Kurzführer mit Texten und Informationen zu Künstlern und Orten der documenta 14, der weltweit größten Ausstellung zeitgenössischer Kunst - 2017 in Athen und Kassel - mit einem siebbedruckten und tiefgeprägten Kunststoffeinband!

Meister, hast du?

Bruno Gironcoli, der leider 2010 verstorben ist, und Begi Guggenheim haben mehr gemein, als man auf den ersten Blick meinen möge.

Eighty faces stare right into the camera. Some seem calm, some slightly frightened or confused, and others bluntly indifferent, if not somewhat ironic.

Siri Aurdal by Eline Mugaas is an artist book produced on the occasion of a two-person exhibition by the artists at Kunstnernes Hus (Norway).

PMFH ist ein Katalog von Franziska Holstein, der anlässlich der gleichnamigen Ausstellung
in der Galerie Spesshardt und Klein erschienen ist.

The catalogue for Ute Richter separates her collected works into a descriptive and an narrative section.

Tricks brings together a new selection of works from the early 2000s through 2017 by Dutch photographer Bart Julius Peters.

50 stand, 50 stories.

Das vorliegende Buch geht konzentriert der Sicht des „Chairman“ George Maciunas nach.

Published to accompany a German travelling exhibition, this catalogue surveys the past 15 years of Roni Horn's photographic work and installations.

Schubladendenken lässt sich die Künstlerin Jakob Lena Knebl nicht ein, weder im Leben, noch in der Kunst. Entsprechend frei geht sie auch die Neuaufstellung der Sammlung moderner und zeitgenössischer Kunst im mumok an, die sie gemeinsam mit eigenen, neu konzipierten Arbeiten und Mut zum Exzentrischen präsentiert.

Das Rheinland war in den 1960er-Jahren ein wichtiger Schauplatz für die Umwälzungen in der zeitgenössischen Kunst. Damals brach eine neue, international vernetzte Generation von Künstler_innen mit dem traditionellen Kunstverständnis.

In the 1960s, the Rhineland was an important focus for massive changes in contemporary art. A new internationally networked generation of artists turned away from traditional notions of art.

Die Monographie zu Werk und Person Max Weilers verfolgt dessen Entwicklung von den zwanziger Jahren bis zum Ende des 20. Jahrhunderts.

Der reich bebilderte Katalog dokumentiert die vielschichtigen Recherchen für die Plattform 5 der Documenta 11, die Ausstellung in Kassel.

This book is published on the occasion og the exhibition Speech Objects, a three-part exhibition, curated by Etienne Bernard and A Constructed World at the Ecole d'art de Blois-Agglopolys & Musee de l'Objet, May 28 - November 13, 2011.

Erwin Wurms Personale Fußballgroßer Tonklumpen auf hellblauem Autodach zeigt speziell für das Kunsthaus Graz entwickelte Arbeiten, indem Elemente des Performativen, Partizipativen und Skulpturalen zueinander und zum Haus in Beziehung gebracht werden.

This book accompanies Nazım Ünal Yılmaz’s exhibition “Sibel's Beauty Parlor” held at SANATORIUM between May 11 - June 10 2017.

Die sechste Personale im Rahmen des Projektes „wir zeigen“ ist der Künstlerin Georgia Creimer gewidmet. Die Publikation versammelt Arbeiten aus den letzten Schaffensjahren der Künstlerin und zeigt ihr umfangreiches und vielgestaltiges Oeuvre.

Um 1990 fand der Künstler mit den Performativen Skulpturen – ein Begriff, den Wurm für sich allein beansprucht – eine neue Ausdrucksform.

Dieses Buch ist zum Anlass einer Ausstellung von dem italienischen Künstler Alighiero e Boetti als Katalog erschienen.

Eine umfassende Personale des in New York und Wien lebenden Künstlers Martin Beck. Neben ausgewählten Werken der letzten zehn Jahre, die sich mit Fragen des Displays, also der Zeigestrategien,

Ausstellungskatalog: Martin Beck rumors and murmurs

Katalog zu den Musikerköpfen von Anton Herzl anlässlich der Ausstellung im Haus der Musik in Wien.

This monograph features a new body of work, which artist Ida Ekblad realized for a solo exhibition at De Vleeshal in Middelburg, The Netherlands.

This publication presents a rich selection from the MAK Collection in the field of commercial art and ephemera, spanning from the 18th century to the present day.

Zeitgenössische Kunst im Dialog mit alten Meistern

Der Tätigkeitsbericht „Kunst & Kultur 2016“ umfasst die Sach- und Förderbereiche der Stabsstelle Museen und kulturelle Sonderprojekte, des Referates Kunstförderung und Kulturbetriebe und des Referates Volkskultur und Erhaltung des kulturellen Erbes.

This publication accompanies the exhibition Let’s Talk About Nationalism! Between Ideology and Identity at the Kumu Art Museum in 05.02.–25.04.2010.

Made in Tokyo includes Van Golden’s recently created series of Double Prints, essentially digital collages conjoining visually work from early/late periods of his practice, ephemera including photographs, invitation cards, periodicals and other material related to his time in Japan as well as the floral patterned painting Untitled (Tokyo) from 1964.

