André Thomkins zählt zu den innovativen und vielseitigen Künstlern der zweiten Hälfte des 20. Jahrhunderts.

What does “family” mean today?

Photography becomes a way of reading Mondrian’s self-image, his studios, and the public perception of his work.

Boris Mikhailov’s work as a bookmaker is defined by sequences, series, gaps, cuts, and forms of montage.

Historical image traditions are examined here as material of the present.

History appears in Thomas Demand’s work as an unstable image: familiar, mediated, reconstructed, and never entirely reliable.

Thomas Struth’s Unconscious Places examines urban spaces beyond representative images of the city.

Death, preservation, belief, beauty, and excess form the central field of Damien Hirst’s work.

Derek Boshier drew his artistic themes from American pop and consumer culture.

This volume celebrates a new body of work by British artist Michael Craig-Martin--monumental, vividly colored sculptures that explore the nature of illusion and belief.

Imi Knoebel is a leading figure of 1960s abstraction, and one of its most popular contemporary exponents.

Leiko Ikemura, an artist originally from Japan, has lived in Europe for nearly thirty years. Her artistic practice is shaped by her engagement with these two cultural spheres.

Featuring an interview with curator Massimiliano Gioni and an essay by novelist Andrew Winer, this beautifully illustrated catalog documents virtuosic new work by British artist Glenn Brown.

The publication explores labour, industry, and social change through photography.

German photographer Thomas Demand (b. 1964) is one of the most highly acclaimed artists of his generation.

In her films, photographs, and sound works, Tacita Dean uses silence, time, and entropy to explore particular human sensibilities.

Cindy Sherman, an iconic figure in art history since the 1980s, already questioned the boundary between authentic self-portraiture and staged self-enactment in her first major series, Untitled Film Stills (1977–1980).

Lucy McKenzie creates spaces that seduce and unsettle. Blending painting, architecture, fashion, and film, she stages environments where surface, meaning, desire, and control converge.

Die Doppeldeutigkeit des Titels Einen Dreck muss ich! gilt es zu beachten.

Peter Kogler is regarded as one of the most important Austrian artists to have consistently integrated digital technologies into his artistic practice.

This publication is dedicated to nineteenth-century glassware from the MAK Collection and considers it in relation to J. & L. Lobmeyr, one of the key names in Viennese glass production.

A highlight of the exhibition is the documentation of the spatial design developed by COOP HIMMELB(L)AU.

This publication is devoted to Roman Ondak, the Slovak conceptual artist whose work often operates through subtle shifts in everyday situations, social behavior, and exhibition conventions.

Rosemarie Trockel: Anima is the catalogue published on the occasion of the exhibition at the MAK Gallery, Austrian Museum of Applied Arts, Vienna, in 1994.

In his work, Miklós Erhardt explores artistic avenues for action in relation to sociopolitical and economic issues.

Kleine Welt examines the visual and semantic life of the book cover, focusing on the recurring use of images by Caspar David Friedrich and Paul Klee in academic publishing.

Jeunesse Youth Part 1 is a publication by Saâdane Afif that can be understood in relation to a practice shaped by transfer, reinterpretation, and the movement of works across media.

This publication is centered on a body of work in which Nancy Spero’s characteristic way of working becomes especially clear.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

From the first series, Unconscious Places (1987), to recent works addressing research and globalization, Struth’s sustained engagement with the universal themes of our time becomes clear:

“A Longing for Beauty: The Wiener Werkstätte and the Stoclet House” explores the Wiener Werkstätte as one of the central reform projects of Viennese Modernism.

Michael Janiszewski. Fotoarbeiten 1990–1999 / Photography 1990–1999 brings together photographic works from a decade in which Janiszewski used staging, disguise, and role-play as central means of image-making.

Ulrich Reimkasten arbeitet mit Malerei, Zeichnung, textilbasierten Verfahren, konzeptuellen Ansätzen und baugebundenen Arbeiten.

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos.

Friedrich Kiesler – Lebenswelten / Life Visions is dedicated to the work of the architect, artist, and theorist Friedrich Kiesler.

With Josef Frank (1885–1967), the acclaimed catalog accompanying the 2015/16 exhibition at the MAK in Vienna focuses on one of the most significant Austrian architects of the 20th century.

When artists engage with the house, it is transformed. Their artistic interpretations stand in stark contrast to the conventional dream of home ownership.

Atelier Van Lieshout chez beaumontpublic was published on the occasion of Atelier Van Lieshout’s exhibition at beaumontpublic in Luxembourg in 2004.

Peter Land belongs to a generation of artists who, in the 1990s, reimagined the interplay between video, performance, installation, and drawing.

The publication reflects a scene marked by self-organization, shifting institutional frameworks, and the need to create new spaces for art after political rupture.

Marioni is associated with Radical Painting, a movement that approached painting not as image, composition, or representation, but as a material and perceptual event.

Willmann is one of the key figures in Austrian photography. As an artist and as co-founder and long-time editor of Camera Austria, he played an important role in shaping the discourse around contemporary photography in Austria.

Verena Dengler: Die Galeristin und der schöne Antikapitalist auf der Gothic G’stettn was published in connection with the artist’s exhibition at the Vienna Secession in 2020.

The publication reflects Klub Zwei’s collaborative method. Rather than treating representation as a neutral form of visibility, it asks how images, narratives, and public statements shape political understanding.

Rather than treating autobiography as a stable narrative of identity, the publication approaches it as a performative and fragmented form.

The catalogue accompanies a body of work situated between photography, installation, and conceptual practice, reflecting Trauttmansdorff’s interest in urban space, perception, and the structures that shape everyday environments.

Leopold Kessler has revealed new possibilities for art in the public space. He has shown that every activity, even the most mundane and the most banal, can be changed into “doing art.”

The publication investigates forms of authorship that are unstable, digressive, self-reflexive, and open to interruption. Sterne’s novel is relevant here because it famously turns narration itself into a medium:

The publication accompanies Strafer’s film of the same title and offers insight into its development.

A new book on an artist at the height of his powers, covering the last decade and a half of his extraordinary career and designed by the artist himself Since the early 1990s Wolfgang Tillmans has established himself as one of the most exciting and innovative artists working today.

Otto Muehl. Leben / Kunst / Werk. Aktion Utopie Malerei 1960–2004 was published in 2004 on the occasion of the exhibition of the same name at the MAK, Vienna.

The catalog for the exhibition Kader Attia: Sacrifice and Harmony brings together a wealth of materials, images, and texts related to the French artist’s new works.

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

Kerem Ozan Bayraktar s solo exhibition "Rocks and Winds, Germs and Words" is about reflecting on "life" on earth. It is organized around the concepts that Kerem has been tackling in his recent work "Great Oxidation Event" (2019).

Fluxus Subjektiv was published in 1990 on the occasion of the exhibition of the same name and the Fluxus actions at Galerie Krinzinger in Vienna.

Philippe Parreno (born 1964) undermines the notion of the discrete, ownable, copyrighted artwork through collaborations with artists such as

This unique collaboration between two key figures in performance art spans all phases of their twelve-year partnership and shared life.

Mit ihren konzeptuellen Fotografien und experimentellen Kurzfilmen hat sich Friedl Kubelka – als Filmemacherin ab 2009 Friedl vom Gröller – international einen Namen gemacht.

Haunts can be seen as part two of a trilogy which began with Trying to Dance, JH Engström’s artist’s book project which was short-listed f