Between 1993 and 1998, initiated by Chris Dercon, Witte de With and Richter Verlag, Düsseldorf, published a series of in total seven Cahiers.

For almost five decades, the United Kingdom made plans for a nuclear attack that never came.

Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world.

Weiner's later work expanded into wall installations, video, film, books, sound art, sculpture, performance art, installation art, and graphic art, maintaining his focus on language as a sculptural element.

Midnight Deer Abstractions is a collaboration between artist Geoff Farnsworth and poet Erin Knight to produce limitless in-betweens and vast spaces where slight variations contain all the precisions of colour and diction, rendered immediately nebulous. Creating spectral selves, they invite us to look “between foreground and background” for the traces and sketches of identities, whose edits are vague, always disappearing to be retraced, resketched.

Here live the near-blind. In their eyes the city dwells like aureoles on suckling lips. Here they apprehend the city with knowledge viscous and immediate. And here they also live uneasily, for tranquillity is found only in pictures they are disinclined to make.
In essays, letters and aphorisms, this book makes near-blindness tangible as one condition of living in. protracted war.
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The eleventh issue of the series Pleased to Meet You is devoted to Derek Jarman (1942-1994), a major figure in British cinema during the 1970s and 80s as well as a highly versatile artist, painter, draughtsman, costume and set designer, author and gardener. Before his premature death in 1994 of an AIDS-related illness,

Die Untersuchung beginnt mit ethnografischen Erkundungen einer Kunsthochschule. Unter diesem Blickwinkel sind die 96 % derer, die freie Kunst studieren, ohne je von ihrem Metier leben zu können, genauso interessant wie die Stars des Kunstbetriebs.

To Perform a Ferry is a book that holds eight performance scripts and other material to be spoken. Inspired by the figure of the renegade who leaves land behind and crosses the sea or leaves civilization to take refuge in the vast desert, the eight scripts embody the state of migrating, through space but also through languages, bodies, and writing genres. Written in English by Mohamed Abdelkarim.

From one of the most lauded artists of his generation comes a purging soliloquy: a profound nowt delivered in some spent afterwards.

In 1977 Ingemo Engström and Gerhard Theuring embark on a journey through France.

Die Wiener Gruppe – Friedrich Achleitner, H. C. Artmann, Konrad Bayer, Gerhard Rühm, Oswald Wiener – entstand zwischen 1952 und 1955 aus einem Kreis avantgardistischer Künstler, die dem Wiener „Art-Club“ verbunden waren. Bei aller Verschiedenartigkeit

"Type I enacts a hyperreality, in which the effects of climate change are damaging our world, and technological advances are held up as the key innovative tools for alleviating ecological collapse. Merging poetics, visuals, fiction and essaying to create a vivid, multi-layered novel, Max Parnell's debut offers up not only an

Edited by Eric Troncy and Stéphanie Moisdon, Frog is an international art and architecture magazine. Published in October 2016 this issue features: Dominique Gonzalez-Foerster, Jim Shaw, Alex Israel / Bret Easton Ellis, Christian Rosa, Lili Reynaud Dewar, Sarah Lucas, Ugo

"If it is somehow identifiable as part of a referential system, we immediately understand the meaning of a line on a piece of paper. A horizontal line will be easily read as a minus, an em dash or a way on a map, no matter how sloppily it is written or drawn."

Excerpts from the potential spaces of interaction, word-image miniatures.

Forms of Migration explores the potential of literary and aesthetic forms of expression to shape our understanding of transnational migration processes. The volume emphasises form because it is often the compositional structure and rhetoric of texts and images – their literary nature and formal qualities – that impact readers and beholders, opening up new interpretations of im/migrant experiences and identities.

Spanning 500 years of colonial destruction, human trafficking and blood sucking, Nosferasta is a Rastafarian vampire film that reimagines Oba’s origin story in the late 15th century, when he is seduced by the vampire Christopher Columbus, ensuring his undying allegiance to the colonial project. Combining film forms and jumping across multiple timelines,

E. Pauline Johnson, Tekahionwake (1861-1913) is a writer, poet and performer who drew upon her Canadian and Mohawk upbringing on the Six Nations of the Grand River and Brantford in Upper Canada/Ontario. Landon Mackenzie is a Canadian artist, living on the unceded traditional lands of the Coast Salish.

