Last year we traveled to China to begin filming a remake of Metropolis.

TL CS PP DS was published on the occasion of Sophie Thun’s exhibition at the Secession in 2020.

In his collages, films, and architectural stagings, David Maljković engages critically with the legacy of modernism. Central to his practice are sculptural and

Salt’n Vinegar presents a series of photographs created by A-chan in her New York home and during travels between 2011 and 2013.

Cited as the first Conceptual art exhibition and responsible for spawning decades of lousy Xeroxed artists’ books,

Ode to Happiness is a grown-up's picture book, a charming reminder not to take oneself too seriously.

Si je m'abandonne à mes souvenirs, je ressens encore l'excitation quand je tournai le coin de la rue des Mimosas, à la recherche de la maison de René Magritte. Nous étions en aout 1965.

Ottinger's Paris: The Paris of the 1960s, marked by political upheaval, was a magnet for artists from all over the world and a pulsating stream of energy between trauma recovery and European utopia.

Avec la participation de Gleize - Notley - Poitrasson - Broqua - Boulard, Laure Gauthier et les étudiantes des Arts Décoratifs/PSL.
Inclut également les "bonnes feuilles" du roman de Chloé Delaume "Ils appellent ça l'amour".

An early selection of Marc Nagtzaam’s text-based drawing samples, this publication reflects a formative phase in the Dutch artist’s practice in which writing,

Between 1969 and 1973, Vito Acconci's creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in

Jeff Weber: "The Kunsthalle Leipzig was a long-term project in the form of an art space (until 2017). I started in 2013 by renovating a former apartment of an abandoned

Before the beginning of the Second Intifadah in 2000, Efrat Shvily, an Israeli-born photographer, started work on the series Palestinian Cabinet Ministers,

In 1966, Mel Bochner, then-young instructor at the School of Visual Arts in New York was asked to organize a “Christmas show on drawings,” to run

Nostalgia by David Horvitz is an artist’s book that explores memory as a fragile, unstable process rather than a fixed archive.

The Scene (Berlin) series consists of a combination of images reflected in a mirror and images obtained by scanning

Hedwig’s Betrayal frames these works within a broader inquiry into how images can embody conflict, vulnerability, and

1954, Drawings on a Bus: Sketchbook 23 offers a rare and intimate look into Ellsworth Kelly’s early drawing practice.

In his own lifetime, Swiss artist Xanti Schawinsky was best known for the theatrical work he developed at the Bauhaus.

I Want to Take Picture is a key artist’s book by Bill Burke documenting his travels through Southeast Asia in the early 1980s, particularly Thailand, Burma

In this darkly delightful first monograph--also a board book--Thomas Allen selects the pulpiest of pulp paperbacks and then lovingly slices out a figure from the cover,

In 1911, Agust Klipstein and his friend Charles-Édouard Jeanneret (the later Le Corbusier) set off on a seven-month trip to “the Orient”.

Photographer, collector, philanthropist and businessman Jean Pigozzi (born 1952) has spent much of the past four decades compiling a frank and humorous taxonomy of the international glitterati with which he surrounds himself.

The premise of this book couldn't be simpler: 130 photographs of British bad boy artist Damien Hirst by the great British fashion photographer David Bailey, taken during a single shoot lasting eight minutes.

Alfred Hofkunst hat alle Grenzen überschritten und wurde nicht zuletzt deswegen ein enger Freund von Jean Tinguely und Bernhard Luginbühl.

Whether it was waged at Pitcairn Island, Nagasaki, or the Falkland Islands, whether during the Han Dynasty, the English Empire, or the Cold War, battles have been fought, people slaughtered, women raped, children orphaned, and so on, as the pages of history turn.

John Smith’s films unfold at the intersection of conceptual art, structural film, and documentary practice, drawing consistently on his own life and immediate surroundings.

Das Künstlerbuch 54 / 55 zeigt Michael von Biels zeichnerische Arbeit Ende 2004/Anfang 2005: auf 32 Seiten mit 24 Abbildungen in

Nobson Newtown ist ein kleines Künstlerbuch von Paul Noble, das eine Auswahl seiner frühen Zeichnungen zur gleichnamigen fiktiven Stadt zeigt.

