„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Abweichend von der journalistischen Routine des Interviews, zeigt sich hier der Versuch, aus der unbefangenen Begegnung eine eigenständige Form zu entwickeln, die nicht dem Schema der Prominentenbefragung und dem Gebot des pointierten Statements gehorcht, sondern an der Idee einer souveränen Diskussion orientiert ist.

In dieser neuen Künstlerbuch-Edition verbindet Peter Piller einen historischen Text mit einer zeitgenössischen künstlerischen Geste:

"Being at once a school and at the same time not a school, a workspace, the Werplaats Typografie tends to want to comment on its own distinctive form of academic pursuit ( by way of, amongst other outlets, these School Journals)." (Maxine Kopsa)

At the core of Daniel Hafner’s artistic practice lies a sustained inquiry into perception, mediated experience, and the shifting conditions of reality in the digital age.

The Rapha Continental is an online journal published by the cycling gear company Rapha. In it, riders and bicycle designers chronicle their adventures and „epic rides” in a muscular and often self-aggrandizing prose.

Gesammelte Gedichte von Elfriede Jelinek, erschienen im Westphalie Verlag 2014 in einer zweisprachigen (deutsch/französisch) Auflage von 400 Stück.

“The Day My Mother Touched Robert Ryman” by Stefan Sulzer interweaves personal memory with art-historical reflection.

San Rocco is interested in gathering together the widest possible variety of contributions. San Rocco believes that architecture is a collective knowledge, and that collective knowledge is the product of a multitude.