Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. "Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'" -Lucy R. Lippard,

Künstler_innen : Diana Barbosa Gil, Cho Beom-Seok, Jojo Gronostay, Ani Gurashvili, Lukas Kaufmann, Nora Severios, Anna Spanlang (mit Textilskulpturen von Sunny Pfalzer), Chin Tsao Display von Julia Hohenwarter

of cities and private living rooms is a semi-fictional multi-media installation that is composed of a two-channel film installation and a photo slide projection. The work questions the hidden biography of the artist’s great-grandmother.

Bezeichnet der Begriff „Speicher“ ursprünglich einen Aufbewahrungsort für Getreide und Vorräte bildet
Nadim Vardags Künstlerbuch Erkenntnisprozesse nicht nur zu Etymologie und Semantik, sondern
insbesondere zur Ästhetik von

In our daily lives, folds, creases, and wrinkles belong to the realm of aging processes or are the unwanted result of carelessly handled pieces of fabric or paper.

130 Propagandabilder, Werbe- und künstlerische Plakate von den 40er- bis Ende der 80er-J.

This book is not a proper catalogue raisonné, but rather an invitation to browse the library of an amateur. It allows us to consider an important aspect of Richard Prince’s work,

Natasza Niedziółka’s fascinating works move along the interface between painting, drawing, and textile art. The canvas constitutes the carrier for her abstract, haptic embroideries.

Der österreichische Konzeptkünstler und Jurist Guido Kucsko fokussiert in seiner künstlerischen Arbeit grundsätzliche Fragen des Denkens, Fühlens und des kreativen Schaffens.

In 2020 the composer, concept and media artist Hofstetter Kurt was awarded the Austrian Art Prize—Media Art (State Prize of the Republic of Austria) for his internationally recognized oeuvre.

The year of lockdown was an occasion for Markus Redl to undertake a journey in the smallest radius and to deal with the objects that surrounded him.

In her artistic works, Franziska von den Driesch works with analogue and digital photography, video, and also photographic procedures that do not involve a camera.

The first English translation of Karel Teige’s “The Marketplace of Art“ in two volumes includes a critical introduction, inquiries, and extensive commentaries. Originally published in the Czech language in 1936, “The Marketplace of Art“ is the summation of Teige’s artistic, political, and theoretical work.

El artista del Accionismo Vienés, Otto Muehl, fundó en 1970 una comuna con la intención de fusionar arte y vida.

Das plastische Werk von Ursula Burghardt (1928–2008) ist von einer fortwährenden Auseinandersetzung mit dem Alltäglichen geprägt. Mit unterschiedlichsten Materialien und Techniken formte, modifizierte und transformierte sie alltägliche Gegenstände zu überraschenden, die Sehgewohnheiten unterlaufenden Werken.

Das Operndorf Afrika ist zehn Jahre alt geworden. Was ist aus Schlingensiefs Vision, ein Operndorf im westafrikanischen Burkina Faso zu gründen, geworden? Werden dreißig Kilometer außerhalb der burkinischen Hauptstadt Ouagadougou nun Wagner-Opern inszeniert?

Als Blinky Palermo im Alter von 33 Jahren auf den Malediven starb, studierte Förg noch an der Münchner Akademie. Die beiden sind sich nie begegnet. Kann man trotzdem von einer Freundschaft der beiden sprechen? Nein, kann man nicht. Man muss!
When Blinky Palermo died unexpectedly in February 1977 while on a trip to the Maldives, he was 33 years old and Günther Förg studied at the Munich Academy of Fine Arts. So, Förg and Palermo never met.

An overview of the various socio-political themes addressed by the Austrian artist's work. “Dengler's oeuvre is also about trauma, both personal and collective, and although it offers no consolation whatsoever, another place where it investigates the meanderings of the human psyche is the shrink's—pop or not—sofa.

