An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book’s final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Spanning 500 years of colonial destruction, human trafficking and blood sucking, Nosferasta is a Rastafarian vampire film that reimagines Oba’s origin story in the late 15th century, when he is seduced by the vampire Christopher Columbus, ensuring his undying allegiance to the colonial project. Combining film forms and jumping across multiple timelines,

Àmor is an exploration. Roberto Timperi’s gaze leads us into an uncanny underground world where we survive despite the curse that seems to have affected everything by now, and for good. A world where new forms of filterless beauty are possible, and every corruption is holy. Àmor is the livid portrait of a humanity raging and beating in the city’s deepest heart.

STURM OF LOVE ist der Abdruck eines SMS-Austausches zwischen einem anonymen Paar. Dieser Austausch gibt sehr intime, voyeuristische Einblicke in eine Beziehung und beleuchtet die abgründigen Seiten von Kommunikation im postdigitalen Zeitalter. Der SMS-Austausch, läuft in zwei parallelen Spalten durch das ganze Buch, inklusive Cover. Das Impressum befindet sich auf einem Lesezeichen aus Neon-Papier.

es ist kein buch im eigentlichen sinn … es ist eine art faltschachtel, in der sich eine vulkanische expedition abspielt … es gibt ein langes panorama mit über 235 figuren … menschlichen und nicht-menschlichen … inspiriert unter anderem ....
it's not exactly a book … it's a kind of folder which contains a volcanic excursion … there is a long panorama with more than 235 characters … humans and non-humans … partly inspired by diego rivera's murals and inhabited by klimt's gorgons and typhoeus, among many others.

The Error is Regretted is the 20-year anniversary publication of Anita Di Bianco's project Corrections and Clarifications. Next to a new 96-page newspaper edition, that reflects the current news, the book contains text contributions by Anita Di Bianco, Anna Bromley, Francesco Gagliardi and Florian Wüst.

The Dark Redacted published in April 2020 by the Small Walker Press in their Invisibility series, featuring ten of my drawings, prose by acclaimed writer Gary Barwin, publication design by Lauren Wickware, and printed by Andora Graphics.

With her “notebook of dreams” Dineo Seshee Bopape transports you into the world of African scents. Nothing distracts.

This is the story of what happens after your property and after your progress … it’s over.
"Everything But the World: The Complete Annotated Screenplay" constitutes a scrapbook of the making of a pilot.

“I wanted a newspaper, the picture in my head was of someone slapping a fat stack of paper on the table in front of you, in your face, saying: Right, now it’s happened.” (Siggi Hofer)
The versatility that distinguishes Siggi Hofer’s exhibitions is also evident in a publication accompanying his current

News Cuts brings together twenty-two images selected from Olaf Nicolai’s personal archive of newspaper clippings. Each image is accompanied by a collage of quotes compiled from different kinds of sources,

This book is an extension and continuation of an artwork titled Proposal for a House Museum of an Unknown Crying Man by artist Mahmoud Khaled, in which he imagines a house museum for an anonymous person who has entered Egypt’s queer history as an „Unknown Crying Man“ and iconic image.

"18 Autoren rätseln. Sie wundern sich über die Bedeutung eines Zeichens. In WHAT teilen sie in kurzen Stücken mit, was Ihnen durch den Kopf schwebt, in Hirnwindungen hängen bleibt und schreibend zu Blatt gelangt.

E. Pauline Johnson, Tekahionwake (1861-1913) is a writer, poet and performer who drew upon her Canadian and Mohawk upbringing on the Six Nations of the Grand River and Brantford in Upper Canada/Ontario. Landon Mackenzie is a Canadian artist, living on the unceded traditional lands of the Coast Salish.

In 2022 the Niagara Region welcomes the Canada Games; 2022 also marks the reintroduction of the Indigenous game of lacrosse. By thematizing lacrosse, this book celebrates the role sport plays in promoting cultural diversity.

Four Seasons ist ein einzigartiges Künstlerbuch, das Yuji Agematsus bekannten zips gewidmet ist: winzigen Skulpturen aus zu neuem Leben erwecktem Abfall, den Agematsu bei seinen täglichen Spaziergängen im New Yorker Stadtraum aufsammelt,

First published in Italy in 1956, Bruno Munari's »In the Darkness of the Night« tells the tale of an interconnected, intimate yet expansive journey across three settings—in the darkness, through a meadow, and into a mysterious cave—through a spellbinding combination of paper stocks, transparencies, cutouts, and simple but lively characters. This timeless artist's book, available in a new English edition, is a must-have for Munari fans, designers, bibliophiles, and lovers of exceptional book design.

A three-dimensional paper sculpture with eight different views. A pop-up book as an homage to the contemporary art book scene.

Comprising a single roll of film, the photographs presented in this book capture the bespoke furniture designed by Charlotte Perriand in 1961 for use in the rooms of Building E of the United Nations complex in Geneva.

“The Radiant City” is a series of faux-panorama photographs that document transgressions and anomalies within the planned space of the large socialist housing estates, in Budapest, Hungary.

