This comprehensive new exhibition catalogue, published to accompany the Solomon R. Guggenheim Museum's major mid-career survey of Catherine Opie's work,

Eau De Cologne was a short-lived but influential art magazine project associated with the Cologne contemporary art scene of the 1980s.

Peter Berlin revolutionized the landscape of gay male eroticism in the tradition of Tom of Finland.

An accessible introduction to the life and work of this trailblazing pioneer of early modernism, published to coincide with a major exhibition at the Royal Academy, London.

The monograph presents a selection of paintings produced over approximately five years and documents key aspects of Patrizio Di Massimo’s figurative practice.

The publication engages explicitly with aspects of gay cultural history as reflected in visual media, domestic environments,

The publication documents the preserved wardrobe of Frida Kahlo, presenting garments, accessories, cosmetics, orthopedic devices,

Mono.Kultur is an interview-based cultural magazine established in the early 2000s, focusing on art, music, film, design, and visual culture.

Ugo Rondinone: No How on is the comprehensive catalogue accompanying the 2002 solo exhibition of

How Do I Make Myself a Body? is a publication centred on the work of Henrik Olesen and the eponymous project that explores concepts of embodiment,

This is a monograph on *Kara Walker, offering a comprehensive overview of her work and its development.

Curiosa: La bibliothèque érotique explores the history and aesthetics of erotic book culture, treating it as an autonomous bibliophilic field.

Paul Jasmin often found his models through students at the college where he teaches in Pasadena, while others are the children of close friends

Nudo. I libri fotografici dal 1895 ad oggi examines the photographic nude through the specific medium of the book, tracing how representations of the body have been shaped

Wangechi Mutu: In Whose Image? presents a focused exploration of portraiture and identity through the distinctive collage and mixed-media works of Wangechi Mutu.

Athletes is a photographic publication by Anderson & Low that explores the athletic body as a site of strength, discipline, and visual abstraction.

This editorial project consists of two interconnected volumes: a Reader that brings together research materials and texts, and a visual Archive that assembles documents, images, and testimonies.

Lusty Games: A Short Lesbian Story of Sensual Desire / Wollüstige Spiele: Ein kleines lesbisches Getändel voll sinnlicher Lust is a small-format

"Girls are powerful": the ‘70s feminist posters of See Red Women’s Workshop.

An extension of the non-profit gallery and cultural platform of the same name based in Amsterdam, Motormond is dedicated to centring Black queer artists and "circulating pan-diasporic culture."

In January 2011, Jean Paul Gaultier’s haute couture runway show ended with the image of a willowy blonde bride in a diaphanous gown.

Herbert List’s working approach is characterized by a deeply intuitive and self‑reflexive engagement with photography.

This compelling collection invites readers to explore the world of Derek Jarman (1942-94), one of the most influential and pioneering cultural figures of the postwar era.

Sergei Eisenstein is regarded as one of cinema’s greatest revolutionaries. Less well known is that he was also a prolific graphic artist who drew compulsively as a means of expressing his ideas.

A book of text and image, My Birth interweaves photographs of the artist Carmen Winant’s mother giving birth to her three children with found images of other, anonymous women undergoing

The Queers is a haunted airbnb story set in Venice. Pairing moody, monochromatic watercolor images with an austere text,

Personal, but not a personal thing: affect is at the heart of some of the most pressing issues of social and political life.

The Summer 2023 explores themes of myth, memory, and folklore. Featuring Rasha Abdulhadi, Abdulkareem Abdulkareem, Lydia Abedeen, leena aboutaleb, Nyree Abrahamian, Maya Abu-AlHayyat, Yasmine Ameli, Aida Bardissi, Nwuguru Chidiebere Sullivan,

In my Father's house are many rooms; if it were not so, I would have told you. I am going there to prepare a place for you. And if I go and prepare a place for you, I will come back and take you to be with me that you also may be where l am. You know the way to the place where I am going." John 14:1-4

Elke Krystufek (* 1970 in Wien) ist eine vielfach ausgezeichnete bildende Künstlerin, Fotografin, Installationskünstlerin und Autorin, die sowohl in Wien als auch in Berlin lebt und arbeitet.

‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin,

Queer Exhibition Histories comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and

A Faggot is a Unit by Berlin-based artist, filmmaker, and writer Padraig Robinson, brings together two original screenplays for yet-realized video works by Robinson along with a collection of research material presented as a retrograde calendar. The screenplays, / Imagine Prompt: Catfish Monogamy and The Jealousy of Sagittarius A*, both deal with

“What happens,” asks Luis Felipe Fabre, “to the body dressed in Sánchez-Kane?”

Entirely realized by the artists, and rich of more than 540 colour illustrations, this book is like a wide and coloured family album, illustrating almost all works created by Pierre et Gilles between 1976 and 2002.

These photos were either lost, forgotten or thrown away. The images now are nameless, without connection to the people they show, or the photographer who took them. "My Queer History " wants to be the home for lost photos – a resting place for the nameless and lost.

'Queer' is an inclusive term, encompassing the complex experiences of sexuality and gender diversity across history. In the past, 'queer' has been used as a term of derision, but many today have reclaimed the term to capture the complexity of gender and sexuality.

Ein umfangreicher Ausstellungskatalog, der gleichzeitig die erste umfassende Monographie zum Werk einer der wichtigsten Künstlerinnen ihrer Generation in Osteuropa darstellt. Seit den 1960er Jahren gehört Ana Lupaș zu den wichtigsten Künstlerinnen ihrer Generation in Osteuropa. In ihrem Werk finden sich zahlreiche

A multidisciplinary look at the foremost archive of Black American visual culture, as recast by Theaster Gates. This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly

Zero Waste Fashion Design combines research and practice to introduce a crucial sustainable fashion design approach. Written by two industry leading pioneers, Timo Rissanen and Holly McQuillan, the book offers flexible strategies and easy-to-master zero waste techniques to help you develop your own cutting edge fashion designs.

Wen oder was wir als liebens- und begehrenswert empfinden, hängt mit Vorstellungen eines idealen Körpers, unseren Bildern von

Nicht irgendein – mein Warenhaus! ÷ So titelte die letzte Ausgabe der Centrum-Rundschau 1989, ein kleines Betriebsblatt für alle

The Updated and Expanded edition of The Art of Feminism charts the birth of the feminist aesthetic and its development over two

Questioning the ephemeral quality of a performance, the artist published a documentation of an act he did in 2017. The textual score of the performance and the visual material became an independent art book. Suspended between a theoretical lecture and a personal diary style, the publication captures a subjective experience of non binary person who practices sex with gay men. The project poses questions on the place of body in our language, appropriation of sexuality by marketing and consumerism and problems in defining non-binary identity. Photographs and texts: Julek Malinowski, Book Design: Wikor Gromadzki

Fashion is often seen as an industry of eccentric personalities and unique, exceptional talents but it's the collaborators, rather than the individuals, who underpin the industry and inspire this book. This stylish volume, compiled by Lou Stoppard, editor-at-large of London's SHOWstudio, delves into the behind-the-scenes worlds of the fashion industry s most intriguing partnerships to explore what, exactly,

Uncovering the lost history of gay, lesbian, bisexual, and transgender artists in New York City. Queer people have always

In this warm and soft book, covered by a blood red fabric, artist Rosana Paulino brings together for the first time the series of drawings that give their title to the publication: Buffalo and Lady of Plants. Both represent female archetypes related to the black psyche, and they go against the dominant European and colonial collective consciousness.

Subduing our bodies, in the sense of controlling our impulses and desires, is an aspiration which is older than Christianity. At that time, the dominant question was: how do you get good control over yourself? Christianity made women the symbol of possible loss of control over our bodies. Achieving our self-control turned into being able to control the woman, to avoid the temptation that she, malevolent, represents.