This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

This book is dedicated to the work of Marcin Rusak, as part of a series of monographs on the thought and work of young contemporary designers. Beside testing new channels of preferential relationship between art and science as well as between artisanal and industrial manufacturing processes, the Polish designer is known for having contributed

The book is published in relation to the exhibition 1971 – Parallel Nonsychronism, a joint exhibition of Kiscell Museum – Municipal Gallery and tranzit.hu, which examined the parallel tendencies of art in state socialist Hungary, during the so-called Kádár era (1957–1989)

“Attached” is a collection of texts that document a diverse range of artworks made by Jessie Bullivant (AU/FI) over the past decade. By replacing the default photographic documentation with written accounts,

Guy Mees’s (1935–2003) photographs, videos, and above all his fragile works on paper are characterized by a formal rigor combined with sensitivity and delicacy. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications.

This publication documents the 2016 exhibition “One, No One and One Hundred Thousand,” which took place at Kunsthalle Wien, Karlsplatz.

Bianca Baldis Publikation Play-White ist zwischen ihrer jüngsten gleichnamigen Videoarbeit und einer neu in Auftrag gegebenen Serie von Textilarbeiten angesiedelt, und vereint Ideen rund um den komplizierten Akt des „Passing".

Diese Publikation erscheint anlässlich der Ausstellung we sat rigzd except for the parts
of our bodies that were needed for production von Sandra Lahire und Celeste Burlina.

prefaces to appendage ist in Verbindung mit der Ausstellung appendage von Iris Touliatou erschienen. Es versammelt eine Reihe von Vorworten zur Ausstellung, geschrieben von

R, C ist ein visueller und textlicher Streifzug durch das Leben und Schaffen in der Landschaft von Nikosia. Es kombiniert Künstlerstatement, Fotografie und Rap. R, C lässt drei Stimmen zu Wort kommen.

Verena Dengler ist eine Meisterin pointierter Anspielungen. Sie fügt Bilder, Skulpturen, Textilien und Fundmaterialien zu einem poetischen Kosmos zusammen:

This publication explores how Heimo Zobernig (Mauthen, Austria, 1958) has become one of the most relevant artists in the current European landscape.

“Dengler’s oeuvre is also about trauma, both personal and collective, and although it offers no consolation whatsoever, another place where it investigates the meanderings of the human psyche is the shrink’s—pop or not—sofa.

Eine umfassende Monografie über Amelie von Wulffen, mit eine Vielzahl neuer Bilder und Skulpturen. Sie beschäftigen sich vor allem mit emotionalen und auch psychoanalytischen Fragestellungen. Dabei interessiert die Künstlerin das Verhältnis von Unbewusstem und Bewusstem, das Mittragen von Traumata oder Schuld, wie auch versteckte Sehnsüchte, Fantasien und die Offenlegung von Scham.

A catalogue as reader: the enclosed texts describe the nearly one hundred works the artist produced through the year 2020 under the name “Stefan Riebel”; these texts, however, are autonomous pieces of writing * in their own right.

Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art.

The photographs that Annette Kelm has produced over the past fifteen years across a wide range of formats and appearances rank among the most compelling and significant contributions to recent contemporary art.

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos.

The monograph “Modifications” is an associative book about the works of Samuel Schaab from the last years. Published by Salon für Kunstbuch. With texts by Karolina Preuschl, Ferdinand Schmalz, and Samuel Schaab. Designed by Anna Liska.

This book is dedicated to the complex artistic trajectory of Chiara Fumai, who played a significant role in the development of performance and feminist aesthetics in the twenty-first century and who died prematurely in 2017, at the age of only thirty-nine.

In March 2020, the Rodman Hall Art Centre showed Industrial Niagara, an exhibition curated by Derek Knight, that brought together key works by members of the Research Centre in Interdisciplinary Arts and Creative Culture, Brock University.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

"Notes from the future: a crossbreed laborer's diary" brings together artists who use forms from documents, anthropology and science fiction, as so many imaginary territories to be cannibalized within visual production; challenging notions of culture, origin and belonging.

‘Abstraction as an Open Experiment’ addresses the exploration and interpretation of the potentiality of abstraction, which starting from the 1960s became a vehicle for artists to rethink the relationships between modernist art, the individual and society.

In addition to texts on the work of Alexander Wolff by Camila McHugh, Nikola Dietrich, Christian Egger, Kerstin Cmelka, Nora Schultz, Ariane Müller, Sabrina Soyer, also an essay by Marcelin Pleynet entitled "Painting and 'Reality’" from 1969 - translated from French into English for the first time.