My Kingdom for a Title is a collection of writing by Chicago–based artist Pope.L documenting his use of language as a mode of visual, narrative, and performative story telling.

Small Sculptural Statements is a book of poetry and a book of sculpture. It is a book of poetic sculpture. It is the poetry of our time, one line at a time, one line a page. The text appears as though edited in a manuscript with words crossed out and the edits written above. It is a collection of Garnet’s small sculptural statements produced from 2004 to 2020.

On display forty Mongolfiere, made with recycled materials, objet trouvé and natural elements, each dedicated to a desire. The project was born in the spring of 2020 when, in response to the isolation imposed by the pandemic, the artist asked friends, family and colleagues to express a desire to be shaped, leaving all of them free to follow the flow of their thoughts and aspirations. This freedom gave birth to a choral discourse, made up of a set of desires all different from each other but united by the same strength and determination.

Begun on Instagram in 2017 as part of Bader’s exhibition at Museo Madre in Naples, @rt_rhyme is a series of photographs that pair artworks (identified by artist (sur)name) with various rhyming objects or actions: spoons in front of a Koons, cobble held next to a Schnabel, Sherman matched with some German and a crawl below a Saul.

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

Mister Spare owns a pen that can write 320 miles. That's how the pen was sold to Mister Spare: as a 320-mile pen. But Mister Spare isn't going anywhere. Mister Spare writes in the same notebook every day.

The Repetition Festival Show Tessa Giblin, Saskia Vermeulen, Rhea Gaardboe Dall, Andrea Viliani Parution date: 2011
Publication at the occasion of the solo show of Clemens von Wedemeyer at Kunsthal Charlottenborg, Copenhagen, March-May, 2011.
The exhibition was originally curated by Tessa Giblin for Project Art Center, Dublin, and will travel to Fondazione Galleria Civica, Trento.

"Short Term Eternity" brings together two artists – Gordon Matta-Clark (1943–1978, USA) and Anu Vahtra (1982, Estonia) – whose practices are related to each other in many ways, even if they are born in different times and locations. The aim of the book is not

The motifs produced during time-intensive dyeing processes – which uses indigo, urine, and extracts of natural waste materials – are neither conventional fabric nor lace patterns, and they have only a distant relationship to batik painting. Yet, they are simulations and portraits of both.

Osawatomie is a direct allusion to the eponymous battle waged by the abolitionist John Brown of whom Victor Hugo at the time of saving him from hanging says "Yes, let America know and think about it, there is something more frightening than Cain killing Abel, it is Washington killing Spartacus".

In Noir – A Serendipitous Encyclopedia Inspired by 1001 Names for the Color Black graphic designer Sandra Praun takes on the color black and the language that charges it with a variety of characteristics. The book consists of three parts:

170 drawings of the same beautiful cock. What’s wrong with a cock? Nothing at all. Even less if it is the most beautiful cock in the world, because a cock doesn’t mean anything but itself: source of life, source of pleasure. The life drawings in this book, made with delight and admiration, claim to pay tribute tothe most beautiful cock in the world.

Fake Star is a story about a plaster copy of a meteorite and its original, about an emerging nation aiming to prove its worth at the Paris World Exposition 1900, about encounter of King Oscar ll of Sweden, and the Russian representative at the pavilion of Finland, Prince Tenisheff.

Vrach is Renaud Regnery's collection of all the sketches made for the painting of the same name: Vrach, 2019, plaster, acrylic paint and alkyd lacquer on wallpaper on canvas, 200 x 135 cm.

On the occasion of the exhibition Die fünfte Säule [The fifth column], curated by Moritz Küng, Joëlle Tuerlinckx presents the lecture-performance Les moments d?espace ? lecture for YouTube in 591 panels (version 17.11.11) and the publication Moments d?espace.
On 591 PowerPoint pages the artist describes her subjective and partially autobiographical thoughts concerning the paradox of space in the form of ?textimages? in French with English subtitles. While these are projected uncommented, Tuerlinckx improvises a musicalpiece on a first-generation Casio synthesizer.

Dance and musical improvisation are ephemeral expressions urging us to embrace the moment in thoughtful joy. Devon Fornelli’s improvisations documented here are two performances:

“Arc” by award-winning author Paul Savoie is a poem which captures the pensive impressions of a moment and is suffused with a quiet musicality.

The photo of a woman’s leg stepping onto an open book when climbing out of bed served as inspiration.
I asked some of my friends to take a picture for me according to these guidelines. They should photograph themselves stepping on a book with their bare feet. It was agreed that the authors of the photos remain anonymous

A digest of magazines around the world edited by Maurizio Cattelan and Paola Manfrin, Permanent Food is a cannibal magazine. Bound together in each issue of this periodical of pilfering from Maurizio Cattelan and Paola Manfrin is a thoroughly bewildering, amusing, grotesque, and blasé selection of images culled from anywhere, everywhere, and nowhere.

