“A Longing for Beauty: The Wiener Werkstätte and the Stoclet House” explores the Wiener Werkstätte as one of the central reform projects of Viennese Modernism.

Friedrich Kiesler – Lebenswelten / Life Visions is dedicated to the work of the architect, artist, and theorist Friedrich Kiesler.

The publication reflects a scene marked by self-organization, shifting institutional frameworks, and the need to create new spaces for art after political rupture.

The publication reflects Klub Zwei’s collaborative method. Rather than treating representation as a neutral form of visibility, it asks how images, narratives, and public statements shape political understanding.

Leopold Kessler has revealed new possibilities for art in the public space. He has shown that every activity, even the most mundane and the most banal, can be changed into “doing art.”

The catalog for the exhibition Kader Attia: Sacrifice and Harmony brings together a wealth of materials, images, and texts related to the French artist’s new works.

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

Fluxus Subjektiv was published in 1990 on the occasion of the exhibition of the same name and the Fluxus actions at Galerie Krinzinger in Vienna.

This unique collaboration between two key figures in performance art spans all phases of their twelve-year partnership and shared life.

Der Schweizer Fotograf Kurt Blum (1922–2005) ist vor allem für seine Porträts von Künstlerinnen und Künstlern bekannt.

"The winter in L.A. that year was kind of a 'grey July.' Diana and I lived at 234 Entrada Drive in January and February of 2001.

Eine exklusive Sammlung von Fotografien aus einer bemerkenswerten Zeit – Andy Warhols Factory gesehen durch die Linse eines der meist bewunderten Fotografen der Welt,

Es war ein historischer Augenblick der Kunstmoderne, als Kasimir Malewitsch unter dem Banner des Suprematismus seine gegenstandslosen Bilder der Öffentlichkeit vorstellte und Wladimir Tatlin gleichzeitig revolutionären Konterreliefs präsentierte.

Christoph Schlingensief presents a comprehensive overview of the work of the German filmmaker, theatre director, and artist Christoph Schlingensief.

The painter Henry Fuseli (Johann Heinrich Füssli) is one of the most distinctive artists of the late eighteenth century.

Mit der Serie Vasen–Extasen setzen Anna und Bernhard Blume ihre fotografischen Untersuchungen zum Verhältnis von Subjekt und Objekt fort.

33 degrees in the city, everything is sweating. Under the stage lights, the artificial hairpiece only intensifies the heat.

The Baule people of the Ivory Coast are renowned for their refined sculptural work of masks and figures.

Der Band zeichnet das Bild der mongolischen Steppennomaden vom 7. bis zum 14. Jahrhundert:

Simon Denny presented a solo exhibition at the Ursula Blickle Stiftung (Kraichtal, Germany), an institution known for its focus on contemporary, conceptually oriented artistic practices.

This publication documents the memorial erected in 2017 at the former Aspang Railway Station in Vienna, from which more than 47,000 Jewish men, women, and children were deported between 1939 and 1942.

About two decades ago, Hendrik Kerstens decided to fully and exclusively devote himself to photography. Paula, his daughter, quickly became his favourite subject.

The publication “Work to do!” examines the dynamics, emancipatory moments and potential for self-empowerment, as well as the paradoxes and problems of self-organisation.

The first comprehensive overview of an influential American photographer and filmmaker whose work is known for its intimacy and social engagement.

Posedlost kresbou (“Obsession with Drawing”) by Roman Prahl examines drawing as an autonomous artistic medium within modern and contemporary art.

The installation Critical Mass (1995) was conceived in direct response to the exhibition site, the former tram depot Remise in Vienna.

