Work list of Per Kirkby's etching band III (1998-2015) Foreword by Museum Director Jacob Thage. Texts by German Kirkeby expert Christiane Lukatis & museum inspector Lucas Haberkorn. With biography, exhibition list & literature listing

Im Gegensatz zur digitalen Bilderflut zeigt das alte Medium Holzschnitt Rückgrat: Holzschnitt ist kraftvoll, klar und direkt. Jeder Schnitt ist eine Entscheidung.

Bastian Muhrs Fokus liegt auf der Beschäftigung mit Zeichnung und Malerei. Regelmäßig realisiert er in Zusammenarbeit mit Kunstinstitutionen große, temporäre ortsspezifische Arbeiten.

In addition to recent works, the exhibition focused on “Signetische Zeichnung” (1994-95), a spectacular early work by the Frankfurt-based artist, which was on display in its entirety for the first time.

In einer Zeit, die das Starprinzip demokratisiert und potenziell die ganze Welt zur Buhne macht, ist die Frage nach dem Verhaltnis des Theaters zu den Selbstdarstellungsritualen neu zu stellen und mit den Mitteln der Kunst zu vermessen. Ausstellung und Katalogbuch LOVE/HATE spuren den ,grossen Gefuhlen" in

The book is a wordless visual document, featuring full-bleed color images that capture the exhibition and each artist's contribution.

An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family

Concurrent with the exhibition Yuki Okumura, a publication features a conversation among the artist, Aaron Amar Bhamra, and Monika Georgieva, an essay by James Gatt, and numerous illustrations.

Concurrent with the exhibition Autofictions in Stone, a publication features six sixteen-page sheets designed by Aglaia Konrad:

In her film-poems artist and filmmaker Ana Vaz collages images and sounds that revolve around violence and repression, the impact of ecological ruin and the continued colonization of the earth.

Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features

Extending a long-standing dialogue, the book focuses on Oorebeek’s practice, tracing the movement from public space to artwork and back to the printed page.

Die Kunst von Sandra Peters eröffnet Bezüge zwischen Skulptur, Architektur, Sound und bewegtem Bild. Anspielungen auf historisch Bekanntes werden in ihren Arbeiten zur Anregung für die Imagination des Betrachters. Ihre Werke erzeugen

HUSSLEBLATT, 8 1/2 Jahre Husslehof, Catalog project about the exhibition history at Husslehof est. Frankfurt 2013-2022.
New catalog contributions by Bradley Davies @broadleigh_davies, José Montealegre @josehappymountains, Marta Orlando @writingon_water, Bernhard Buff @bernhardbuff, Atelier Leonard Kahlcke @atelierleonardkahlcke, DADADAO @dadacoin.ecosystem, Hüseyin Oylum @husseinozs,

This artists’ publication was published on the occasion of the exhibition Polyphonia, which ran at the Goethe Institut in Sofia, Bulgaria, from October 6 through November 6, 2017. This small publication isn’t a catalogue of the exhibition, although it does include some pictures of it; it is, rather, a second platform for the Polyphonia concept, for which the artists have

The artist’s works are mounted on panels, sitting on large pieces of veneered furniture placed around the edges of the rooms.

Casa Barragán, built in 1948 by famed Mexican architect Luis Barragán as his private residence and studio, is today considered a landmark of modern architecture. It is filled with all of the artworks and artifacts that Barragán placed in it during his lifetime, faithfully kept as they were when the residence was inhabited by its author. Recognizing the special regard

This book, which brings together for the first time the entire series of films around the figure of Neanderthal Man produced by Nathaniel Mellors since 2012, is also the only monograph currently in circulation on the work of this British artist, since the catalogue The Aalto Natives – A Transcendental Manual published in

Published on the occasion of Wardill's exhibition "Matt Black and Rat" at Bergen Kunsthall. Featuring production stills and images from the exhibition, this book also includes new texts by philosopher Michael Marder, critic and writer Kirsty Bell, and a conversation between Martin Clark and Emily Wardill.

How do we draft a life, make of it a project, do our daily work? In what material and language does it arrive to us? And what if but it is done with one’s own body, and that body becomes this material but not the subject? Villiger’s autofictions––whether sculpture or image, human or vegetal body––prompt such queries.

Visual artist Diana Scherer (1971, DE) is one of the pioneers in bio tech art. Scherer lives and works in Amsterdam, the Netherlands, where she studied fine art at the Rietveld Academy in Amsterdam. Her work comprises botany, installations, textile and biotechnology.

Kramer’s work is in the fields of sculpture and installation. She combines familiar and unfamiliar objects in unorthodox ways that lead to completely contrary and sometimes even usable objects. While her works are highly distinctive in form and figuration, all the interventions comment on cultural and political phenomena within societies.

The Donaufestival 2010 in Krems was held under the theme "Failed Revolutions" and featured a diverse program of music, performance, and visual arts. In the visual arts segment, Franz Graf and Christian Jankowski were among the artists showcasing their works. Media art pioneer Paul DeMarinis also presented pieces that combine sound, light, and technology. A catalog for the art exhibitions was self-published by the artists, providing additional insights to accompany the festival program.

