Taking New York City lives as starting points, the artists’ book develops their shared interest in mapping urban life by charting the city’s anonymous signs and personal signatures.

678 gibt Einblick in eine Werkphase, in der Pumhösl Film, Malerei, Zeichnung und Raum in ein präzises Verhältnis setzt.

Suellen Rocca's publication, a facsimile of her own design prototype, comprises nine drawings she selected from her sketchbook.

Strobl’s practice moves between photography, collage, drawing, text, design, and found visual material. Animals appear throughout her work not as sentimental motifs,

The book is connected to Abu Hamdan’s installation Earwitness Inventory, an ongoing work consisting of sourced and custom-designed objects used to reconstruct, describe, or evoke remembered sounds.

František Lesák. Vermutung und Wirklichkeit – ein Selbstversuch is an artist’s book published by the Vienna Secession in 2021 in connection with Lesák’s exhibition of the same name.

Verena Dengler: Die Galeristin und der schöne Antikapitalist auf der Gothic G’stettn was published in connection with the artist’s exhibition at the Vienna Secession in 2020.

The artist’s book presents a selection of source images and visual materials that relate to Hila’s painting practice and to his sustained engagement with architecture, public space, and the social transformations of Albania and post-socialist Europe.

Michael E. Smith. 2020 was published by the Secession on the occasion of the artist’s solo exhibition in Vienna. For the project, Smith produced 692 unique cat calendars, each based on a photographic archive originally used for the development of software and algorithms in the field of computer vision.

Rather than a conventional catalogue, the publication takes the form of an artist’s portfolio: a gathering of loose pattern sheets, a facsimile letter by Chaimowicz, and a booklet with exhibition views and a text by Silvia Eiblmayr.

Christine Sun Kim. Draw a Blank – Blank ziehen is the first monograph on Christine Sun Kim and was published in connection with her exhibition Cues on Point at the Vienna Secession.

Carlos Bunga is an artist’s book published in connection with the artist’s exhibition at the Vienna Secession.

Kader Attia: RepaiR is both an artist’s book and a reference monograph on one of the central concepts in Kader Attia’s work: repair.

Per Dybvig understands drawing as an immediate form of observation. His work is based on quick, open lines that register gestures, postures, movements, and social situations without fixing them into closed compositions.

The self-published photo volume Wet City / Islak Kent is Murat Yusuf Sen’s contribution to the visual reflection on urban change in Istanbul.

In terms of both form and content, Breath Holding Spell draws directly on Bruce Nauman’s artist’s book LA AIR, published in 1970,

A GUIDE TO TREES, Yto Barradas’s artist’s book, follows in the satirical tradition of Jonathan Swift.

This artist’s book brings together two technological extremes: one of the earliest photographic processes, the daguerreotype, and one of the most advanced contemporary imaging techniques, scanning electron microscopy.

Stump offers a radical, up-close look at the political spectacle in the United States, at a time marked by unprecedented partisanship,

"The winter in L.A. that year was kind of a 'grey July.' Diana and I lived at 234 Entrada Drive in January and February of 2001.

ΠΟΙΗΜΑ(ΤΑ) feature a poem originally written by Kavafis, rewritten it in 44 variations.

My passion for fire hydrants came over me suddenly; it was never just a passing fancy. It has become an integral part of my life.

When the artist Alberto Giacometti is unable to return to Paris after a trip to Switzerland during the Second World War,

With "Blank. Raw. Illegible... Artists' Books as Statements (1960-2022)" the Leopold-Hoesch-Museum shows a representative selection of international positions dedicated to the blank book as an artistic medium.

The publication Eisenberger VS Eisenberger is a small-format artist’s book by the Austrian artist Christian Eisenberger.

Anna Daučíková’s work investigates the perception and construction of the body, identity, and subjectivity. Since the 1980s she has developed an artistic practice that combines film, photography, installation, and text.

The complete collection of Fluxus’ newspapers featuring work by iconic conceptual artists, writers and composers.

In mid-nineteenth-century Turin, legend has it that, among the forms of discourtesy reserved by the people for the executioner, bakers would hand him the bread upside down as a form of contempt and evil eye

Michael Mauracher has produced a wonderful book, conceived together with Janine Thaler, who is also responsible for the design.

