Chambres de luxe: Artists as Hoteliers and Guests examines the hotel as an artistic dispositif situated at the intersection of architecture

Die Publikation erscheint in einem eleganten Schuber, der vier Booklets enthält, ein Paperback und ein gefaltetes Catalogue Raisonné-Poster mit den Cover aller Björk-Alben

Egon Schiele ist ein kunsthistorischer Ausstellungskatalog, der 1984 im Verlag Mazzotta, Mailand, erschien und im Kontext der damaligen internationalen

Ugo Rondinone: No How on is the comprehensive catalogue accompanying the 2002 solo exhibition of

august walla.! weltallendeland is an extensive four-volume monograph documenting the life and artistic production of

Peter Sandbichler: Unpredictable documents the large-scale sculptural installation by Austrian artist

Tracing the Invisible is a compact, conceptually oriented art publication curated by Nadine Zeidler that investigates themes

The volume brings together around seventy artistic works and texts by international intellectuals, artists, and scholars.

In 1966, Mel Bochner, then-young instructor at the School of Visual Arts in New York was asked to organize a “Christmas show on drawings,” to run

Geta Brătescu was born in Ploiești, Romania, in 1926. Despite state repression during the communist-Stalinist dictatorship under Nicolae Ceaușescu (1965–1989),

Untrennbar mit dem Namen Jackson Pollock sind dessen abstrakte Drip Paintings verbunden, die auf dem Boden seines Ateliers entstanden.

2017 begeht die Kunstwelt das 100. Todesjahr von Auguste Rodin (1840–1917), des Schöpfers so gewaltiger und bahnbrechender Bronzeskulpturen

Chris Ofilis intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung,

Anne Truitt: Drawings showcases a selection of works on paper by the American artist Anne Truitt (1921–2004), known primarily for her

Eva Hesse: One More Than One is a comprehensive exhibition catalog and monograph dedicated to the life and work of Eva Hesse (1936–1970)

Joannis Avramidis. Ausstellung Leopold Museum, Wien is the official catalogue for the retrospective exhibition of

This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography.

Serial Grey is the publication for Jeff Weber‘s exhibition at Carré d‘Art, Nîmes. The four chapters of the book correspond to the

The first publication of artist and architect Frederick Kiesler’s epoch-spanning history of human architecture, largely unknown but still relevant.

Im Atelier d’Oras traten die Größen der Kunst- und Modewelt, der Politik und des Glamour des 20. Jahrhunderts vor die Kamera.

Herbert List war fasziniert von den „künstlichen Menschen“ – lebensgroßen Figuren aus Wachs –, die im Panoptikum im Wiener Prater ausgestellt waren.

An exceptional talent, one of the greatest designers of all time – every superlative seems appropriate to describe the experimental imagination

This publication accompanies Ai Weiwei’s exhibition Disposition at Lisson Gallery in London, presenting a focused selection of work that

At the core of Nikita Kadan’s practice is a critical engagement with the social and political conditions of the post-communist present and their roots in Soviet

The Scene (Berlin) series consists of a combination of images reflected in a mirror and images obtained by scanning

I love to be there near you, so close a rock, so close on the porcelain tile, teëls, ons spore op die grond, ons sweet,

This volume, belonging to the two-part publication accompanying Müller’s exhibition at the Kunsthalle Baden-Baden, is an invitation to

Als die Malerei in Wien um 1900 mit Gustav Klimt (1862–1918) einen Höhepunkt erreichte, forderte dieser die Überwindung der traditionellen Unterscheidung von «hoher» und «angewandter» Kunst.

Binaera: 14 Interaktionen – Kunst und Technologie examines the intersections of art and technology through fourteen distinct projects that explore interaction as both concept and practice.

Knots'n Dust is the title of a monographic exhibition of Francis Alÿs that was held at Beirut Art Center in 2018 following an invitation from Marie Muracciole.

Marcel Broodthaers is “an artist’s artist.” His influence on recent art history cannot be overstated.

