This Is Television addresses the increasingly obsolete medium of television by way of the medium of the book—by extension commenting on media’s continuous changes of form and format.

Ein Heft zur Entstehungsgeschichte von Harun Farockis Film Bilder der Welt und Inschrift des Krieges (1988), der sich zwischen 1985 und 1988 in mehreren Etappen aus dem unverwirklichten Projekt „Zur Geschichte der Arbeit“ heraus entwickelte.

Issue 54 (Spring 2013), titled "Denis Côté Has A Bear", of the Canadian cinematic magazine "Cinema Scope".

This project based publication edited by Julie Ault documents and analyzes a body of work by the critically acclaimed filmmaker.

Dali & Film investigates, for the first time in depth, the part played by film as a key influence on Dali's art, as well as his extensive involvement in film-based projects. This illuminating volume presents both the major paintings that reflect the artist's famous preoccupation with film and materials related to the key film projects on which he worked.

This edition of "Un voyage américain" contains the original movie by Philippe Séclier as well as a notebook and a map of Robert Frank's journey through America.

Poor Man's Expression examines the relationship between film, video, technology, and art, with a particular focus on the reciprocal influences between conceptual art and experimental film. The publication is based on the eponymous exhibition in Berlin in 2006, but represents an independent compendium of texts and images beyond the show.

The Way Things Go (Der Lauf der Dinge, 1987) is a thirty-minute film by Swiss artists Peter Fischli and David Weiss featuring a series of chain reactions involving ordinary objects.

Wer wollte heutzutage leugnen, daß Bilder als Machtinstrumente eingesetzt werden. Karikaturenstreit, Folterfotos, Videobotschaften, die Endlosschleifen der Fernsehbilder des 11. September, Ballerspiele...

Medientransfer– das meint zum Beispiel: vom Film zum Standbild . . . vom Standbild zurZeichnung . . . von der Zeichnung zum Bilder-Atlas . . . und schlussendlich zum Künstlerbuch.

„Body, Code, Electro Ocean“ ist eine visuelle Rundreise durch die Arbeiten der Künstlerin.

The Museum of Rhythm is a speculative institution that engages rhythm as a tool for interrogating the foundations of modernity and the sensual complex of time in daily experience.

Der Titel spielt sowohl auf den Untertagebau in den südafrikanischen Minen an, als auch auf das „Abtragen“ verschiedener Schichten und Facetten des eigenen „Selbst“. Die ausgewählten Arbeiten zeigen eine große Bandbreite an Themen und künstlerischen Strategien ...

The film on this DVD explores the artist's experience of watching the attacks on the Twin Towers happen from his apartment window in New York.

Michaela Meise (geboren 1976) arbeitet in den Formaten Video, Zeichnung, Performance und Skulptur. Sie untersucht Prinzipien skulpturaler und architektonischer Anordnung sowohl unter dem Aspekt ihrer gestalterischen Ausführung als auch in Bezug auf ihre politischen und sozialen Kontexte.

installations, video, projects 1975-83, Marga van Mechelen & Michael Gibbs

anlässlich der Ausstellung "Shadowplay" im Rahmen des Monats der Fotografie von 21. Oktober bis 22. November 2010 in der Galerie Wolfrum.

Blockbuster presents a selection of artworks by the Austrian artist Axel Stockburger from the period between 2000 and 2014.

19 Porträts

Marcel Dzama, Augustin Rebetez und U5 setzen sich mit den heutigen Welt- und Sittenbildern auseinander und schärfen den Blick für die Auswüchse der Gesellschaft.

Beltran, Benczur, Claerbout, Holmqvist, Koo, Kessler, Neuenschwander, Sala, Scanner, Snyder, Vaglier

An extended selection of edited video stills, Soft Intrusion offers a coherent oeuvre of Julika Rudelius’s video works. (Engl./Germ.)

Katalog anlässlich Jesper Justs Ausstellung in der CAM Foundation Lissabon 2010.

For de)flection #2, Maya Schweizer and Clemens von Wedemeyer have extended and transformed their first collaborative film project into book form. With the film's text, production photographs and sketches, this book is a documentation as well as an exploration of the film Rien du tout.

For de)flection #2, Maya Schweizer and Clemens von Wedemeyer have extended and transformed their first collaborative film project into book form. With the film's text, production photographs and sketches, this book is a documentation as well as an exploration of the film Rien du tout. (Frz./Germ.)

Der Film des italienischen Konzeptkünstlers Francesco Vezzoli Marlene Redux: A True Hollywood Story! (2006) ist gleichzeitig eine Hommage an die Diva der Goldenen Zwanziger Jahre und eine Autobiografie.

Between January 1957 and autumn 1984, 334 issues of the monthly journal Filmkritik were published. In its final decade (1974-1984) Filmkritik no longer accompanied current cinema releases; many issues were monographic studies of neglected or forgotten filmmakers, idiosyncratic forays into the history and present of cinema and television.

Monographic catalogue, Includes pictures and texts of eleven video works from 2008–15, three complete screenplays and a text by Franciska Zólyom.

14 grundlegende Essays zum Wesen des Photographischen

»Zu den Monstern der Moderne gehören aber nicht nur Begriffe wie Autor, Produktion und Kreativität, sondern sogar die Begriffe des Bildes wie der Kunst selbst.

Over a period of eighteen months, a selected group of international artists and writers focused their attention on Tegel Airport in Berlin. They observed how it is used, they engaged in new activities and imagined how the building might function in the future.

