Der Schweizer Fotograf Kurt Blum (1922–2005) ist vor allem für seine Porträts von Künstlerinnen und Künstlern bekannt.

Die Ausgabe behandelt eine Reihe zeitgenössischer Themen aus Kultur, Politik und Medienkritik. Beiträge befassen sich unter anderem mit der politischen Bedeutung neuer Technologien wie Kryptowährungen,

Neither. Die Musik Morton Feldmans ist eine umfassende musikwissenschaftliche Studie von Sebastian Claren, die sich mit den kompositorischen Strategien und dem ästhetischen Denken von Morton Feldman auseinandersetzt.

In his collages, films, and architectural stagings, David Maljković engages critically with the legacy of modernism. Central to his practice are sculptural and

Simon Denny presented a solo exhibition at the Ursula Blickle Stiftung (Kraichtal, Germany), an institution known for its focus on contemporary, conceptually oriented artistic practices.

Ode to Happiness is a grown-up's picture book, a charming reminder not to take oneself too seriously.

The Rambling Figures of Mani Kaul addresses the cinematic practice of Indian filmmaker Mani Kaul, whose work is associated with experimental and parallel cinema.

Compiled on the occasion of new restorations of Michel Khleifi’s films by CINEMATEK and a retrospective film programme organized by CINEMATEK and Courtisane

An early selection of Marc Nagtzaam’s text-based drawing samples, this publication reflects a formative phase in the Dutch artist’s practice in which writing,

Mono.Kultur #15 is part of the Berlin-based interview magazine Mono.Kultur, known for dedicating each issue to an extended conversation with a cultural practitioner.

As a reaction to the dominant effect and interpretive authority of the digital, Data Loam combines radical approaches based on positions taken in the international practice of contemporary art.

Nostalgia by David Horvitz is an artist’s book that explores memory as a fragile, unstable process rather than a fixed archive.

The first comprehensive edition of Eugen Wiškovský's photographs together with his texts. Photographer, teacher, translator of Sigmund Freud,

Points of Passage ist ein interdisziplinäres Projekt, das Kunst, Literatur, Tanz und Film in einen vielschichtigen Dialog bringt.

Der Aargauer Architekt und Bauingenieur Walter Zschokke (1948–2009), der von 1985 an bis zu seinem frühen Tod als Entwerfer,

Diese Festschrift ist Monika Faber anlässlich ihres siebzigsten Geburtstages gewidmet und würdigt ihre außergewöhnlichen Leistungen auf dem Feld der Fotografie.

The radical⇌matter journal unfolds as a two-volume journey through the shifting relations between art, science, technology, and ecology.

»Wir stehen am Rande des Desasters, ohne es in dem, was kommt, verorten zu können: Es ist vielmehr schon längst vergangen, und dennoch stehen wir am Rand oder werden davon bedroht«, so Maurice Blanchot 1980 in Die Schrift des Desasters.

Austrian artist Manfred Wakolbinger has been working on his enormous collection of underwater photographs for many years.

A FIELD GUIDE TO THE SNOWDEN FILES is the first book to critically engage with artists responding to the NSA-files leaked by whistle blower Edward Snowden. Considering the most

The title 272 pages minus 232 equals celluloid refers to a process of subtraction, transformation, and recontextualization.

A concise and poetic meditation on materiality—of the body, the image, and thought—by Turkish artist and writer Deniz Gül (*1982).

Sigmund Freud himself was certainly aware of the significance of psychoanalysis when he founded it: he saw it on the same level as the Copernican revolution and Darwin’s theory of evolution.

De sculptura: Reflections on Sculpture brings together 27 essayistic reflections by Belgian artist Philip Van Isacker on the relevance and perception of sculpture in the 21st century.

Jeremy Shaw’s artistic practice revolves around altered states of consciousness, belief systems, and the aesthetics of transformation.

Henri Chopin, a pioneer of sound poetry and radical typography, brings his unique voice to the artist’s book The Conference of Yalta.

Stemming from Matt Mullican's (born 1951) acclaimed retrospective held at Hangar Bicocca, Milan, in summer 2018, this publication follows Rubbings Catalogue 1984–2016 (2016).

Lawrence Weiner (New York, the United States, 1942) is one of the representatives of Conceptual and post-Minimalism art whose work can be placed next to American artists from the same generation such as Joseph Kosuth and Robert Barry.