Francesco Clemente wie man ihn kennt: eine Bildsprache, die aus einer Vielzahl von Symbolen, Mythen, Kulturen und Philosophien schöpft. Aufgeladen von Erotik seine Frauenporträts, die er in Pastelltechnik auf Rives Papier schuf.

his intimate book explores Broy Lim’s realization of his homosexuality in his hometown of Singapore, where it still remains illegal. Combining personal texts and photos, and now they know narrates Lim’s sexual identity and his nine-year relationship with his partner, while also representing the broader struggle of many youths who navigate their sense of self in conservative heteronormative societies.

A Small Retrospective From Three Decades

American artist Vija Celmins (b. 1938) is widely admired and respected for her sublime images of night skies and ocean waves. "Vija Celmins:

Zoe Leonard’s You see I am here after all brings together thousands of postcard images of the “great cataract,” Niagra Falls, from the early 1900s through the 1950s. This grand accumulation of viewpoints brings up issues as diverse as human interventions with nature and the function of landscape in inventing American historical narratives, as well as the technological evolution of image reproduction and dissemination.

Each drawing in the Codification of intimacy is based on a chapter, a passage or a key word that Voigt has chosen to distill from Niklas Luhmann's Love as Passion (1982). Voigt began her drawings by first marking those passages in the text that triggered intuitive associations.

Trained as an agronomic engineer, Carsten Höller (born 1961) is known for his frequent use of mushrooms as a motif and theme in his installations and projects.

Dedicated to his friend and mentor Peter Hujar, Salters Cottages is an artist’s book of stills from a short film Schneider made in 1981 at Salters Cottages, a summer seaside cottage community on Long Island, New York.

Andy Boots Werk überbrückt die schwierige Grauzone zwischen dem Fassbaren und dem Digitalen. In seinen gleichermaßen konzeptuellen wie poetischen Objekten und Gemälden gelingt es dem Künstler, Ideen, Orte und Prozesse zu verwirklichen, die sonst in einer Welt, die sich zu oft blind auf Technologie verlässt, verborgen geblieben wären. Wir unterhielten uns mit Andy Boot über seinen Umzug von Australien nach Österreich, seine Faszination für Blockchain und natürlich über das konzeptuelle Fundament seiner Arbeit.

This project documents Sudan, the last white rhinoceros of North Africa. Sudan lived his life inside the Prague zoo, before being transferred to Kenya for reproduction and specie preservation. Sudan lives under armed protection.

Dangerous Bodies brings together artist Barbara Kapusta’s recent writing. Designed by Sabo Day Font: Silom, Dangerous Bodies

Can an autobiographical tale tell the personal stories of many? This is what Rubén H. Bermúdez achieves through the pages of the photo book 'And you, why are you black?" where, starting from an investigation into the origins of black slavery in Spain, the author constructs an autobiographical tale that acts as a political essay, rescuing his memory captured in the images, conversations and symbols that marked his life and thus narrates the everyday and the extraordinary of a society seen from a black perspective.

In Klara Kayser's water-proof pocket book of poetry, Hygiene, the Düsseldorf-based artist nibbles at the surfaces of our bodies, desires, and ideas and through words constitutes what washes off and what sticks. Kayser's interest in the human body is a theology of slapstick, translating form into a poetic language that hums the dramatic rhythm of a pick-me-up-and-drop-me-low pop song.

This small publication is an edited reprint of the essay ‘The Book in Intermediary Form’ written by Kasper Andreasen. It was originally published in 2011 by Wintertuin, Nijmegen as part of a compilation about the future of the book. The essay argues for a possible scenario leading up to a hypothesis about an audio­visual book. How can artists’ books be audio­visual objects?

What is the lesson of the vine? I asked artists, writers and winegrowers the question and their responses, reflections and songs are gathered together in this publication. Textual images are roused and conjured up, such as the insatiable mouth of the winelouse devouring the language of the vine; or the surge and flow of the vine-triloquist speaking in intoxicated tongues; nocturnal fires in the vineyards; gardens of paradise and gardens of errors.

KARL HOLMQVIST, WORD SQUARES. COMPAGNIA/MOTTO BOOKS 2017,
ISBN 978-2-940524-62-4. PUBLISHED WITH THE KIND SUPPORT OF THE CENTRE D’ART CONTEMPORAIN, GENEVA, TO COINCIDE WITH THE ARTIST’S EXHIBITION, 31.5.– 27.8.2017.

Sandra Peters: Leporello [Spatial Thinking] is a compact artist’s book that explores the sculptural practice of Sandra Peters through the format of a folded leporello.

A series of images following one from the other/Eine aufeinander folgende Reihe von Bildern is a dual-purpose artist's book made from ten unbound sheets of paper (each 29.7 x 40 cm), gloss on one side and matte on the other.

UN is a photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva. A chat-like narration unveils spaces, thoughts, eye catching details and is overlapped by images of halls, old phone booths filled with plastic wrap, textured walls, floors and ceilings, rows of tables and chairs, either straight or curving, like rollercoasters.