Die Publikation widmet sich Gold als künstlerischem Material, kulturhistorischem Symbol und ästhetischem Phänomen

The publication examines water as a dynamic natural phenomenon and as a subject of photographic investigation. Its focus

Known for their collaborative projects exploring the relations between art and economic processes, Plamen Dejanoff and

Gustav Mahler und Wien – „Leider bleibe ich ein eingefleischter Wiener“ ist der Ausstellungskatalog zur gleichnamigen Schau i

Between 1910 and 1920 Mexico was convulsed by socialist revolution, from which emerged a strong left-wing government t

Between 1969 and 1973, Vito Acconci's creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in

Die Publikation erscheint in einem eleganten Schuber, der vier Booklets enthält, ein Paperback und ein gefaltetes Catalogue Raisonné-Poster mit den Cover aller Björk-Alben

Ugo Rondinone: No How on is the comprehensive catalogue accompanying the 2002 solo exhibition of

In 1966, Mel Bochner, then-young instructor at the School of Visual Arts in New York was asked to organize a “Christmas show on drawings,” to run

Chris Ofilis intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung,

Anne Truitt: Drawings showcases a selection of works on paper by the American artist Anne Truitt (1921–2004), known primarily for her

Joannis Avramidis. Ausstellung Leopold Museum, Wien is the official catalogue for the retrospective exhibition of

Serial Grey is the publication for Jeff Weber‘s exhibition at Carré d‘Art, Nîmes. The four chapters of the book correspond to the

The first publication of artist and architect Frederick Kiesler’s epoch-spanning history of human architecture, largely unknown but still relevant.

Herbert List war fasziniert von den „künstlichen Menschen“ – lebensgroßen Figuren aus Wachs –, die im Panoptikum im Wiener Prater ausgestellt waren.

An exceptional talent, one of the greatest designers of all time – every superlative seems appropriate to describe the experimental imagination

The Scene (Berlin) series consists of a combination of images reflected in a mirror and images obtained by scanning

I love to be there near you, so close a rock, so close on the porcelain tile, teëls, ons spore op die grond, ons sweet,

Louise Bourgeois: Passage dangereux widmet sich einem zentralen Motiv der Louise Bourgeois: der Spannung

Die Entwürfe der Textilkünstlerin Ursi Fürtler erinnern einerseits an das schillernde Gefieder von Perlhühnern oder Paradiesvögel, andererseits an die Haut von Echsen oder an Blatt- und

Carolee Schneemann: Kinetische Malerei widmet sich einem zentralen, lange unterschätzten Aspekt im Werk von Carolee Schneemann:

Albrecht und Zeitgenossen: Positionen österreichischer Bildhauerei seit 1945 bietet einen konzentrierten Überblick über zentrale Entwicklungen der österreichischen Skulptur nach dem Zweiten Weltkrieg.

Drawings, Collages, and Book Drafts presents a concentrated view of Rosemarie Trockel’s works on paper, revealing drawing and

Sculptures and Installations 1979–2007 offers a comprehensive view of Robert Gober’s sculptural practice, foregrounding his transformation of

»Das Ziel sollte eine Verständigung zu dritt sein: die Wand, der Architekt, der Maler«, so 1933 der französische Maler Fernand Léger (1881–1955).

The publication is dedicated to the work and thinking of Wolf Vostell and presents his practice as a radical fusion of art, life, politics, and media critique.

Die Gesammelten Schriften von Robert Smithson versammeln Essays, Notizen, Interviews und Projektbeschreibungen eines der einflussreichsten Künstler der Nachkriegszeit.

This book presents a comprehensive overview of Sam Szafran’s oeuvre, focusing on his unique approach to drawing and its relationship to space, perception, and memory.

Eva Hesse: Catalogue Raisonné. Paintings and Sculpture is the authoritative scholarly catalogue of Eva Hesse’s work in these media.

Alex Katz: First Sight is a substantial visual monograph that presents over 500 working drawings by Alex Katz—offering an exceptional view into the artist’s creative process.

Universalsystem zur Darstellung von allem ist ein zentrales konzeptuelles Werk von Ilya Kabakov, in dem Ordnung, Klassifikation und Erklärung selbst zum Gegenstand der künstlerischen Arbeit werden.

Thomas Demand has received widespread recognition for a photographic practice that continuously shifts between reality and fiction.

Der südafrikanische Künstler William Kentridge (*1955 in Johannesburg) arbeitet medienübergreifend mit Zeichnung, Skulptur, Film und Theater.

Das Werk des Österreichisch-britischen Exilfotografen Wolf Suschitzky (1912–2016) wird im Bildband »Exil und Reisen« in einer umfangreichen Retrospektive gezeigt.