In the search for new ways of experiencing sound, this book describes a path from music to the visual arts.

Elisabeth von Samsonow lebt und arbeitet seit 25 Jahren in Wien und lehrt seit 20 Jahren an der Akademie der Bildenden Künste in Wien. Um auch den runden Geburtstag von der Philosophin und Künstlerin gebührend zu feiern, ist ein Sammelband

An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family

Stretchy is an Art Magazine that is made purely of art works, it includes fiction, poetry, drawings, and Photography. Participants of the first issue - Merit Trapp, Keren Cytter, Pascal Leyer, Laris Maas, Minhae Kim, Anton Schmutzler, Mira Hyein Sung, Jonathan Hinz, Jana Nestler, Lim Kim, Birthe Langner, Rosa Glaser, Amarin Lawton, Chiaki Nakaune, Kenske Miyano, Alla Zhyvotova

A text by Merle Kröger inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A text by Iman Mersal inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

David Schalko, known as the director and writer of series such as Altes Geld and Braunschlag, is releasing his first photo book, Geister. It is the collection of an obsession: Schalko’s creatures, which he continuously and everywhere discovers, are stains and marks on streets, in backyards, and most prominently on house walls and in stairwells.

Die Sahara ist die größte Wüste der Welt, gefüllt mit Sandmeeren, Kiesebenen, die sich bis zum Horizont erstrecken, Sandsteinbergen und Vulkanen, die bis zu 3.000 Meter hoch sind. Im Dezember 2022 und Januar 2023 unternahm die Fotografin Barbara Seyr zusammen mit dem Schriftsteller Raoul Schrott und seinem Team eine Reise dorthin. Von Algier nach Tamanrasset, vom Mittelmeer i

‘Professor M looked down at his paunch and sighed. At 56 his physical decline, long established, hadn't got any easier to endure. Work didn't help. And neither would this meeting. In fact, he was dreading it. If she had shown his letter to the Dean he was done, and he knew it was his own doing. What a fool. He knew he had been kidding himself. Times had changed, and he knew that too.

A conversation between Oscar Tusquets and Luis Cerveró. Co-Produced by BD and Terranova. Photography by Eduard Sánchez Ribot

A discreet, yet unapologetic, feminist reading of the past and present with a particular focus on deconstructing inherited notions of identity and gender. It seeks to examine the impact these have had on contemporary relational modalities in order to find new capacities to dissect the resulting interpersonal dynamics. There is a wish to pause automatisms that suffocate the mind.

„Wie ein Hund!“ sagte er, es war, als sollte die Scham ihn überleben. Mit diesem Satz beendet Franz Kafka seinen Roman „Der Prozess“ und benennt ein zentrales Thema seines Schaffens: Die Scham. Sie und viele andere mit dem Werk Kafkas verbundene Themen haben den Schriftsteller tatsächlich überlebt und als „kafkaesk“ eine allgemeingültige und immerwährende Eigenständigkeit erlangt.

Jean-Pierre Brisset, Raymond Roussel, Marcel Duchamp:
three men whose names are inextricably linked by their respective intellectual trajectories, creative processes, and reception histories. Similarities between them abound, and can also be perceived in minute biographical details, accidents, and coincidences. Their well-known penchant for treating aesthetic issues as issues of methodology provided all three of them with the impetus to devote themselves to technical innovations, which is maybe a lesser known aspect of their respective works.

Seit dem Ende der 1960er Jahre gehen vom Wirken des Museosophen, Designers, Architekten und Medieninterventionisten Peter Noever – seit 1986 Direktor des MAK in Wien – wesentliche Impulse aus.

X is an annual magazine focusing on visual culture and experimental literature: a collective artwork, a material flow of reality that eludes any prediction. X freezes on paper the power of contemporary art and writing, welcoming with joy the delirum of participating in such pursuits. Pain, battles, sequences of errors, vanished memories and unwanted prophecies; X is born because we can still be against everything and also against ourselves.