The mid-1960s witnessed a boom in underground and selfpublished works. Hectographs, mimeographs,

Long Haired and Freaky documents an early phase in the work of Norwegian artist Gardar Eide Einarsson.

Last year we traveled to China to begin filming a remake of Metropolis.

Ron Nagle. Sub Rosa was published in 2019 and documents a body of recent works by Ron Nagle. The publication focuses on the artist’s small-scale sculptures, for which he is internationally known.

TL CS PP DS was published on the occasion of Sophie Thun’s exhibition at the Secession in 2020.

A Visit with the Artists documents an extended interview conducted by Sylvère Lotringer and published in 1994 as part of the Melbourne-based Pataphysics Series.

Clearly "shit mom" can be taken in several ways. Most obviously, it would seem, the title adopted by Tala Madani for her latest series of paintings (and for her book) refers to

Sculture e disegni 1984–85 documents an early, concentrated phase in Josef Dabernig’s work, bringing together sculpture and drawing as parallel, method-driven investigations.

Korakrit Arunanondchai’s publication operates as an extension of his practice, in which painting, moving image, performance, and installation are conceived as interdependent narrative systems.

WOODS is an artist book conceived and drawn by Alois Mosbacher between January and March 2021. The publication reflects on Mosbacher’s sustained engagement with the forest as both a real and symbolic space.

In his collages, films, and architectural stagings, David Maljković engages critically with the legacy of modernism. Central to his practice are sculptural and

The Drawings of Olav Westphalen presents a curated selection of works by Olav Westphalen, drawn from nearly 2,000 drawings that were examined in his Brooklyn studio.

Coming Closer was published on the occasion of Christoph Hinterhuber’s exhibition at Galerie Elisabeth & Klaus Thoman, Innsbruck, in collaboration with Nouvelle Galerie, Grenoble (2003).

This publication originates from a collaboration with David Aerne, a color scientist and long-term creative partner. Together, we explored generative gradients and examined what happens when color becomes the primary structural parameter of an artwork.

When Oswald Wiener and his wife Ingrid moved to Canada in 1984, it was not only an act of intellectual inquiry but also a deliberate decision by the writer to leave art behind.

Like no other city in the world, Los Angeles encourages the observer to play with illusions―and to be played with in turn.

„Better Read Than Dead“ was the title Seth Siegelaub had chosen for an anthology of his own writing―one of the projects for which he never found the time, busy as he was running his global one-man operation.

Flashback Gordon is a conceptual artist’s book by Timo Vaittinen that reconfigures a discarded comic album found on the street into a series of abstract collages.

The portrait constitutes a fundamental component of Fazal Sheikh’s oeuvre.

Salt’n Vinegar presents a series of photographs created by A-chan in her New York home and during travels between 2011 and 2013.

Cited as the first Conceptual art exhibition and responsible for spawning decades of lousy Xeroxed artists’ books,

Since 1998, the artist group G.R.A.M. has been undertaking, among other projects such as Paparazzi, new stagings of existing visual worlds.

Ode to Happiness is a grown-up's picture book, a charming reminder not to take oneself too seriously.

Si je m'abandonne à mes souvenirs, je ressens encore l'excitation quand je tournai le coin de la rue des Mimosas, à la recherche de la maison de René Magritte. Nous étions en aout 1965.

Dieter Roth (1930–1998) is considered one of the most influential artists of the twentieth century.

Pierre-Olivier Arnaud’s work operates at the intersection of photography, installation and spatial perception.

72 unpaginierte Seiten, mit einem beiliegenden Lesezeichen. Mit zahlreichen Abbildungen, einem chronologischen Verzeichnis sowie einem Errata-Lesezeichen. Mit einem Plakat als Schutzumschlag.

C.A.S.T.L.E.S. — new added protection reflects Beni Bischof’s characteristic engagement with image culture, visual overload and absurd narrative fragmentation.

Enzo Cucchi (born 1949) is one of the central figures of postwar Italian art and a leading protagonist of the Transavanguardia movement.

Ottinger's Paris: The Paris of the 1960s, marked by political upheaval, was a magnet for artists from all over the world and a pulsating stream of energy between trauma recovery and European utopia.

For "Kill, Bigfoot, Kill!", Scott Clifford Evans has produced the first issue of his first comic book, from which the exhibition takes its name.