From the first series, Unconscious Places (1987), to recent works addressing research and globalization, Struth’s sustained engagement with the universal themes of our time becomes clear:

When artists engage with the house, it is transformed. Their artistic interpretations stand in stark contrast to the conventional dream of home ownership.

Kerem Ozan Bayraktar s solo exhibition "Rocks and Winds, Germs and Words" is about reflecting on "life" on earth. It is organized around the concepts that Kerem has been tackling in his recent work "Great Oxidation Event" (2019).

Narcolepsy presents a sequence of photographs by Australian photographer Max Pam that reflect his long-standing engagement with travel, memory, and the subjective experience of place.

The Insomnia Drawings documents a significant body of work produced by Louise Bourgeois between November 1994 and June 1995 during periods of insomnia.

This anthology examines the psychological dimensions of space and the emotional responses it provokes, including agoraphobia, vertigo, and claustrophobia.

This volume explores the influence and resonance of Richard Wagner’s music and artistic ideas in the visual arts from the mid-19th century to contemporary times.

Still is a photographic publication by Thomas Struth that reflects his sustained interest in observation, perception and the quiet structures of everyday environments.

Dieter Roth (1930–1998) is considered one of the most influential artists of the twentieth century.

Swedish artist duo Nathalie Djurberg (born 1978) and Hans Berg (born 1978) create installations with objects, music and moving images – dream worlds in which one could lose oneself.

Enzo Cucchi (born 1949) is one of the central figures of postwar Italian art and a leading protagonist of the Transavanguardia movement.

Originality, repetition, time and materiality are key concepts for understanding the work of American conceptual artist Sherrie Levine

The perfect introduction to the life and work of this pioneering artist:

Palio di Vita chronicles Mueller’s Black Flamingo Sad Boys (BFSBs), the Naxos Racing Team (NRT), and residents of Tiberio Beach Resort

Dieses Nachschlagewerk bietet eine umfassende Darstellung von Materialien, Techniken und handwerklichen Verfahren des Möbelbaus.

The 1950s: Art and Art Appreciation in Vienna marks the beginning of a series of exhibitions and catalogues that offer a

Walter Niedermayr: Raumfolgen 1991-2001 dokumentiert die fotografische Werkgruppe Raumfolgen, an der der italienische Fotograf

Chambres de luxe: Artists as Hoteliers and Guests examines the hotel as an artistic dispositif situated at the intersection of architecture

Geta Brătescu was born in Ploiești, Romania, in 1926. Despite state repression during the communist-Stalinist dictatorship under Nicolae Ceaușescu (1965–1989),

This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography.

Light & Noise. Objects & Installations focuses on the artistic practice of Alfred Resch, in which light and sound function as sculptural and spatial materials.

Hans Purrmann (1880–1966) is regarded as one of the most important German artists of the first half of the twentieth century.

The Sculptures 1956–2007 provides a comprehensive survey of the sculptural work of Bruno Gironcoli, spanning more than five decades of artistic production.

In Perdre la tête operiert François-Marie Banier mit der Fotografie als einem Medium der Entgrenzung.

At the core of the work is an understanding of art as spatial experience and as a process that unfolds through bodily perception and movement.

2003 konnte das Brücke-Museum das Gemälde »In Dünen liegender Akt«, ein Hauptwerk Otto Muellers aus den 1920er Jahren, in seine Sammlung integrieren.

Kovitz's art constantly redefines the boundaries. In The Lessons, he offers not only insight into his method, but also a profound meditation on the fundamental principles and mysteries of art making.

In the summer of 1970, the Museum of Modern Art in New York mounted the now legendary exhibition Information, one of the first surveys of conceptual art.

Lavishly illustrated, this book presents comprehensive entries for each of the tapestries in the Burrell Collection New research by an international team of experts details how, where, when and why these tapestries were made.

Renée Green is one of the most vital and consistently innovative voices in contemporary art.

How do we draft a life, make of it a project, do our daily work? In what material and language does it arrive to us? And what if but it is done with one’s own body, and that body becomes this material but not the subject? Villiger’s autofictions––whether sculpture or image, human or vegetal body––prompt such queries.

Lassen Sie sich auf eine Entdeckungsreise in die Geschichte des Schachspiels entführen, eine Reise durch die Zeit und um die Welt. Das Buch macht eine Fülle von Fach- und Detailwissen zugänglich und offenbart gleichzeitig die Faszination, die von diesem Spiel ausgeht.

The title, which is read phonetically as Kollabierende Herde (Collapsing Herd), reveals the subtle humour of the Austrian artist that always accompanies his works.

Mai Ling’s first monograph is published on occasion of their exhibition NOT YOUR ORNAMENT at the Secession, September 15–November 12, 2023. It includes a conversation between

The catalogue is published on occasion of the exhibition ‘The Purloined Masterpiece. Images as Time Machines’ at the Paintings Gallery of the Academy of Fine Arts Vienna.

This book is dedicated to the work of Marcin Rusak, as part of a series of monographs on the thought and work of young contemporary designers. Beside testing new channels of preferential relationship between art and science as well as between artisanal and industrial manufacturing processes, the Polish designer is known for having contributed

Guy Mees’s (1935–2003) photographs, videos, and above all his fragile works on paper are characterized by a formal rigor combined with sensitivity and delicacy. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications.