Published on the occasion of the collaboration between 3 137 and Ilaria Conti, within the framework of the sync Curatorial Fellowship (January – March 2020), Around Labor, Art, and the Auratic Condition (This is Not a Love Song), this non-linear

Dénes Farkas’ personal exhibition focuses on issues of choice, uncertainty, insecurity and preparedness, highlighting the contingency of normality and casting doubt on the production of truth and scientific rationality.

The exhibition comprises

Né en 1972, lauréat du prix Marcel Duchamp en 2008, Laurent Grasso est l'un des artistes français les plus présents sur la scène contemporaine internationale. Il est représenté par la Galerie Perrotin à Paris, où il vit et travaille. Son travail, délicat et très varié, utilisant aussi bien la vidéo que la peinture, le néon, la sculpture ou l'installation, joue des limites entre fiction et réalité et explore les notions d'espace et de temporalité.

'Blending the heraldic with the optical, August Krogan-Roley’s Empty Coats each present themselves as a pictorial game.

Florian Glaubitz’s images - sometimes illuminated, sometimes behind glass, cut-back, flat and bulbous - lead me to questions around the ever-present interrelation of body, material and product. Not so much through words, but through an image language that has been developed over years, he talks of desire, relentlessly demands beauty and attempts to hold onto temporary states of being in which everything seems possible.

The motifs produced during time-intensive dyeing processes – which uses indigo, urine, and extracts of natural waste materials – are neither conventional fabric nor lace patterns, and they have only a distant relationship to batik painting. Yet, they are simulations and portraits of both.

Morceaux choisis is the first seminal overview of Saâdane Afif’s artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

The liberal capitalist world order that prevailed after 1989 is today in a stage of advanced disintegration. The collapse of this order exposes the illiberal core of its freedoms and forms of ownership shaped by the market: the violent unfreedoms of the dispossessed as well as the willingness of the propertied to use violence. Art, too, reveals itself as the venue of these forces and their exclusions:

Günther Selichar’s preferred thematic field of work, and his oeuvre has revolved around it since the early 1980s, is the media and mass media.

Das Buch gibt einen umfassenden Einblick in das vielgestaltige Werk Ingrid Wieners, die die Gobelinweberei als zeitgenössisches Medium neu entdeckt hat.

Das Katalogbuch umfasst von vorbereitenden Skizzen bis zu minuziös ausgeführten Studien die unterschiedlichsten Typen von Zeichnungen. Ebenso reich ist das Spektrum der eingesetzten Zeichentechniken, von Silberstift über Kreide und Federzeichnung bis zum Aquarell.

Carl Andre – Sculpture as Place examines Carl Andre’s radical redefinition of sculpture as a spatial and experiential condition rather than an autonomous object.

Michael Snow is, without doubt, one of foremost living artist, and a central figure in North American art in the latter half of the Twentieth Century. Since the reception of the “Independent Film Award” (1968) from the journal Film Culture, his work was placing in the ranks of such major figures of avant-garde cinema as Stan Brakhage and Gregory Markopoulos as well as in the company of two other artists-turned-filmmakers: the photographer Robert Frank and the painter Andy Warhol.

«Lead Season» is the first thorough monographic catalog of Argentine artist Mauro Giaconi. Taking the drawing as a starting point, the texts address the multidisciplinarity that characterizes the artist's work, while also stressing the current socio-political context in Latin America based on the sense of impermanence, the presence of the body and a critical awareness of the matter.

The work of Nicolas Paris compromises of research into the processes of learning and speculation, and is based on four concepts: tool, method, idea and system. This book is separated into four sections that address these four concepts, forming a manual that can be used by everyone, not merely artists or art lovers.

Anfang der 1980er Jahre wurde Taaffe als wichtiger Vertreter der Appropriation Art international bekannt. Sein Interesse an Ornamenten unterschiedlicher Kulturen und historische Naturdarstellungen, die er als Fragmente in leuchtenden Farben auf die Leinwand bringt, prägen seine Bilder.

Pop, Witz und Ironie charakterisieren seine Arbeit, die aus Lebensthemen wie Wetter, Segeln, Natur, Musik und Sprache schöpft.