“A Longing for Beauty: The Wiener Werkstätte and the Stoclet House” explores the Wiener Werkstätte as one of the central reform projects of Viennese Modernism.

Michael Janiszewski. Fotoarbeiten 1990–1999 / Photography 1990–1999 brings together photographic works from a decade in which Janiszewski used staging, disguise, and role-play as central means of image-making.

Ulrich Reimkasten arbeitet mit Malerei, Zeichnung, textilbasierten Verfahren, konzeptuellen Ansätzen und baugebundenen Arbeiten.

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos.

Friedrich Kiesler – Lebenswelten / Life Visions is dedicated to the work of the architect, artist, and theorist Friedrich Kiesler.

With Josef Frank (1885–1967), the acclaimed catalog accompanying the 2015/16 exhibition at the MAK in Vienna focuses on one of the most significant Austrian architects of the 20th century.

When artists engage with the house, it is transformed. Their artistic interpretations stand in stark contrast to the conventional dream of home ownership.

Atelier Van Lieshout chez beaumontpublic was published on the occasion of Atelier Van Lieshout’s exhibition at beaumontpublic in Luxembourg in 2004.

Peter Land belongs to a generation of artists who, in the 1990s, reimagined the interplay between video, performance, installation, and drawing.

The publication reflects a scene marked by self-organization, shifting institutional frameworks, and the need to create new spaces for art after political rupture.

Marioni is associated with Radical Painting, a movement that approached painting not as image, composition, or representation, but as a material and perceptual event.

Willmann is one of the key figures in Austrian photography. As an artist and as co-founder and long-time editor of Camera Austria, he played an important role in shaping the discourse around contemporary photography in Austria.

Verena Dengler: Die Galeristin und der schöne Antikapitalist auf der Gothic G’stettn was published in connection with the artist’s exhibition at the Vienna Secession in 2020.

The publication reflects Klub Zwei’s collaborative method. Rather than treating representation as a neutral form of visibility, it asks how images, narratives, and public statements shape political understanding.

Rather than treating autobiography as a stable narrative of identity, the publication approaches it as a performative and fragmented form.

The catalogue accompanies a body of work situated between photography, installation, and conceptual practice, reflecting Trauttmansdorff’s interest in urban space, perception, and the structures that shape everyday environments.

Leopold Kessler has revealed new possibilities for art in the public space. He has shown that every activity, even the most mundane and the most banal, can be changed into “doing art.”

The publication investigates forms of authorship that are unstable, digressive, self-reflexive, and open to interruption. Sterne’s novel is relevant here because it famously turns narration itself into a medium:

The publication accompanies Strafer’s film of the same title and offers insight into its development.

A new book on an artist at the height of his powers, covering the last decade and a half of his extraordinary career and designed by the artist himself Since the early 1990s Wolfgang Tillmans has established himself as one of the most exciting and innovative artists working today.

Otto Muehl. Leben / Kunst / Werk. Aktion Utopie Malerei 1960–2004 was published in 2004 on the occasion of the exhibition of the same name at the MAK, Vienna.

The catalog for the exhibition Kader Attia: Sacrifice and Harmony brings together a wealth of materials, images, and texts related to the French artist’s new works.

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

Kerem Ozan Bayraktar s solo exhibition "Rocks and Winds, Germs and Words" is about reflecting on "life" on earth. It is organized around the concepts that Kerem has been tackling in his recent work "Great Oxidation Event" (2019).

Fluxus Subjektiv was published in 1990 on the occasion of the exhibition of the same name and the Fluxus actions at Galerie Krinzinger in Vienna.

Philippe Parreno (born 1964) undermines the notion of the discrete, ownable, copyrighted artwork through collaborations with artists such as

This unique collaboration between two key figures in performance art spans all phases of their twelve-year partnership and shared life.

Mit ihren konzeptuellen Fotografien und experimentellen Kurzfilmen hat sich Friedl Kubelka – als Filmemacherin ab 2009 Friedl vom Gröller – international einen Namen gemacht.

Haunts can be seen as part two of a trilogy which began with Trying to Dance, JH Engström’s artist’s book project which was short-listed f

Twenty years after Modern Lovers, a body of work on androgyny and transgender created when AIDS was at its peak, Bettina Rheims now presents Gender Studies

For more than a year Juergen Teller wrote a weekly column for ZEITmagazin. Each week he selected one of his photographs and

Der Schweizer Fotograf Kurt Blum (1922–2005) ist vor allem für seine Porträts von Künstlerinnen und Künstlern bekannt.