Louise Bourgeois: Passage dangereux widmet sich einem zentralen Motiv der Louise Bourgeois: der Spannung

William N. Copley (1919–1996) was initially an American gallery owner representing major surrealists such as

This is a monograph on *Kara Walker, offering a comprehensive overview of her work and its development.

Die Entwürfe der Textilkünstlerin Ursi Fürtler erinnern einerseits an das schillernde Gefieder von Perlhühnern oder Paradiesvögel, andererseits an die Haut von Echsen oder an Blatt- und

Since the mid-1960s, On Kawara (b. 1933) has objectively recorded his existence through everyday numbers, words, and found images.

Carolee Schneemann: Kinetische Malerei widmet sich einem zentralen, lange unterschätzten Aspekt im Werk von Carolee Schneemann:

Albrecht und Zeitgenossen: Positionen österreichischer Bildhauerei seit 1945 bietet einen konzentrierten Überblick über zentrale Entwicklungen der österreichischen Skulptur nach dem Zweiten Weltkrieg.

Light & Noise. Objects & Installations focuses on the artistic practice of Alfred Resch, in which light and sound function as sculptural and spatial materials.

Hans Purrmann (1880–1966) is regarded as one of the most important German artists of the first half of the twentieth century.

In Franz Schreker: Die Gezeichneten setzt Günter Brus sich zeichnerisch mit der Oper Die Gezeichneten von Franz Schreker auseinander.

Drawings, Collages, and Book Drafts presents a concentrated view of Rosemarie Trockel’s works on paper, revealing drawing and

Sculptures and Installations 1979–2007 offers a comprehensive view of Robert Gober’s sculptural practice, foregrounding his transformation of

Lawrence Weiner (b. 1942) is one of the primary figures associated with the emergence of conceptual art in the 1960s.

Sculptures and Installations 1979–2007 offers a comprehensive view of Robert Gober’s sculptural practice, foregrounding his transformation of

Since the early 1990s, the work of Pedro Cabrita Reis (born 1956 in Lisbon) has revolved around themes of the house, habitation, architecture, and territory.

Edmund Teske (1911-1996) was one of the alchemists of twentieth-century American photography. Over a sixty-year period, he created a diverse body of

The publication explores artistic practice as an open-ended process grounded in experimentation, testing, and provisional structures.

test_unlimited brings together artistic and discursive positions that understand art as an open, experimental field rather than a closed system of results.

»Das Ziel sollte eine Verständigung zu dritt sein: die Wand, der Architekt, der Maler«, so 1933 der französische Maler Fernand Léger (1881–1955).

I am. presents a focused exploration of the work of Birgit Jürgenssen, foregrounding questions of identity, self-representation, and the construction of the female body.

The publication is dedicated to the work and thinking of Wolf Vostell and presents his practice as a radical fusion of art, life, politics, and media critique.

Die Publikation widmet sich einer musealen Sammlung, die aus mehreren privaten und institutionellen Beständen zusammengeführt wurde und als vielschichtiger Resonanzraum der jüngeren Kunstgeschichte gelesen werden kann.

Gratwanderung versammelt expressionistische Holz- und Linolschnitte aus der Sammlung des Museum August Macke Haus und bringt sie in einen dialogischen Austausch

The publication documents Rivane Neuenschwander's first comprehensive solo exhibition in the German-speaking world.

Dieter Roth (1930–1998) is considered one of the most important universal artists of the last century, whose uncompromising appropriation of reality seems more relevant than ever.

Die Gesammelten Schriften von Robert Smithson versammeln Essays, Notizen, Interviews und Projektbeschreibungen eines der einflussreichsten Künstler der Nachkriegszeit.

Ein einzigartiges Künstlerbuch, in dem Wolfgang Tillmans seine Produktion der letzten zwanzig Jahre in assoziationsreichen Konstellationen arrangiert und reflektiert:

Before John Cage (1912-1992), there was hardly anyone as consistent as he was in questioning the boundaries of music and its connections to other fields of art and the everyday world.

This volume brings attention to a lesser-known but conceptually significant episode in Magritte’s career.