Wer war Sabina von Steinbach? Folgt man ihrer Darstellung auf dem Figurenfries im Treppenhaus der Alten Nationalgalerie in Berlin, war sie eine bedeutende mittelalterliche Bildhauerin. Jedoch, wahrscheinlich hat es sie nie gegeben. Warum ist sie dennoch, als einzige Künstlerin überhaupt, Ende des 19. Jahrhunderts in jenen zentralen Fries berühmter Persönlichkeiten aufgenommen worden?

X is an annual magazine focusing on visual culture and experimental literature: a collective artwork, a material flow of reality that eludes any prediction. X freezes on paper the power of contemporary art and writing, welcoming with joy the delirum of participating in such pursuits. Pain, battles, sequences of errors, vanished memories and unwanted prophecies; X is born because we can still be against everything and also against ourselves.

The book is the outcome of research on sex, sexuality, and performativity conducted between summer 2019 and autumn 2021.

Los Angeles Studio Conversations ist der vierte Band einer laufenden Interviewserie, die 2013 von der Kunsthistorikerin Stephanie Buhmann in New York ins Leben gerufen wurde. Mit bislang siebzig bis publizierten Gesprächen zielt dieses Projekt darauf ab, ein permanentes und wachsendes Forum für internationale zeitgenössische Künstlerinnen zu schaffen.
Los Angeles Studio Conversations stellt die folgenden Künstlerinnen vor: Lita Albuquerque, Sarah Cain, Andrea Fraser, Liza Lou, Shana Lutker, Kristen Morgin, Catherine Opie, Silke Otto-Knapp, Monique Prieto, Alison Saar, Analia Saban, Fran Siegel, Lisa C. Soto, Despina Stokou, und Diana Thater.

A multifaceted play with language and meaning can be grasped in their work and exhibition titles. In their practice, they have been working against the grain of some of the art world’s conventions, from medium specificity to questions of branding and commodification.

My Body is a Battlefield bietet einen umfassenden Einblick in das Werk der 1988 auf der Krim geborenen ukrainischen Künstlerin Maria Kulikovska. Bereits in frühen Arbeiten setzt sie sich mit patriarchalen Strukturen und der Abwesenheit weiblicher Subjektivität in der ukrainischen Kunst auseinander. Mit der Annexion

Selbstinszenierung, Selbstentblößung, Selbstauslöschung – das sind die Themen, die Michaela Moscouw (*1961) über drei Jahrzehnte kompromisslos, exzessiv und einprägsam bearbeitete. Bis Anfang der 1980er-Jahre malte die Wiener Künstlerin abstrakte Bilder, dann zerstörte sie ihr gesamtes Werk und filmte sich dabei. Damit wechselte sie das Medium und verwendete

On subjects including an interrogation on cinephilia and gender, surveillance, infant observation during the pandemic and the screen as psychic portal,

They Will Say I Killed Them is the result of a one-year research marked by visits to public film archives, private foundations, and meetings with important testimonies of Italian cinema. The aim was to conduct an in-depth investigation on those Italian movies—from the 1950s to the 80s—that due to censorship have been left on the shelf in the form of a screenplay, or filed away

Queer Nursing offers an alternative, inclusive way for both performing and supporting nursing. Written as a human manual, it takes the reader through the nursing process from start to finish. Through easy, loving language it supports nursing parents, other parental figure(s) and friends in their journey of emotional and physical milestones as well as offering gentle ways to take care of each other.
The manual includes a new way of nursing by introducing the phasing system, which will aid the family in both starting and ending nursing in a calm, caring way. Queer Nursing is Gorilla Milk’s first release.

Julie Ault and David Deitcher illuminate the life and work of the influential art historian, New Museum curator, and Visual AIDS co-founder William Olander (1950–1989). Olander’s exhibitions challenged oppressive institutional boundaries, blew open dichotomies, and boldly confronted discrimination, sexual difference, and AIDS, shaping curatorial practice for decades to come.