My Kingdom for a Title is a collection of writing by Chicago–based artist Pope.L documenting his use of language as a mode of visual, narrative, and performative story telling.

Small Sculptural Statements is a book of poetry and a book of sculpture. It is a book of poetic sculpture. It is the poetry of our time, one line at a time, one line a page. The text appears as though edited in a manuscript with words crossed out and the edits written above. It is a collection of Garnet’s small sculptural statements produced from 2004 to 2020.

The Repetition Festival Show Tessa Giblin, Saskia Vermeulen, Rhea Gaardboe Dall, Andrea Viliani Parution date: 2011

Written in the 1950s and ’60s, the “action poems” comprising a A User’s Manual were published in their complete form in 1969 when they were paired with the 52 collages of Weekly 1967, the first of Kolář’s celebrated series in which he commented visually on a major event for each week of the year. Taking the form of directives,

Shows, Signals, Unvernehmen brings together fifteen years of art critic, curator, and artist Christian Egger’s writings, from 2005 to 2020. The texts include interviews

Der Psychiater Ferdière, der Artaud aus dem besetzten Paris 1943 nach Rodez geholt hatte, im Gespräch mit dem Philosophen Sylvère Lotringer.

The English-language paperback selected by Wolfgang Tillmans contains transcriptions of lectures by the Indian philosopher Krishnamurti (1895-1986). The motif of the dust jacket designed by Wolfgang Tillmans

Trotz seiner Kürze verfolgt der Aufsatz in dieser Edition ein dreifaches Anliegen:

Das Zeitstück „Ludwig“ erzählt eine Geschichte über die Schwierigkeiten und Voraussetzungen des Erinnerns.

How to disappear in America without a trace. “There are many good reasons to disappear from society.

Joan Mitchells Malerei bündelt Energie, Erinnerung und räumliche Erfahrung. In dichten Schichtungen und weiten Öffnungen verdichten sich Farbe, Geste und Rhythmus zu eigenständigen Bildräumen.

Wir berichten vom Anfangen. Von Ritualen und Methoden des Anfangens, von zufälligen Fängen. Von Beginnlosigkeit. Vom Stellenwert des Anfangs und von möglichen Definitionen.

Mit Hanns Hatt unternimmt dieser Band einen Ausflug in die wundersame Welt der Gerüche. Eine kleine Reise in die unsichtbare, flüchtige Welt der Mitteilungen, deren Anfang und Ende unklar ist, eine Welt, in der ein Windzug genügt, und schon sind sie weg – und mit ihnen die Informationen, die sie enthalten.

What does it mean to publish today? In the face of a changing media landscape, institutional upheavals,

'when home won’t let you stay' umfasst u. a. ein Musik-Video, Installationen, ein Künstlerbuch, eine Fotografie-Installation, einen Dokumentarfilm, einen Spielfilm, eine Performance und eine performative Lesung. Kuratiert von Isin Önol.

Anerkennung bekommt heute als Künstler, wer musikalisch virtuos, bildnerisch hermetisch, fragmentarisch und unbeholfen, konzeptuell jedenfalls strikt fern aller Rezepte sich behaupten kann. Es scheint sich als Versprechen eines unbedingt gegenakademischen Experimentierens - das Improvisatorische paradox zu einer neuen Doktrin des freien Kunstschaffens verfestigt zu haben.

Seit Jahrhunderten reflektieren Künstler den Begriff Schönheit, der sich in der westlichen Kultur aus der klassischen Antike entwickelt hat und erst im 20. Jahrhundert durch die Beschäftigung mit außereuropäischen Kulturen grundlegend in Frage gestellt wurde.

Ein reich illustriertes Buch über Bücher, die aus der Reihe fallen und sich dem internationalen System des Warenaustauschs entziehen.Welche Rolle wird das Selbstverlegen im 21. Jahrhundert spielen? Kann der Druck auf Papier eine Alternative zum elektronischen Austausch darstellen? Wie lässt sich zwischen Subversionsgestus und Neuem Biedermeier unterscheiden?
10 letzte Exemplare