Susan Philipsz is one of the internationally most renowned contemporary artists. Her art explores the boundaries between sculpture and sound, between materiality and immateriality.

The exhibition is accompanied by a richly illustrated publication with two conversations between the artist and the journalist Adiaratou Diarrassouba and Thomas Lax, curator at MoMA in New York, in which she discusses the new photo series Achievement, her work with AI image programs, and the role she ascribes to them in the creation of new archives.

This publication is released on the occasion of Zhou Siwei’s exhibition I Sold What I Grow at the Vienna Secession, June 21–September 8, 2024.

Simone Fattal’s exhibition metaphorS is accompanied by a small publication with an interview with Cecilia Alemani, who showed Fattal’s works in the main exhibition of the Venice Biennale in 2022. A series of black-and-white photographs captures the mood of a spontaneous work meeting with the artist, opening up an intimate space.

159 Anekdoten, zusammengetragen aus dem weit gespannten Beziehungsnetz des 1998 verstorbenen Dieter Roth, erzählen die Geschichte eben dieses Künstlers, den viele Fachleute zurecht zu den genialsten unserer Epoche zählen. Was die aufwändige Recherche des Herausgebers Aldo Frei hier zu Tage befördert, was sich der wohl letzte Universalkünstler an halsbrecherischen Unternehmen, an künstlerischen Experimenten,

Jasper Johns (b. 1930) is arguably the most influential artist living today.

The exhibition Forms of the Shadow is accompanied by a publication that features texts by Sunjung Kim and Jeyun Moon; Su-Mi Kang; and Ingo Niermann. Functioning as both an exhibition guide and a stand-alone reader, the publication offers further insights and points-of-entry into the multifaceted practices of the artists featured in the show.

The Kunsthalle Linz presents itself as a white cube par excellence: a simple, empty and windowless room with white walls, gray floor and a ceiling that floods the room with light: a playground for big projects in keeping with common exhibition practice.

K. A. Wolf, herausgegeben im Auftrag der Karl Anton Wolf - Stiftung. Opappband, mit zahlreichen Werkabbildungen, sehr guter Zustand.

Design führte in Wien lange Zeit ein Schattendasein. Doch seit den späten 1990er-Jahren hat sich eine kreative Szene etabliert, die mittlerweile auch über die Grenzen Österreichs hinaus wahrgenommen wird.

In December 2022, a group of sculptures by Franz West was erected on Esteplatz in Vienna-Erdberg, the location of his last studio in Vienna.

Paesi Nordici. La Biennale di Venezia 1978. 5 cataloghi di mostre di artisti provenienti da Danimarca (Stig Brogger, Hein Heinsen, Mogens Moller), Finlandia (Olavi Lanu), Islanda (Sigurdur Gudmundsson), Norvegia (Frans Widerberg), Svezia (Lars Englund). Testi nelle lingue originali, inglese e italiano. Ill. in bianco e nero e a colori 8vo. pp. 20 fascicolo. . Ottimo (Fine). . . .

Lassen Sie sich auf eine Entdeckungsreise in die Geschichte des Schachspiels entführen, eine Reise durch die Zeit und um die Welt. Das Buch macht eine Fülle von Fach- und Detailwissen zugänglich und offenbart gleichzeitig die Faszination, die von diesem Spiel ausgeht.

Les Maintenants ist der Name einer fiktiven Firma aus Marlies Pöschls Film Aurore, die von Kindern und Jugendlichen gegründet wurde und sich mit der Automatisierung von Emotionen beschäftigt. Wörtlich übersetzt erfindet der Begriff Les Maintenants den Plural von „jetzt“ (französisch: maintenant) –

The first full-scale biography of the great 20th-century artist, craftsman, and thinker Josef Albers, whose influence is still felt today.
Drawing on extensive unpublished archival writings, documents, and illustrations, this is the first full-scale biography of one of the 20th-century’s great artists.

Entirely realized by the artists, and rich of more than 540 colour illustrations, this book is like a wide and coloured family album, illustrating almost all works created by Pierre et Gilles between 1976 and 2002.

Nordic Iron Age Art has survived in the precious metals gold, silver and bronze in the form of jewellery, brooches, weapon accessories and other utility objects. In the first centuries of our time, art was dominated by the inspiration from Roman and Classical art,

The Norwegian archaeologist Bente Magnus describes the historical and social conditions of myths and art: ornaments and animals with masks and human representations, plants as jewelry, weapons, utensils made of gold, silver and bronze. The tradition continues in Nordic art right up to the stave churches.

This publication presents and contextualizes the current Austrian contribution to the most important of all international art exhibitions. In his work, Mathias Poledna deals with connections between art and entertainment culture, modernism in architecture and design, the language of cinema and the history of exhibiting. His works are characterized by a rigorous examination of the medium of film and the function of images in the present and past.

