A catalogue as reader: the enclosed texts describe the nearly one hundred works the artist produced through the year 2020 under the name “Stefan Riebel”; these texts, however, are autonomous pieces of writing * in their own right.

Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art.

The photographs that Annette Kelm has produced over the past fifteen years across a wide range of formats and appearances rank among the most compelling and significant contributions to recent contemporary art.

The monograph “Modifications” is an associative book about the works of Samuel Schaab from the last years. Published by Salon für Kunstbuch. With texts by Karolina Preuschl, Ferdinand Schmalz, and Samuel Schaab. Designed by Anna Liska.

This book is dedicated to the complex artistic trajectory of Chiara Fumai, who played a significant role in the development of performance and feminist aesthetics in the twenty-first century and who died prematurely in 2017, at the age of only thirty-nine.

In March 2020, the Rodman Hall Art Centre showed Industrial Niagara, an exhibition curated by Derek Knight, that brought together key works by members of the Research Centre in Interdisciplinary Arts and Creative Culture, Brock University.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

"Notes from the future: a crossbreed laborer's diary" brings together artists who use forms from documents, anthropology and science fiction, as so many imaginary territories to be cannibalized within visual production; challenging notions of culture, origin and belonging.

‘Abstraction as an Open Experiment’ addresses the exploration and interpretation of the potentiality of abstraction, which starting from the 1960s became a vehicle for artists to rethink the relationships between modernist art, the individual and society.

In addition to texts on the work of Alexander Wolff by Camila McHugh, Nikola Dietrich, Christian Egger, Kerstin Cmelka, Nora Schultz, Ariane Müller, Sabrina Soyer, also an essay by Marcelin Pleynet entitled "Painting and 'Reality’" from 1969 - translated from French into English for the first time.

Published on the occasion of the collaboration between 3 137 and Ilaria Conti, within the framework of the sync Curatorial Fellowship (January – March 2020), Around Labor, Art, and the Auratic Condition (This is Not a Love Song), this non-linear

Dénes Farkas’ personal exhibition focuses on issues of choice, uncertainty, insecurity and preparedness, highlighting the contingency of normality and casting doubt on the production of truth and scientific rationality.

The exhibition comprises

Né en 1972, lauréat du prix Marcel Duchamp en 2008, Laurent Grasso est l'un des artistes français les plus présents sur la scène contemporaine internationale. Il est représenté par la Galerie Perrotin à Paris, où il vit et travaille. Son travail, délicat et très varié, utilisant aussi bien la vidéo que la peinture, le néon, la sculpture ou l'installation, joue des limites entre fiction et réalité et explore les notions d'espace et de temporalité.

'Blending the heraldic with the optical, August Krogan-Roley’s Empty Coats each present themselves as a pictorial game.

Florian Glaubitz’s images - sometimes illuminated, sometimes behind glass, cut-back, flat and bulbous - lead me to questions around the ever-present interrelation of body, material and product. Not so much through words, but through an image language that has been developed over years, he talks of desire, relentlessly demands beauty and attempts to hold onto temporary states of being in which everything seems possible.

The motifs produced during time-intensive dyeing processes – which uses indigo, urine, and extracts of natural waste materials – are neither conventional fabric nor lace patterns, and they have only a distant relationship to batik painting. Yet, they are simulations and portraits of both.

Morceaux choisis is the first seminal overview of Saâdane Afif’s artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

The liberal capitalist world order that prevailed after 1989 is today in a stage of advanced disintegration. The collapse of this order exposes the illiberal core of its freedoms and forms of ownership shaped by the market: the violent unfreedoms of the dispossessed as well as the willingness of the propertied to use violence. Art, too, reveals itself as the venue of these forces and their exclusions:

Günther Selichar’s preferred thematic field of work, and his oeuvre has revolved around it since the early 1980s, is the media and mass media.

Das Buch gibt einen umfassenden Einblick in das vielgestaltige Werk Ingrid Wieners, die die Gobelinweberei als zeitgenössisches Medium neu entdeckt hat.

Das Katalogbuch umfasst von vorbereitenden Skizzen bis zu minuziös ausgeführten Studien die unterschiedlichsten Typen von Zeichnungen. Ebenso reich ist das Spektrum der eingesetzten Zeichentechniken, von Silberstift über Kreide und Federzeichnung bis zum Aquarell.