Ausgehend von einem Studium der Wandmalerei an der Kunstakademie in Sofia hat Nedko Solakov in den letzten 25 Jahren ein ebenso humorvolles wie verspieltes, ebenso bissiges wie melancholisches Oeuvre entwickelt, das die Gültigkeit jedweden Repräsentationssystems grundsätzlich in Frage stellt.

Available for the first time on DVD, Steve Reinke’s The Hundred Videos covers the artist’s highly varied output between 1989 and 1996.

Shooting Time is a collection of conversations with directors of photography (DP) from all over the world, who talk about their profession in the era of transition from analog to digital cinema. The conversations center around two main areas: film language and digital revolution.

Me and My Brother was Robert Frank’s first feature length film, completed and first shown in 1968 at the Venice Film Festival. Everything which had defined Frank’s art up to that point turns up in this film – the look at America “from the outside”, the poetic libertinage of the Beats, the marginal in a central role.

Die Zeitung »nichts heute« ist der Ausdruck für eine Sehnsucht nach einem Tag ohne Sorgen um die Welt.

Michael Snow is, without doubt, one of foremost living artist, and a central figure in North American art in the latter half of the Twentieth Century. Since the reception of the “Independent Film Award” (1968) from the journal Film Culture, his work was placing in the ranks of such major figures of avant-garde cinema as Stan Brakhage and Gregory Markopoulos as well as in the company of two other artists-turned-filmmakers: the photographer Robert Frank and the painter Andy Warhol.

Das von Paolo Cherchi Usai, David Francis, Alexander Horwath und Michael Loebenstein herausgegebene Buch Film Curatorship offeriert eine grundsätzliche Diskussion über das Medium Film und seine Vermittlung im Kontext von Museen und Cinémathèquen.

Duet for Cannibals: Forms of Cultural Appropriation is a publication based on a screening and discussion program bringing together a selection of works by contemporary artists and filmmakers as well as footage from the archive of the Tropenmuseum in Amsterdam.

Jean Epstein, der große Unbekannte unter den Größten des Films, gehört zur Handvoll jener Autoren, die in ihren Reflexionen über das Kino wie in ihren künstlerischen Arbeiten das moderne Filmdenken miterfunden haben.

Mit Beiträgen von Juli Carson und Peter Noever.

Anlässlich der Welturaufführung von Michal Kosakowkis „Just Like the Movies“ in der Städtischen Kunsthalle München erscheint diese Publikation in Deutsch und Englisch, in der Bildcollagen von „Just Like the Movies“ Texten von Goran Mimica und Joseph Denize gegenüber gestellt werden.

Der substantialisierte Kunstbegriff, der von einer „Kunst“ anstatt von den verschiedenen Künsten im Sinne konkreter Fertigkeiten ausgeht, entsteht im 18. Jahrhundert.

Das Buch Esthetic Dentistry in Los Angeles zeichnet den unter dem Eindruck Hollywoods virulenten Wandel der Zahnmedizin zum profitorientierten Geschäftszweig nach.

Gonda, a new book by Ursula Mayer and Maria Fusco, experiments in cinematic and linguistic registers through polyphonic monologue. Taking the form of a ciné-roman, the book is based on Mayer’s 16mm film of the same name, with a screenplay written by Maria Fusco and commissioned by Film London. (engl.)

This DVD presents rare film documents from the collection of the Austrian Film Museum. (Germ.) (Subtitles Engl.)

This text sheds light on the conflict between Israel and Lebanon, and the complexity of its recent history, of drafting borders, mobility of individuals, and the concept of “the Enemy,” while simultaneously questioning what it means to be a documentary filmmaker today

Imagine a museum in which the portrait of Carlotta Valdes, an important prop in Alfred Hitchcock’s Vertigo, hangs on a wall next to the painted portrait of the title character of Otto Preminger’s Laura and opposite the uncanny portraits of the desired or murdered women in Fritz Lang’s Scarlet Street, George Cukor’s Gaslight, and Nicholas Ray’s Born to Be Bad.

In the mid-1970s, Harun Farocki wrote a two-page call programmatically entitled What Ought to Be Done, followed by a survey addressed to potential collaborators and supporters.

The Militant Image contributes to an important emergent body of work by artists, filmmakers and curators (Hito Steryl, The Otolith Group, Renée Green, Florian Zeyfang) re-assessing militant avant-garde work so that it might function as a resource for contemporary artistic and anti-capitalist activity.

Ali Kazma will represent Turkey with a video series under the title Resistance at the 55th International Art Exhibition, la Biennale di Venezia from 1 June to 24 November 2013. Curated by Emre Baykal, the Pavilion of Turkey will be located at Artiglierie, Arsenale.

The monograph focuses on a series of the communism works that Yoshinori Niwa has produced in Romania, Russia, and Japan since 2010, around 20 years after the Revolutions of 1989 and the collapse of the Soviet Union.

This publication is the first in-depth study of Jesper Just's practice to date.

Diese Edition enthält eine DVD, ein Essay und ein Buch über das Schloss Buchberg am Kamp.

mono.kultur is an interview magazine in full length and depth, extensive and unfiltered. One interview per issue. Quarterly. #3 features Trent Reznor of Nine Inch Nails Interview by Michael Tschernek Photography by Dominik Gigler Design by Kai von Rabenau