Ob ein Photo zur Ikone wird, hängt vom historischen Moment, von der Geistesgegenwart des Photographen und einer ganzen Reihe von Zufällen ab.

"The winter in L.A. that year was kind of a 'grey July.' Diana and I lived at 234 Entrada Drive in January and February of 2001.

The Future of Tradition – 100 Years after the Exhibition “Masterpieces of Muhammadan Art” in Munich was published on the occasion of the exhibition held at Haus der Kunst in Munich in 2010–2011.

Eine exklusive Sammlung von Fotografien aus einer bemerkenswerten Zeit – Andy Warhols Factory gesehen durch die Linse eines der meist bewunderten Fotografen der Welt,

Rainer Werner Fassbinder (1945-1982), Autor, Regisseur, Theatermann und Filmemacher, hat sich nie versteckt.

My passion for fire hydrants came over me suddenly; it was never just a passing fancy. It has become an integral part of my life.

With "Blank. Raw. Illegible... Artists' Books as Statements (1960-2022)" the Leopold-Hoesch-Museum shows a representative selection of international positions dedicated to the blank book as an artistic medium.

Post-Menopause brings together a group of works by Rosemarie Trockel that continue her long standing investigation of cultural codes, gender constructions and systems of representation.

Es war ein historischer Augenblick der Kunstmoderne, als Kasimir Malewitsch unter dem Banner des Suprematismus seine gegenstandslosen Bilder der Öffentlichkeit vorstellte und Wladimir Tatlin gleichzeitig revolutionären Konterreliefs präsentierte.

Straßen, Plätze und Gebäude geben dem öffentlichen Leben eine Form. Aber was sind Straßen, Plätze und Gebäude, auf oder in denen kein öffentliches Leben stattfindet? Öde Orte, trostlose Areale, unwirtliches Terrain.

Narcolepsy presents a sequence of photographs by Australian photographer Max Pam that reflect his long-standing engagement with travel, memory, and the subjective experience of place.

The catalogue Alexander Wolff – Picturesque presents a selection of works produced by the artist over the past fifteen years.

The main catalogue of documenta 14 will take the form of a reader, evoking the various meanings associated with the term.

Christoph Schlingensief presents a comprehensive overview of the work of the German filmmaker, theatre director, and artist Christoph Schlingensief.

Das Investment ist an die Stelle des Sparbuchs getreten. Sogar die rundumversorgte Kleinbürgerlichkeit hat das Investieren entdeckt

The painter Henry Fuseli (Johann Heinrich Füssli) is one of the most distinctive artists of the late eighteenth century.

Since 2003 editor Alexander Linn has closely followed the graphic work of André Butzer.

Mit der Serie Vasen–Extasen setzen Anna und Bernhard Blume ihre fotografischen Untersuchungen zum Verhältnis von Subjekt und Objekt fort.

Shortly before the first lockdown, the Austrian conceptual artist and poet Kurt Ryslavy began a new series of paintings titled Werktagsmaler (“Weekday Painter”).

In her work—spanning installations, videos, and performances , Carola Dertnig addresses artistic processes in relation to historiography, genre, and perspective.

Kresiah Mukwazhi: Secession, Wien is the first monograph by Zimbabwean artist Kresiah Mukwazhi, published on the occasion of her 2023 exhibition at the Secession in Vienna.

33 degrees in the city, everything is sweating. Under the stage lights, the artificial hairpiece only intensifies the heat.

This exhibition catalogue, edited by Hans D. Chris and Iris Dressler and published in 2005 by Revolver – Archiv für aktuelle Kunst, documents a presentation dedicated to drawing by

Alien Nation documents a body of work by Katrin Plavčak that moves between painting, drawing, and installation.

Otto Zitko. Bunkier Sztuki is an exhibition catalogue documenting Austrian artist Otto Zitko’s presentation at Bunkier Sztuki – Contemporary Art Gallery Krakow in 2006.

Die von Ingrid Gaier selbst konzipierte Monografie gibt einen präzisen Überblick über ihre textilen, installativen und filmischen Arbeiten.

Coming Closer was published on the occasion of Christoph Hinterhuber’s exhibition at Galerie Elisabeth & Klaus Thoman, Innsbruck, in collaboration with Nouvelle Galerie, Grenoble (2003).

The first monographic publication by Vienna-based artist Angelika Loderer documents her examination of the definition of sculpture from 2009 to 2019.