San Rocco is interested in gathering together the widest possible variety of contributions. San Rocco believes that architecture is a collective knowledge, and that collective knowledge is the product of a multitude.

I See/ You Mean is an experimental novel by Lucy Lippard, a prominent artist and feminist activist.

Diese textbasierte Arbeit von Wolfgang Kos ist eine verdichtete Beschreibung des Wohnraums von Ingeborg Strobl – zugleich Momentaufnahme, sprachliche Skulptur und feine Charakterstudie.

Masters of Reality brings together the first collection of texts by Steve Rushton. Second in a series of publications on contemporary art inaugurated by the Piet Zwart Institute, the book explores the interrelations between art, anthropology, social sciences, psychology, media, politics, and economy.

Four solo exhibitions with Natalie Czech, Bo Christian Larsson, Saâdane Afif, and Maria Loboda, as well as a collaborative project with A Dog Republic

This bulletin annotates a projected wall text (shown on the cover) that introduced the research program “Dexter Bang Sinister” at Kunsthal Charlottenborg, Copenhagen.

A speculative, existentialist fiction on the melancholia of revolutionary politics and good intentions, Tirdad Zolghadr’s novel is composed of the logorrhea of online communication and unpublished manuscripts.

Der Künstler und Schriftsteller Wolfgang Müller war einer der Protagonisten der brodelnden Subkultur im Westberlin der 70er und 80er Jahre.

Olivier Assayas is best known as a filmmaker, yet cinema makes only a late appearance in this volume. A Post-May Adolescence is an account of a personal formation, an initiation into an individual vision of the world. It is, equally, a record of youthful struggle. Assayas’ reflective memoir takes the reader from the massive cultural upheaval of France in May 1968 to the mid-1990s, when the artist made his first autobiographical film about his teenage years,