“Dengler’s oeuvre is also about trauma, both personal and collective, and although it offers no consolation whatsoever, another place where it investigates the meanderings of the human psyche is the shrink’s—pop or not—sofa.

The motifs produced during time-intensive dyeing processes – which uses indigo, urine, and extracts of natural waste materials – are neither conventional fabric nor lace patterns, and they have only a distant relationship to batik painting. Yet, they are simulations and portraits of both.

The book accompanies an exhibition of the same title, presented at Zacheta—

This artist's book houses seven CDs that were the audio accompaniment to German conceptual artist Lothar Baumgarten's 2009 exhibition at the Kunsthaus Bregenz in Austria.

"Es war kurz, Sekunden bloß, nach acht Uhr dreißig. Die großen Fenster des Botanischen Gartens, eingefasst in schwarzes Gusseisen, waren beschlagen. Tropfen rannen früh nach unten, Tropfen fielen mit Geräusch in den Tropenhallen voller grüner, großer Blätter.

»Es scheint, als würde ein Übermaß an Personalisierung unweigerlich ins Gegenteil umschlagen: das Subjekt wird Teil einer Maschine, die seinen Platz einnimmt und es in die gesichtslose Dimension eines Objekts verdrängt.«

Der Grund ist klar: die Philosophie entsteht durch die Verwerfung der künstlerischen Mimesis. Legt Alain Badiou mit seinem Vorschlag, die platonische Geste für unsere Zeit zu wiederholen, nahe, auch diese Verwerfung zu wiederholen? Was also bedeutet der Begriff „Inästhetik“, mit dem er sein SYSTEM an die Kunst seiner Zeit heftet und dessen anti-mimetische Hintergrundbedeutung klar ist?

Solution 214-238: The Book of Japans is part of the Solution series, edited by Ingo Niermann and designed by Zak Kyes.

Pictorial Propaganda is an artists's book that includes a critical essay on Mrs. Elizabeth Posthuma Simcoe (1762-1850) by Denis Longchamps. (Engl./French.)

Die vorliegende Publikation begleitet die Videoinstallation "Mannschaft" von Till Velten an der Ausstellung "Rundlederwelten" im Gropius-Bau Berlin und versammelt elf Gespräche mit Spielerinnen der deutschen Damenfussball-Nationalmannschaft.

In dem Heft Dosen und Echtholzblenden umkreist Wilhelm Klotzek die Baugruben der Wendeheimat, die exponierten Übergangsorte und blinden Flecke seines unbewußten Berlins.

In the editorial is observed that today's art world is confronted with the tyranny of communication, although in the mean time, illegible and inaccessible images in art are accepted as a matter-of-course.

Mit einem Textbeitrag von Alexander Rischer

Dialog der Künstler, in dem sie die Entwicklung ihres künstlerischen Werks in den Avantgarde-Szenen von Los Angeles und Wien seit den 70er Jahren reflektieren und Parallelen ziehen.

Mit Beiträgen von Peter Assmann, Martin Hochleitner, Mònica Gaspar, Pia Aleborg, Martin Arnold, Barnaby Barford, Sebastian Brajkovic, David Clarke, Gemma Draper, Dunne & Raby, Martino Gamper, Bauke Knottnerus, Thomas Mailaender, Yuka Oyama, Georges Perec, Anders Ruhwald, Veronika Schubert, Ola Simonsson & Johannes Stjärne Nilsson, Studio Makkink & Bey (dt./engl.)

"absolute Ernst Haeckel" präsentiert Auszüge aus den wichtigsten Originaltexten und Illustrationen sowie eine vierteilige, vom Herausgeber verfasste Biografie des »deutschen Darwins«.

BUREAU FOR OPEN CULTURE

This catalogue is published in conjunction with the exhibition Taking Shelter curated by James Voorhies with Michele Snyder. Organized by Columbus College of Art & Design, the exhibition is on view from February 13 to April 5, 2008 at Canzani Center Gallery on the CCAD campus.

This is the Catalouge to Kevin Schmidt’s installation and film EDM House (2013) which transforms an abandoned homestead in the interior of British Columbia, Canada, into a meeting place of the urban and rural.

Paul Thek in Process. Commentaries on/of an Exhibition publiziert das gesamte Recherchematerial, das in unterschiedlicher Art und Weise in der Ausstellungsreihe Paul Thek in Process öffentlich gemacht wurde.

This catalogue-reader accompanies Armando Lulaj’s project for the 56th Venice Biennale. Curated by Marco Scotini, Lulaj’s exhibition in the Albanian Pavilion is a time capsule of the country’s past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

Hinterland ist von Gudrun Wallenböck,
Hinterland ist bei Gudrun Wallenböck,
und Hinterland ist Gudrun Wallenböck.
Und all das gar nicht hinter-wäldlerisch, selbst wenn Volks(ge)bräuchliches darin seinen Platz hat und Gudrun Wallenböck nicht aus der Bundeshauptstadt stammt.

In dieser Werkreihe bricht Roman Pfeffer die strenge grafische Struktur konventioneller Notenblätter auf, indem er einzelne Zeilen herausseziert und zu dynamischen Kompositionen neu zusammenfügt.

"In der Publikation >Künstlerbücher/artist`s books< mit Beiträgen von Künstlern, Wissenschaftlern, Sammlern und Verlegern werden zeitgenössische positionen des Künstlerbuchs zwischen Werk und Statement, zwischen Buch als Objekt und Kunst als Idee diskutiert." (Klappentext)