Los Angeles Studio Conversations ist der vierte Band einer laufenden Interviewserie, die 2013 von der Kunsthistorikerin Stephanie Buhmann in New York ins Leben gerufen wurde. Mit bislang siebzig bis publizierten Gesprächen zielt dieses Projekt darauf ab, ein permanentes und wachsendes Forum für internationale zeitgenössische Künstlerinnen zu schaffen.
Los Angeles Studio Conversations stellt die folgenden Künstlerinnen vor: Lita Albuquerque, Sarah Cain, Andrea Fraser, Liza Lou, Shana Lutker, Kristen Morgin, Catherine Opie, Silke Otto-Knapp, Monique Prieto, Alison Saar, Analia Saban, Fran Siegel, Lisa C. Soto, Despina Stokou, und Diana Thater.

Rab-Rab Press announces the publication of “Free Jazz Communism“, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.

Während sie Damwild in einem Gebiet verfolgt, in dem früher Tagebau betrieben wurde, entdeckt Kat Dogtok ein Zickzack-Symbol, das mit einer schmalen Stiftspitze in einer dunklen Unterführung für Wildtiere geschrieben wurde. Die anschließenden unheimlichen Begegnungen und der zeitliche sowie räumliche Zauber, den dieses Zeichen ausstrahlt, sind so beeindruckend, dass Dogtok ihnen nicht mehr entkommen kann. Was oder wer steckt hinter den Zickzack-Markierungen?

The oceans are rising. On the rise are the metrics of accelerated human activities: sea level, water temperature, acidity, algal blooms, and the depletion of fish communities and marine life. The loss of abundance and diversity has devastating effects on the services the oceans render to the earth, exhausting their unrecognized labor of

Anlässlich des 70. Geburttages von Günter Brus veranstaltete das BRUSEUM der Neuen Galerie Graz am Landesmuseum Joanneum 2008 "Ein Fest für Günter Brus", das aus einem Symposium mit internationalen Referenten und Referentinnen,

Dear world you have made the persons slow uses the World Health Organization's collected 2020 press statements about COVID-19 as its source material. Composed using blackout poetry, the project casts light on the ongoing and mostly unconscious consumption of online information.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine:

Das plastische Werk von Ursula Burghardt (1928–2008) ist von einer fortwährenden Auseinandersetzung mit dem Alltäglichen geprägt. Mit unterschiedlichsten Materialien und Techniken formte, modifizierte und transformierte sie alltägliche Gegenstände zu überraschenden, die Sehgewohnheiten unterlaufenden Werken.

The book is published in relation to the exhibition 1971 – Parallel Nonsychronism, a joint exhibition of Kiscell Museum – Municipal Gallery and tranzit.hu, which examined the parallel tendencies of art in state socialist Hungary, during the so-called Kádár era (1957–1989)

In 2022 the Niagara Region welcomes the Canada Games; 2022 also marks the reintroduction of the Indigenous game of lacrosse. By thematizing lacrosse, this book celebrates the role sport plays in promoting cultural diversity.

On display forty Mongolfiere, made with recycled materials, objet trouvé and natural elements, each dedicated to a desire. The project was born in the spring of 2020 when, in response to the isolation imposed by the pandemic, the artist asked friends, family and colleagues to express a desire to be shaped, leaving all of them free to follow the flow of their thoughts and aspirations. This freedom gave birth to a choral discourse, made up of a set of desires all different from each other but united by the same strength and determination.

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language.

As an independent art publisher, Lugemik has mapped a large part of the Estonian contemporary art and design landscape through numerous collaborations with artists, designers, theorists and cultural institutions, resulting in a variety of printed matter. The exhibition strives to talk about the aspect of translation in Lugemik’s practice, and will also reflect on topics related to book-making, such as graphic design, contemporary methods for art reproduction, and various forms of collaboration.

Much is popularised of the Mafia in film, literature, music and urban legend. Some stories are inspired by and respectful of the facts, but many are presented through a creative lens distorting how organized crime began. References are often made to criminal activity in the infamous Prohibition Era, but few stories cover the preceding years, until now. This new book

We are on the verge of sharing our cities with autonomous vehicles. Recent developments in driverless technologies are having an impact on our urban environment, raising questions about how self-driving vehicles could be integrated into our daily lives.

In Noir – A Serendipitous Encyclopedia Inspired by 1001 Names for the Color Black graphic designer Sandra Praun takes on the color black and the language that charges it with a variety of characteristics. The book consists of three parts: