Jeremy Shaw’s artistic practice revolves around altered states of consciousness, belief systems, and the aesthetics of transformation.

Henri Chopin, a pioneer of sound poetry and radical typography, brings his unique voice to the artist’s book The Conference of Yalta.

KONKRET is an artist’s book by Erik Steinbrecher, published on the occasion of his exhibition Books & Prints at the Graphische Sammlung ETH Zürich.

Ingeborg Strobl (1949 – 2017) vereinte Grafik, Aquarell, Fotografie, Collage, Objekt und Text zu dichten Bild‑Gefügen, in denen Fundstücke aus Natur und Alltag ein neues poetisches Eigenleben erhielten.

Workbooks present an extensive book that gathers together a creative lifetime of collecting, imagining, sketching and recording by British artist Nigel Shafran from 1984-2024. Below, writer David Chandler reflects on Shafran's Workbooks:

Das vorliegende Künstlerbuch zeigt Linolschnitte von Matt Dillon und Marcel Hüppauff, die ebenfalls in einem wechselseitigen, gemeinsamen Prozess entstanden sind.

Territory is the second part of his editorial project on Ukraine. Through this book Rafael assumes to distance himself from the documentary to dive elsewhere. By choosing the negative, the rift it opens is spatiotemporal. Electric cables cut shards of carbon sky. Planted in dark snow or white mud : bare poles, destroyed huts, statues of Lenin...

Stretchy is an Art Magazine that is made purely of art works, it includes fiction, poetry, drawings, and Photography. Participants of the first issue - Merit Trapp, Keren Cytter, Pascal Leyer, Laris Maas, Minhae Kim, Anton Schmutzler, Mira Hyein Sung, Jonathan Hinz, Jana Nestler, Lim Kim, Birthe Langner, Rosa Glaser, Amarin Lawton, Chiaki Nakaune, Kenske Miyano, Alla Zhyvotova

this book follows a series of performances by the three artists: Yves Mettler, Erin Olivia Weber, Alexander Wolff

The book "Blod som skuggor i vatten" contains 72 drawings made during a two month period when the artist, Ingvild Hovland Kaldal, received treatment in hospital for a postpartum psychosis in 2013. The drawings are all made with charcoal on paper, and towels. They vary in their expression from abstract to figurative. The book can be seen as a journal from a state beyond time. A state that moves between heaven and hell, where chaos meets ecstasy and darkness is mixed with light.

David Schalko, known as the director and writer of series such as Altes Geld and Braunschlag, is releasing his first photo book, Geister. It is the collection of an obsession: Schalko’s creatures, which he continuously and everywhere discovers, are stains and marks on streets, in backyards, and most prominently on house walls and in stairwells.

‘Professor M looked down at his paunch and sighed. At 56 his physical decline, long established, hadn't got any easier to endure. Work didn't help. And neither would this meeting. In fact, he was dreading it. If she had shown his letter to the Dean he was done, and he knew it was his own doing. What a fool. He knew he had been kidding himself. Times had changed, and he knew that too.

»Also muss die Wahrnehmung eine instinktive Fähigkeit der Seele sein, basierend auf einer profunden und essentiellen Geometrie, jener Geometrie, die sich aus den einfachen Teilungen eines Kreises ableitet. All das hatte er schon seit langem für wahr gehalten. Nun machte es sich daran, den kurzen Schritt zur Fusion von Symbol und Objekt zu tun. Der Kreis ist der Träger der reinen Harmonien, reine Harmonien wohnen der Seele inne, also sind Seele und Kreis eins.« aus Kepler von John Banville

A discreet, yet unapologetic, feminist reading of the past and present with a particular focus on deconstructing inherited notions of identity and gender. It seeks to examine the impact these have had on contemporary relational modalities in order to find new capacities to dissect the resulting interpersonal dynamics. There is a wish to pause automatisms that suffocate the mind.

"Polaroid Portraits" is published following "Performing Light, a retrospective exhibition of Ulay that was on view from September 9 to October 22, 2000 in De Appel Foundation.