Carl Andre – Sculpture as Place examines Carl Andre’s radical redefinition of sculpture as a spatial and experiential condition rather than an autonomous object.

Michael Snow is, without doubt, one of foremost living artist, and a central figure in North American art in the latter half of the Twentieth Century. Since the reception of the “Independent Film Award” (1968) from the journal Film Culture, his work was placing in the ranks of such major figures of avant-garde cinema as Stan Brakhage and Gregory Markopoulos as well as in the company of two other artists-turned-filmmakers: the photographer Robert Frank and the painter Andy Warhol.

Marcel Broodthaers (Brussels, 1924-1976), a poet before becoming an artist in 1964, was a pioneer of intermedia and site-specific installation art but above all an in-depth theorist who ranged widely over the visual arts in his writings. Broodthaers’ work is widely recognized for its movement and combination of mediums: performance, film, text-based work, etc. Often overlooked, his artworks include genuine research into the nature of language, giving a conceptual continuity to all his practice.

«Lead Season» is the first thorough monographic catalog of Argentine artist Mauro Giaconi. Taking the drawing as a starting point, the texts address the multidisciplinarity that characterizes the artist's work, while also stressing the current socio-political context in Latin America based on the sense of impermanence, the presence of the body and a critical awareness of the matter.

The work of Nicolas Paris compromises of research into the processes of learning and speculation, and is based on four concepts: tool, method, idea and system. This book is separated into four sections that address these four concepts, forming a manual that can be used by everyone, not merely artists or art lovers.

Anfang der 1980er Jahre wurde Taaffe als wichtiger Vertreter der Appropriation Art international bekannt. Sein Interesse an Ornamenten unterschiedlicher Kulturen und historische Naturdarstellungen, die er als Fragmente in leuchtenden Farben auf die Leinwand bringt, prägen seine Bilder.

Pop, Witz und Ironie charakterisieren seine Arbeit, die aus Lebensthemen wie Wetter, Segeln, Natur, Musik und Sprache schöpft.

The work of Daniel Dewar & Grégory Gicquel violates the pre-established codes of sculpture and features

Inez van Lamsweerde (*1963) gehört zu den bekanntesten Vertreterinnen des Crossover. Ihr Spielfeld liegt dort, wo sich Mode und Kunst treffen.

Martin d’Orgeval’s photographs show the animals and insects that survived the disaster in situ, against a background of charred woodwork in the shop that had been their habitat since their ‘natural’ death.

Becoming Disfarmer uses a compelling sequence of over 100 images to tell the story of Mike Disfarmer's vernacular portraiture and its transformation into art. This monograph features his vintage prints along with a selection of enlargements made from his negatives in the 1970s, through which his work first became known.

Das Werkverzeichnis Maria Pergay – Complete Works 1957-2010 ist die erste umfassende, monografische Werkschau der legendären französischen Möbeldesignerin....

To mark the 30th anniversary of the founding of the Friedl Kubelka School of Artistic Photography Vienna, a comprehensive commemorative publication is now available.

Die Ausstellung und das begleitende Buchprojekt erproben eine künstlerisch und kuratorisch motivierte Kartographie der sakralen Stätten Wiens.

Marina Faust’s first comprehensive exhibition, the artist’s book, which is divided into nine categories, encompasses works from the 1970s from the artist’s archive to her current creative output.

It was through her distinctive portrait works that Bettina von Zwehl achieved her international renown. WUNDERKAMMER is the first published overview of her exploration of the image.

For Markus Guschelbauer, the landscape is a reference point and a backdrop for his photographic interventions and stage settings.

Katalog zur Ausstellung "Istanbul - Fotografien" in der Galerie im Saalbau, Berlin - Neukölln.

Im Notfall Meditation: der programmatische Titel erhebt den prekären und bedrohten Augenblick zur Dauer, er ist dem gleichnamigen Gedichtband von Frank O’Hara entnommen.

In diesem Ausstellungskatalog werden zum ersten Mal die drei Künstlerpositionen Wade Guyton, Guyton\Walker und Kelley Walker gemeinsam vorgestellt. Die Präsentation erlaubt die parallele Betrachtung und Auseinandersetzung mit beiden Einzelpositionen sowie mit dem 2004 gegründeten Künstlerduo.