Neben der Realisierung von permanenten künstlerischen Gestaltungen in den öffentlichen Bereichen des Klagenfurter Lakeside Science & Technology Parks sowie der Umsetzung von temporären Projekten wurde der von Josef Dabernig entworfene und eingerichtete Kunstraum Lakeside zum Zentrum einer kontinuierlichen künstlerischen und diskursiven Programmierung. Das Buch „Kunstraum Lakeside – Format“ widmet sich dem Thema der künstlerischen Forschung, das aus den institutionellen Besonderheiten dieses Ausstellungs-, Performance- und Diskursraums hervorgeht.

Through exhibitions, public art projects, lectures, discussions, film evenings and publications, as well as cooperations with universities and other institutions,

In welchen Räumen lässt sich Migration verorten und welche Räume werden durch sie mitproduziert? Die Ausstellung nähert sich über ein Spektrum von Bildtypen - von traumartigen Sequenzen bis zur Re-Inszenierung früherer Erfahrungen -

Archeology of the future or a prospective past? Future II, or, as this tense is also called: future perfect is a paradoxical grammatical construction. Those who use this tense to make a statement about the world create facts that do not exist yet.

Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are “case studies for the mental geography of an alternative modernity.”

Vor zehn Jahren hat der Schweizer Architekt Hans-Jörg Ruch mit seinem grossformatigen und opulent ausgestatteten Buch Historische Häuser im Engadin grossen internationalen Erfolg erzielt. Nun legt sein Büro in identischer Ausstattung einen Band mit einer repräsentativen Werkauswahl vor. «Close-up – Ruch & Partner Architekten 1994–2018» dokumentiert minutiös und in Nahsicht zwischen 1994 und 2018 entstandene Neubauten, Umbauten und Sanierungen des Büros Ruch & Partner Architekten. Enthalten sind Wohn- und Privathäuser, Hotels, aber auch öffentliche Gebäude (u.a. Museen, Galerie, Bibliothek), Infrastrukturbauten und grössere Wohnsiedlungen.

The Dutch photobook is internationally acclaimed for its close collaboration between photographer, printer, and designer. The current photobook boom in the Netherlands stems from a tradition of excellence that predates World War II.

The publication accompanying the exhibition testing grounds reflects Katrin Hornek’s artistic approach, which is based on interdisciplinary research and collaboration. This new, immersive installation deals with the measurable global evidence of radioactive radiation as a result of hundreds of above-ground nuclear weapons tests since 1945. Screenshots of chat histories and

In their latest project, done for the Museum Boijmans Van Beuningen, the artist collective Gelatin present gigantic sculptures and costumes on the theme of excrement. This book documents the work's development and includes a poster.

Since 1953, the Kulturkreis der deutschen Wirtschaft im BDI e. V. has awarded the ars viva Prize to young artists living in Germany.

Heimo Zobernig’s contribution to the Venice Biennial responds directly to the existing exhibition situation in the Austrian Pavilion, built in 1934 based on plans by Josef Hoffmann and Robert Kramreiter. The Pavilion’s structure, with its rounded classical arches and majestic visual axes, on the one hand, and clear, rational forms and modern construction materials, on the other, moves between the poles of historicism and modernism. At the same time, Zobernig’s intervention connects inside and outside, to create an enclosed site where one can linger and reflect on human presence in space.

Der situationistische Philosoph und Filmemacher Guy Debord (1931–1994) folgte in seinen Filmen stets dem Vorsatz, nichts zu tun, was man in Filmen machte, und alles zu tun, was man dort nicht machte. Die Filme, die er zwischen 1952 und 1978 schuf, spiegeln diesen Plan auf einzigartige Weise wider. Seine Drehbücher und Szenarien sind nicht weniger radikal als diese selbst. Erstmals werden die Texte aller Filme

Ein umfangreicher Ausstellungskatalog, der gleichzeitig die erste umfassende Monographie zum Werk einer der wichtigsten Künstlerinnen ihrer Generation in Osteuropa darstellt. Seit den 1960er Jahren gehört Ana Lupaș zu den wichtigsten Künstlerinnen ihrer Generation in Osteuropa. In ihrem Werk finden sich zahlreiche

How do photographers select, order, and display their images? Conceived as part of a long-term project at the CCA to examine the contemporary role of photography in the study and practice of architecture, The Lives of Documents ― Photography as Project prompts reflections on the idea of the documentary as an embedded quality of photography.

„Wie ein Hund!“ sagte er, es war, als sollte die Scham ihn überleben. Mit diesem Satz beendet Franz Kafka seinen Roman „Der Prozess“ und benennt ein zentrales Thema seines Schaffens: Die Scham. Sie und viele andere mit dem Werk Kafkas verbundene Themen haben den Schriftsteller tatsächlich überlebt und als „kafkaesk“ eine allgemeingültige und immerwährende Eigenständigkeit erlangt.

An examination of a work that captures the spirit of the 1980s—commodification, seduction, and political inactivity.In Jeff Koons's One Ball Total Equilibrium Tank (1985), a Spalding basketball floats in the center of a glass tank that stands on a four-legged black metal structure. It has been called one of the defining works of the 1980s—

Walker Evans’s Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of a family of white sharecroppers.