unabhängig voneinander in regelmäßigen Abständen fotografische Streifzüge durch die Triester-Siedlung im Grazer Stadtteil Gries unternommen, in der die beiden aufwuchsen.

Long out of print and unavailable to wider audiences, "The Paper Snake" is an essential work in Ray Johnson’s oeuvre and the second title published by Dick Higgins’ Something Else Press, in 1965.

Ringier Jahresbericht 2008

Joan Jonas, geboren 1936 in New York, ist Künstlerin und Dozentin. Ihr Werk umfasst Performances, Videos, Installationen, Skulpturen und Zeichnungen. Sie lebt überwiegend in New York.