(Italian – empty: vuòto) An artist’s book with projects by Alison Jones, Josephine Meckseper, Martha Rosler, Milly Thompson, Nicole Wermers and an ‘editorial’ by Nina Power.
Published for the exhibition Évasion, 2012: “Mirroring the luxury magazine, VUOTO embodied the essence of the show, being both a collection of critical artworks and high-end self-objectification.

Dia Art Foundation commissioned Thomas Hirschhorn to build Gramsci Monument, an excessive outdoor sculpture that measured 8,000 square feet and was located on the grounds of Forest Houses,in New York (Bronx). On display for 77 days, with daily and weekly events organized by the artist, Gramsci Monument concluded Hirschhorn’s series of “monuments” dedicated to philosophers, which began in 1999.

For the first time, this publication brings together the Mosaic works by the British artist Stephen Willats, which were created in Great Britain and Finland in the 1990s. In these works, Willats uses the medium of the book to enter into an exchange with people and to create a space in neighborhoods, museums, and bookstores where social bonds can be established. It is a collaborative process through which Willats redefines the web of relationships between artist, artwork, audience and society; a process of instituting in which the artwork becomes its own institution.

With contributions by Jamie Allen, Bernhard Garnicnig, Elsa Himmer, Lucie Kolb and Stephen Willats.

In Text und Fotografie hinterfragt das Buch von Claire Laude anhand von Beispielen aus zwei Mittelmeerländern, Italien und Griechenland, unsere Beziehung zur Erde und den Begriff der Spuren und ihrer Beständigkeit in der Landschaft. Welche Spuren können die Geschichte und die Aktivitäten der Menschen in einer ländlichen Landschaft hinterlassen?

Lois Weinberger - Debris Field. Publikation, Herausgeber: documenta und Museum Fridericianum GmbH, Kassel 2017, 218 Seiten, ca. 500 Abbildungen, Design: VIER5/Paris, Texte: Harald Stadler, Beatrix Nutz und Lois Weinberger.

Zum 100. Geburtstag von Inge Morath in diesem Jahr erscheint in der FOTOHOF>EDITION ein Doppelband von zwei selten gezeigten Fotoserien. Beide Bücher nehmen sich Themen im Werk von Inge Morath an, die nicht zum Mainstream ihrer Arbeit gehören, die aber eine ganz besondere Qualität besitzen.

Eine blecherne Taschenlampe mit einer runden Glaslinse und diesem kleinen Schalter, an dem immer wieder der Fingernagel hängenblieb. Eine Farbfilmdose von Agfa, die grobe, altmodische Küchenreibe (ich benutze sie immer noch) und vieles mehr… Dinge.

The book ...Umas […Some] begins before I existed. First of all, because of the artist's own connection with the newspaper: Lenora de Barros worked for many years behind the production of magazines and newspapers, artistically thinking the process of some of the main publications that still circulate in Brazil. The newspaper Folha de São Paulo, as it is known today, also has a lot of her touch.

Cocoon or Carcass. Past or Future. Building the ruin. This edition pays close attention to the metaphorical structures and cultural crisis in South West Cornwall.

Plunder the silver crust. Fill the stained valleys. Deeper into the subterranean. The shocks, the rocks, the flash. Echoes of our old faith tearing loose the earth. Photographs from the Wheal Maid Copper Mine, Gwennap, Cornwall, 2023.

Inside this box is a book that holds thirteen letters written between 2019 and 2022 by the artist Yamine Elmelegy to the sculptor and industrialist Fathy Mahmoud (1918-1982). Yasmine never met Fathy Mahmoud but started writing

A multifaceted play with language and meaning can be grasped in their work and exhibition titles. In their practice, they have been working against the grain of some of the art world’s conventions, from medium specificity to questions of branding and commodification.

Sarah Dobai’s The Donkey Field weaves a link between a racist attack in on a young boy and the story of the persecution of Marie and Balthazar in the acclaimed film Au Hasard Balthazar (Robert Bresson, 1966).

C21ST RECENT HISTORY: Handmade in an edition of 100, B&W digital and four-colour riso plates on Munken Pure smooth 120gsm paper, Stardream Metallic SILVER 120gsm, Xerox Bright White coated 170gsm with matt black foil debossed Fedrigoni Ultra Black 185gsm boards; pearl Plastikoils binding;

The photographs that are included in this book form part of the archive of the photographer Alberto Flores Varela. The majority were taken

The publication is developed as a reflection on books as archives of touch. Visiting our local public library, the Philipp Schaeffer Bibliothek in Berlin, we checked out a selection of books that caught our attention. Bringing them home, we took photographs of handling and reading the books, which we then printed out and inserted back into the books. Following this, we returned books to the library with these hidden pages added.

Based on intuition, humor and affection, Jeremy Deller (London, 1966) has explored the ethos of the popular in English culture, that is, the manifestations of social imagination within the framework of a post-industrial capitalist society. .

Noa the Boa is a slave to fashion with the heart of an actor and an obsession with celebrity. He becomes luxurious leather accessories for illustrious clients - from Grace Kelly\ s pillow to the codpieces at the Folies Bergere.&Uumlber den Autor.

With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests. Each issue present around fifteen contributions, in both texts and images. Artists, writers, scientists and specialists in all kind of fields are invited to contribute and intervene in a sober and efficient layout already acknowledged by the London Design Museum in its exhibition Best European Design 2005.

“Casa Azul” (Blue House) is part of a socio-visual developed with the sociologist research Chloé Constant, about the life histories of five trans women imprisoned in a male penitentiary in Mexico City. Nr. 302/460, Nr. 277/460

Stijn van der Linden's photobook is an exploration of how spaces become spaces and how photography can influence this process, presenting a scientifically detailed, in-depth analysis of an urban feature seen in every city: the concave corner.

Dear world you have made the persons slow uses the World Health Organization's collected 2020 press statements about COVID-19 as its source material. Composed using blackout poetry, the project casts light on the ongoing and mostly unconscious consumption of online information.

Featuring contributions by Tristan Duke, Christian Egger, Milano Chow, Miriam Jung, R.M. ­Erdahl, Jutta Koether, Mariam Akubardia & Guram ­Sakvarelidze, Christian Kosmas Mayer & GPT-3, Rosa Aiello, Matthias Meyer, Loji ­Höskuldsson, Oli Surel, Mathias Kessler & ­Chiara ­Juriatti, Krasimira ­Stikar & an ­Interview with Monika Rinck.

Das plastische Werk von Ursula Burghardt (1928–2008) ist von einer fortwährenden Auseinandersetzung mit dem Alltäglichen geprägt. Mit unterschiedlichsten Materialien und Techniken formte, modifizierte und transformierte sie alltägliche Gegenstände zu überraschenden, die Sehgewohnheiten unterlaufenden Werken.

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book’s final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Àmor is an exploration. Roberto Timperi’s gaze leads us into an uncanny underground world where we survive despite the curse that seems to have affected everything by now, and for good. A world where new forms of filterless beauty are possible, and every corruption is holy. Àmor is the livid portrait of a humanity raging and beating in the city’s deepest heart.

News Cuts brings together twenty-two images selected from Olaf Nicolai’s personal archive of newspaper clippings. Each image is accompanied by a collage of quotes compiled from different kinds of sources,

In 2022 the Niagara Region welcomes the Canada Games; 2022 also marks the reintroduction of the Indigenous game of lacrosse. By thematizing lacrosse, this book celebrates the role sport plays in promoting cultural diversity.

First published in Italy in 1956, Bruno Munari's »In the Darkness of the Night« tells the tale of an interconnected, intimate yet expansive journey across three settings—in the darkness, through a meadow, and into a mysterious cave—through a spellbinding combination of paper stocks, transparencies, cutouts, and simple but lively characters. This timeless artist's book, available in a new English edition, is a must-have for Munari fans, designers, bibliophiles, and lovers of exceptional book design.