Wire / Works von Jack Sal ist ein kleines Künstlerbuch, das eine Reihe von Arbeiten zeigt, in denen der Künstler mit Draht, Linie und reduzierter Materialform arbeitet.

Sehungen von Gerd Bonfert versammelt bildnerische Arbeiten, in denen der Künstler Wahrnehmung,

The title 272 pages minus 232 equals celluloid refers to a process of subtraction, transformation, and recontextualization.

Jeremy Shaw’s artistic practice revolves around altered states of consciousness, belief systems, and the aesthetics of transformation.

Henri Chopin, a pioneer of sound poetry and radical typography, brings his unique voice to the artist’s book The Conference of Yalta.

KONKRET is an artist’s book by Erik Steinbrecher, published on the occasion of his exhibition Books & Prints at the Graphische Sammlung ETH Zürich.

Ingeborg Strobl (1949 – 2017) vereinte Grafik, Aquarell, Fotografie, Collage, Objekt und Text zu dichten Bild‑Gefügen, in denen Fundstücke aus Natur und Alltag ein neues poetisches Eigenleben erhielten.

Workbooks present an extensive book that gathers together a creative lifetime of collecting, imagining, sketching and recording by British artist Nigel Shafran from 1984-2024. Below, writer David Chandler reflects on Shafran's Workbooks:

Das vorliegende Künstlerbuch zeigt Linolschnitte von Matt Dillon und Marcel Hüppauff, die ebenfalls in einem wechselseitigen, gemeinsamen Prozess entstanden sind.

Territory is the second part of his editorial project on Ukraine. Through this book Rafael assumes to distance himself from the documentary to dive elsewhere. By choosing the negative, the rift it opens is spatiotemporal. Electric cables cut shards of carbon sky. Planted in dark snow or white mud : bare poles, destroyed huts, statues of Lenin...

Stretchy is an Art Magazine that is made purely of art works, it includes fiction, poetry, drawings, and Photography. Participants of the first issue - Merit Trapp, Keren Cytter, Pascal Leyer, Laris Maas, Minhae Kim, Anton Schmutzler, Mira Hyein Sung, Jonathan Hinz, Jana Nestler, Lim Kim, Birthe Langner, Rosa Glaser, Amarin Lawton, Chiaki Nakaune, Kenske Miyano, Alla Zhyvotova

this book follows a series of performances by the three artists: Yves Mettler, Erin Olivia Weber, Alexander Wolff

The book "Blod som skuggor i vatten" contains 72 drawings made during a two month period when the artist, Ingvild Hovland Kaldal, received treatment in hospital for a postpartum psychosis in 2013. The drawings are all made with charcoal on paper, and towels. They vary in their expression from abstract to figurative. The book can be seen as a journal from a state beyond time. A state that moves between heaven and hell, where chaos meets ecstasy and darkness is mixed with light.

David Schalko, known as the director and writer of series such as Altes Geld and Braunschlag, is releasing his first photo book, Geister. It is the collection of an obsession: Schalko’s creatures, which he continuously and everywhere discovers, are stains and marks on streets, in backyards, and most prominently on house walls and in stairwells.

‘Professor M looked down at his paunch and sighed. At 56 his physical decline, long established, hadn't got any easier to endure. Work didn't help. And neither would this meeting. In fact, he was dreading it. If she had shown his letter to the Dean he was done, and he knew it was his own doing. What a fool. He knew he had been kidding himself. Times had changed, and he knew that too.

»Also muss die Wahrnehmung eine instinktive Fähigkeit der Seele sein, basierend auf einer profunden und essentiellen Geometrie, jener Geometrie, die sich aus den einfachen Teilungen eines Kreises ableitet. All das hatte er schon seit langem für wahr gehalten. Nun machte es sich daran, den kurzen Schritt zur Fusion von Symbol und Objekt zu tun. Der Kreis ist der Träger der reinen Harmonien, reine Harmonien wohnen der Seele inne, also sind Seele und Kreis eins.« aus Kepler von John Banville

A discreet, yet unapologetic, feminist reading of the past and present with a particular focus on deconstructing inherited notions of identity and gender. It seeks to examine the impact these have had on contemporary relational modalities in order to find new capacities to dissect the resulting interpersonal dynamics. There is a wish to pause automatisms that suffocate the mind.

