The view outside is blocked. A window has broken away from the wall, taking its reveal with it—now suspended mid-air, held precariously by a latch.

This edition arises from a sustained dialogue between Franz West and psychoanalyst Georg Gröller, shaped by years of conversation, correspondence, and critical reflection on West’s writings.

John Newling is one of UK’s most important conceptual artists and the first Fulbright Fellow. Writings is the comprehensive collection of the artists essays from 1995-2005. Newling tackles themes such as ‘certainty and uncertainty’, ‘perception and cognition’,

Indian stunt artists who hide their faces are paid more than those who show their faces, while Black women stunt artists are often cast for character types who don't even get a proper name in the script. Madhusree Dutta writes on hierarchy and exclusion in cinematic practices, with alternating chapters from the life stories of two female film students. Situated in a space between

Am 25. September 1940 überquerte Walter Benjamin auf der Flucht vor den Nazis die Pyrenäen. Er hat das Tal auf der spanischen Seite bereits erreicht, hat ein Visum für die USA, die Transiterlaubnis durch Spanien nach Portugal hat er auch. Was er nicht hat, ist ein französisches Ausreisevisum. Die spanischen Grenzbeamten erlauben die Übernachtung in Port-Bou –

Due Magneti by artist A. Herms is a collection of day and dream texts that become interwoven into a narrative about the construction of roles. The banal is sacred, the dreams are treasures. Both the reflection of everyday occurrences and the ability to transform oneself in dreams offer possibilities to question and shape one's own biographical identity.

In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin tells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination.

I See/ You Mean is an experimental novel by Lucy Lippard, a prominent artist and feminist activist.