Wie können wir Wien als Ganzes fassen? Der Versuch, der immer größer werdenden Stadt visuell beizukommen, fasziniert seit Jahrhunderten – ob in Form von klassischen Panoramen, Vogelschauen oder Plänen. Doch diese befinden sich stets im Span-nungsfeld zwischen Vollständigkeits-anspruch und Fragmentierung, zwischen Sichtbarmachung und Verdecken, zwischen Orientierung und Kontrolle. Sie bilden nie das „reale“ Territorium zur Gänze ab, sondern sind auch Modell, Bild oder Vision der Stadt.

Book published on the occasion of the exhibition of Yuko Nasaka at Axel Vervoordt Gallery from March 12 to April 24, 2015.

Schriften und Manifeste

Don't Trust Anyone Over Thirty charts the career of twenty-four-year-old rock singer Neil Sky, who is elected President of the United States after instigating teenage riots to change the voting age to fourteen and putting LSD in the drinking water of the Congress. But once President Sky retires the over-thirty population in LSD re-conditioning camps, he faces his own unique demise. 

This artist book spectacularly documents John Bock's action MALTREATED FRIGATE, which represents the height as well as the culmination of his performative work. His vision comes to life In a multitude of colored illustrations.

13. Oktober 2008 Ein soziologischer Systemtheoretiker kommt ins Seminar und kündigt an, über die Liebe sprechen zu wollen. Verwunderung: Ist die Liebe etwa ein System?

What happens when viewers become listeners?

One of the major characteristics of Rahbar’s work is to restore the dialogue between history and aesthetics. Her originality is in bringing art—not only in its new forms, such as video and performance, but also in traditional forms that have been reappraised today—onto social and political terrain.

In den aktuellen Werkserien der Ausstellung hairytales widmet sich Ina Loitzl dem Schönheitskult. Der Katalog dazu beinhaltet mehrere Abbildungen ihrer Werke sowie die Eröffnungsrede zur Ausstellung von Dr. Klaus Albrecht Schröder.

Seit 1974 macht Ulrike Ottinger Filme, die sich zwischen fiktionalem Kunstfilm und postmoderner Dokumentation bewegen.

"FROM / TO" bietet einen fundierten Überblick über das OEuvre des österreichischen Künstlers Karl-Heinz Klopf, der sich seit mehr als fünfundzwanzig Jahren mit dem Thema Urbanität, Medien und Topografie auseinander setzt.

Beltran, Benczur, Claerbout, Holmqvist, Koo, Kessler, Neuenschwander, Sala, Scanner, Snyder, Vaglier

Mit «Pleasure, Habeas Corpus, Motoricity. The Great Western Possible» legt der Luzerner Künstler Robert Estermann aus Anlass der Verleihung des «Manor-Kunstpreises 2007 Luzern» im Kunstmuseum Luzern erstmals einen Überblick über sein Werk vor.

Das Spannungsverhältnis zwischen Kunstobjekt, Raum und Betrachter steht im Mittelpunkt von Leo Zogmayers Arbeiten.

Oftmals sind seine Werke so konzipiert, dass sie Böden, Wände, Türen oder Anderes im Aufmerksamkeitsfeld befindliche mit einbeziehen und gleichwertig erscheinen lassen. Die Kunst besteht bei Zogmayer darin, den Blick nicht wie üblich an das Objekt zu binden, sondern vielmehr ein kommunikatives Bezugsfeld zum Betrachter herzustellen. (Deutsch)

"Konfrontiert mit einer`Spektakelgesellschaft´, die den Blick eines Jeden mit visuellen Reizen sättigen will, hat Rini Tandon mit Studierenden der Universität für angewandte Kunst Wien versucht, die Welt der Erblindeten abzutasten und recherchieren..."

Marcel Duchamps druckgrafische Arbeiten sind ein bedeutendes Instrument seiner konzeptuellen Praxis und reflektieren seine kritische Auseinandersetzung mit Originalität, Autorschaft und Reproduzierbarkeit.

work in progress

Human or Other was published in conjunction with Katrin Plavčak’s 2018 exhibition at the Secession in Vienna.