"Polaroid Portraits" is published following "Performing Light, a retrospective exhibition of Ulay that was on view from September 9 to October 22, 2000 in De Appel Foundation.

(Italian – empty: vuòto) An artist’s book with projects by Alison Jones, Josephine Meckseper, Martha Rosler, Milly Thompson, Nicole Wermers and an ‘editorial’ by Nina Power.
Published for the exhibition Évasion, 2012: “Mirroring the luxury magazine, VUOTO embodied the essence of the show, being both a collection of critical artworks and high-end self-objectification.

Dia Art Foundation commissioned Thomas Hirschhorn to build Gramsci Monument, an excessive outdoor sculpture that measured 8,000 square feet and was located on the grounds of Forest Houses,in New York (Bronx). On display for 77 days, with daily and weekly events organized by the artist, Gramsci Monument concluded Hirschhorn’s series of “monuments” dedicated to philosophers, which began in 1999.

For the first time, this publication brings together the Mosaic works by the British artist Stephen Willats, which were created in Great Britain and Finland in the 1990s. In these works, Willats uses the medium of the book to enter into an exchange with people and to create a space in neighborhoods, museums, and bookstores where social bonds can be established. It is a collaborative process through which Willats redefines the web of relationships between artist, artwork, audience and society; a process of instituting in which the artwork becomes its own institution.

With contributions by Jamie Allen, Bernhard Garnicnig, Elsa Himmer, Lucie Kolb and Stephen Willats.

In Text und Fotografie hinterfragt das Buch von Claire Laude anhand von Beispielen aus zwei Mittelmeerländern, Italien und Griechenland, unsere Beziehung zur Erde und den Begriff der Spuren und ihrer Beständigkeit in der Landschaft. Welche Spuren können die Geschichte und die Aktivitäten der Menschen in einer ländlichen Landschaft hinterlassen?

Lois Weinberger - Debris Field. Publikation, Herausgeber: documenta und Museum Fridericianum GmbH, Kassel 2017, 218 Seiten, ca. 500 Abbildungen, Design: VIER5/Paris, Texte: Harald Stadler, Beatrix Nutz und Lois Weinberger.

Zum 100. Geburtstag von Inge Morath in diesem Jahr erscheint in der FOTOHOF>EDITION ein Doppelband von zwei selten gezeigten Fotoserien. Beide Bücher nehmen sich Themen im Werk von Inge Morath an, die nicht zum Mainstream ihrer Arbeit gehören, die aber eine ganz besondere Qualität besitzen.

Eine blecherne Taschenlampe mit einer runden Glaslinse und diesem kleinen Schalter, an dem immer wieder der Fingernagel hängenblieb. Eine Farbfilmdose von Agfa, die grobe, altmodische Küchenreibe (ich benutze sie immer noch) und vieles mehr… Dinge.

The book ...Umas […Some] begins before I existed. First of all, because of the artist's own connection with the newspaper: Lenora de Barros worked for many years behind the production of magazines and newspapers, artistically thinking the process of some of the main publications that still circulate in Brazil. The newspaper Folha de São Paulo, as it is known today, also has a lot of her touch.

Cocoon or Carcass. Past or Future. Building the ruin. This edition pays close attention to the metaphorical structures and cultural crisis in South West Cornwall.

Plunder the silver crust. Fill the stained valleys. Deeper into the subterranean. The shocks, the rocks, the flash. Echoes of our old faith tearing loose the earth. Photographs from the Wheal Maid Copper Mine, Gwennap, Cornwall, 2023.

Inside this box is a book that holds thirteen letters written between 2019 and 2022 by the artist Yamine Elmelegy to the sculptor and industrialist Fathy Mahmoud (1918-1982). Yasmine never met Fathy Mahmoud but started writing

A multifaceted play with language and meaning can be grasped in their work and exhibition titles. In their practice, they have been working against the grain of some of the art world’s conventions, from medium specificity to questions of branding and commodification.