80 color illustrations

Nè Qui Nè Altrove” is the title of a book and show that is the result of a collaboration between two artists and friends: Giuseppe Pietroniro and Marco Raparelli.

Ob im Sprachlichen oder Bildlichen, im Vortrag oder in Ausstellungen: Im Zentrum von Dominik Sittigs (*1975 in Nürnberg) Kunst steht das Problem des ästhetischen Ausdrucks. Vorstellungen von Transparenz, expressiver Unmittelbarkeit und künstlerischer Authentizität verkehren seine Arbeiten ins Undurchsichtige, Paradoxe und Artifizielle. In Texten und Bildern schafft Sittig

This catalogue is dedicated to the exhibition and competition "Societies on the move" which aims to stimulate the artistic imagination of cosmopolitan and multi-ethnic views of our society.

Album of works by Rafał

„Das Projekt fungiert als Szenerie, als abstrakte Situation, in der es um die Wahrnehmung der Zukunft in der Gegenwart geht, wobei die Ausstellungsräume und ihre Begrenzungen als Behältnis dienen, das der Zukunft für die Dauer der Ausstellung metaphorischen Raum gibt.

Der reich illustrierte Band zeigt 120 einzigartige Kleidungsstücke aus wichtigen öffentlichen und privaten Sammlungen.

At the center of the exhibition, on view at the Orangerie of the Lower Belvedere from November 9th, 2016 to February 5th, 2017, is the latest series of works by Hubert Scheibl.

The work this book explores is a very patient, reverse anthill that, by appealing to everything personal and collective, enabled a golem to be reconstructed in nine month. It is the organ of a titan that exceeds, revolves, and absorbs almost everything. As the reader will soon understand, this engine is much greater than the sum of its parts.

Dieses Künstlerbuch erschien in Zusammenarbeit mit dem Gestalter Emmanuel Crivelli zur Ausstellung Il frutto dentro di me im Kunsthaus Langenthal.

In The Nine Eyes of Google Street View (2008–), Jon Rafman employs a new approach to the strategy of artistic appropriation, extracting screenshots from Google Street View’s vast online archive to create singular photographs that range from the lyrical to the abject.

This Book was published on the occation of the exhibition at Kunsthalle Basel, Prisoners of Shothik.

Exhibition presented at the Serralves Museum of Contemporary Art from April 30 to July 4, 2004.

This Book was published on the occation of the exhibition "Interpretation" in the Kunsthalle Basel 2010.

Conceived through a close and extensive dialogue with graphic designer Frédéric Teschner, Helbling presents the last four years of Leblon’s sculptural, installation and drawing work, and describes the newest developments in his practice.

For over a month I traveled through Sardinia, exploring its towns and villages to learn more about one of the oldest traditions on the island and in the Mediterranean basin: textiles.

Catalogue of the Exhibition "Geography and Plays" by Silke Otto-Knapp from 20 September to 17 November 2013 at Kunsthal Charlottenborg.

The first monograph to be published on the work of Leonor Antunes, villa, how to use is released in association with the exhibition Antunes conceived for the Serralves Villa in 2011.

Our relationship with animals is fraught and contradictory: we simultaneously mythologize, venerate, sacrifice, and exploit those who are not of our species.

After the explosion of the Neo-avant-garde in the ’60s, primarily heralded in Slovenia by the OHO group, the ’90s brought a second explosion of artistic production, which was, in its own way, a continuation of the radical art practices from the ’60s and ’70s. The exhibitions in Ljubljana showcase a segment of artistic production that we might label as ‘art after post-modernism’.

This book is published on the occasion of the exhibition of Julien Bismuth at CRAC Alsace in 2010.

Published on the occasion of the exhibition 'No Goal' held at The Power Station, Dallas, April 11 - July 13 2012.

In this exhibition, Kasper Andreasen presents drawings and artists’ books that investigate acts of printing, writing, and collecting.

The essays collected in this book were first presented in the autumn of 1990 as part of a lecture series entitled Vancouver Anthology, a forum in which each contributing writer could test his or her research on the question of art and politics in public, before their papers were sent into print.

The publication both documents Judith Raum's solo-shows at uqbar, Berlin and The Return, Dublin and translates the lecture performance harmless entrepreneurs (2011), which was shown at both locations, into a book format.

The Communist Manifesto was first printed as a 24 page pamphlet in February 1848, in London. Since that time, it has been reproduced in countless contexts — making it not only one of the most widely read texts ever, both one that continues to be disputed for the efficacy of its call to action.

Since the 1960s, Stephen Willats is counted as one of the most influential protagonists of international conceptual art in England.

This printed matter functions as a supplement to the content conveyed in these screenings and lectures, but it also signifies the transformation of the immateriality of these works into a materialized form.

Acknowledged today as one of the most influential figures of post-war Yugoslavian art, mangelos is the pseudonym that the Yugoslavian art critic and historian Dimitrije Bašičević (1921–1987) used for his artistic activity, a parallel career he would only make public in the 1970s.

Published on the occasion of Nairy Baghramian’s (1971, Isfahan, Iran) new outdoor sculptural work for the Sonae|Serralves Commission, this fully illustrated book draws upon the artist’s interest in the ways sculpture functions in the public domain.