On display forty Mongolfiere, made with recycled materials, objet trouvé and natural elements, each dedicated to a desire. The project was born in the spring of 2020 when, in response to the isolation imposed by the pandemic, the artist asked friends, family and colleagues to express a desire to be shaped, leaving all of them free to follow the flow of their thoughts and aspirations. This freedom gave birth to a choral discourse, made up of a set of desires all different from each other but united by the same strength and determination.

In Noir – A Serendipitous Encyclopedia Inspired by 1001 Names for the Color Black graphic designer Sandra Praun takes on the color black and the language that charges it with a variety of characteristics. The book consists of three parts:

On the occasion of the exhibition Die fünfte Säule [The fifth column], curated by Moritz Küng, Joëlle Tuerlinckx presents the lecture-performance Les moments d?espace ? lecture for YouTube in 591 panels (version 17.11.11) and the publication Moments d?espace.
On 591 PowerPoint pages the artist describes her subjective and partially autobiographical thoughts concerning the paradox of space in the form of ?textimages? in French with English subtitles. While these are projected uncommented, Tuerlinckx improvises a musicalpiece on a first-generation Casio synthesizer.

Dance and musical improvisation are ephemeral expressions urging us to embrace the moment in thoughtful joy. Devon Fornelli’s improvisations documented here are two performances:

The photo of a woman’s leg stepping onto an open book when climbing out of bed served as inspiration.
I asked some of my friends to take a picture for me according to these guidelines. They should photograph themselves stepping on a book with their bare feet. It was agreed that the authors of the photos remain anonymous

American artist Vija Celmins (b. 1938) is widely admired and respected for her sublime images of night skies and ocean waves. "Vija Celmins:

Dedicated to his friend and mentor Peter Hujar, Salters Cottages is an artist’s book of stills from a short film Schneider made in 1981 at Salters Cottages, a summer seaside cottage community on Long Island, New York.

This project documents Sudan, the last white rhinoceros of North Africa. Sudan lived his life inside the Prague zoo, before being transferred to Kenya for reproduction and specie preservation. Sudan lives under armed protection.

Can an autobiographical tale tell the personal stories of many? This is what Rubén H. Bermúdez achieves through the pages of the photo book 'And you, why are you black?" where, starting from an investigation into the origins of black slavery in Spain, the author constructs an autobiographical tale that acts as a political essay, rescuing his memory captured in the images, conversations and symbols that marked his life and thus narrates the everyday and the extraordinary of a society seen from a black perspective.

This small publication is an edited reprint of the essay ‘The Book in Intermediary Form’ written by Kasper Andreasen. It was originally published in 2011 by Wintertuin, Nijmegen as part of a compilation about the future of the book. The essay argues for a possible scenario leading up to a hypothesis about an audio­visual book. How can artists’ books be audio­visual objects?

What is the lesson of the vine? I asked artists, writers and winegrowers the question and their responses, reflections and songs are gathered together in this publication. Textual images are roused and conjured up, such as the insatiable mouth of the winelouse devouring the language of the vine; or the surge and flow of the vine-triloquist speaking in intoxicated tongues; nocturnal fires in the vineyards; gardens of paradise and gardens of errors.

KARL HOLMQVIST, WORD SQUARES. COMPAGNIA/MOTTO BOOKS 2017,
ISBN 978-2-940524-62-4. PUBLISHED WITH THE KIND SUPPORT OF THE CENTRE D’ART CONTEMPORAIN, GENEVA, TO COINCIDE WITH THE ARTIST’S EXHIBITION, 31.5.– 27.8.2017.

Jenisch-Feu – Third Variation is a publication documenting a series of paintings by artists Thomas Koenig and Vianney Fivel.

Der Antist versteht sich als Kunstzeitschrift der Wiener Avantgarde. Das Projekt des Künstlers Lukas Pusch ist eine künstlerische Plattform für radikale und anarchische Positionen jenseits des handzahmen und staatlich subventionierten österreichischen Mainstreams.