“Casa Azul” (Blue House) is part of a socio-visual developed with the sociologist research Chloé Constant, about the life histories of five trans women imprisoned in a male penitentiary in Mexico City. Nr. 302/460, Nr. 277/460

The Morning Line is both ruin and monument, the blackened frame of a cathedral-like structure; a drawing in and of space; an ‘anti-pavilion’.

"This book results from my interest in the graphic interplay between two- and three-dimensional structures. The 11 possible ways to unfold a cube are laid out on white paper, whereas the seven cuts that make it possible to unfold a cube are printed on transparent paper and related to each of the six sides of each flattened cube. By turning pages, a flow of information is generated to make the viewer aware of the complex interplay of two- and three-dimensional structures." Numbered edition of 250

In der fünfteiligen Serie 'Selbstgespräche für Nichts' werden mittels kürzeren sowie längeren lyrische Texten unterschiedliche Themen berührt. "Die Bühne ist frei aber die Fäden gezogen die Hand hebt sich von allein weil..." (Nikolaus Neffe) In 'Das große Puppentheater' dreht sich die Sprache um Freiheit, Zufall und Schicksal. Sieben unterschiedliche Szenen bieten einen Einblick in das gesellschaftliche Treiben von heute. Sprache: Deutsch

Künstlerbuch, Edition von 60 Stück, Format 20x 26 cm, Drucktechnik: Risograph, Bindung: japanische Fadenheftung

This project documents Sudan, the last white rhinoceros of North Africa. Sudan lived his life inside the Prague zoo, before being transferred to Kenya for reproduction and specie preservation. Sudan lives under armed protection.

Box set including Queer Zines Vol. 1 (second edition) & Vol. 2

Alfredo Jaar Weltanschauung, 1998 Offset color print (folded) 27-1/2” x 39-1/2” / 69.9 cm x 100.3 cm Edition of 200 signed by Alfredo Jaar