his intimate book explores Broy Lim’s realization of his homosexuality in his hometown of Singapore, where it still remains illegal. Combining personal texts and photos, and now they know narrates Lim’s sexual identity and his nine-year relationship with his partner, while also representing the broader struggle of many youths who navigate their sense of self in conservative heteronormative societies.

The catalogue has been published on the occasion of the exhibition Gender Check. Femininity and Masculinity in the Art of Eastern Europe at the Museum Moderner Kunst Stiftung Ludwig Wien (13 November 2009 - 14 February 2010) and Zachęta National Gallery of Art (20 March - 13 June 2010).

An immersive glimpse into the private, domestic world of one of the twentieth century’s most revolutionary artists. Nestled in a leafy, residential section of Los Angeles is the house where Tom of Finland (Touko Laaksonen, 1920–1991) lived and worked during the last decade of his life.

Window is Alexis's first full length novel in the form of a truelife vignetted memoire. Written from a swivel chair in Crown Heights, the stories meander through Alexis's surreal memories of growing up gay in Kansas, grasping for substance in fleeting hookups, gaining possessive rein on his powers of seduction (often via texting), and abusing them in San Francisco. Accompanied by photos from his voluminous archive, these stories are a full, and blurry, portrait of searching for "true love" in a multitude of disposable romances.

Queere Ästhetiken und Theorien artikulieren Vorstellungen und Phantasien von Geschlecht und Sexualität – oft ganz unverblümt und geradeheraus.

Madill's work addresses the construction of identity around the unstable binarism of homo/heterosexual.

Queer Formalism: The Return is the first installment in the Critic’s Essay Series published by Floating Opera Press. Comprising long-form essays, this series gives voice to critics who offer thought-provoking ways in which to subvert or replace normative modes of discussing culture.

"Johnny, are you queer?" is a brief meditation on the steamy dynamics churning beneath the surface of The Wild One, one of the most deliciously homoerotic epics of all time, intentionally or not.

The unravelment of the fundamental conditions of the possibility of interpretation is needed not for getting outside the circle, but for staying within in the right way. (English)

Artworks by Megan Francis Sullivan, 2010-2012. All source images found in “Boys, Kerle, Männer”, Issues 1 to 11, 1971.

After his studies at the arts academies in Berlin and Düsseldorf, Ull Hohn (1960–1995) moved to New York to attend the Whitney Independent Study Program in 1987.

ROHSTOFF. Eine filmhistorische Recherche nach der kleinen Form Vol #1 -3 [D/ENG]

Barbara Jean Hammer (1939-2019) gilt als Pionierin des queeren und feministischen Kinos und war eine der ersten Filmemacherinnen, die sich ausdrücklich dafür einsetzte, lesbische Realitäten sichtbar zu machen. In experimentellen sowie dokumentarischen Filmen, Fotografien, Zeichnungen, Collagen und Performances beschäftigte sich die Künstlerin mit der Auflösung der vorherrschenden Geschlechterrollen, der lesbischen Identität und der Sexualität. Hammers Arbeit beleuchtete Tabuthemen wie Altern, Krankheit und Tod.

"Queer" ist der Katalog zur gleichnamigen Ausstellung des Künstlers Derek Jarman , die von 14. Juli bis 02. August 1993 im Palazzo delle Esposizione in Rom gezeitgt und von Richard Salmon und Manchester City Art Galleries organisiert wurde.

Queer Zines, the catalogue, collects the variegated practices of zine makers past and present, from North America and Europe, and lists them alphabetically, starting with Toronto's 88 Chins and ending with the Dean Sameshima zine Young Men at Play.

This publication brings together papers from the 2012 conference and writing on artworks and art practices.

Poster Boy is a quarterly print poster magazine that features six models that have been captured in modern minimalist forms.

Victoria Lomasko describes her experiences as a juror of the queer Side-by-Side-Filmfestival in St. Petersburg, which was interrupted several times by false bomb threats.

This anthology gathers writings on art and gender in Eastern Europe, contributing almost neglected historical and contemporary aspects to present debates, thereby shedding new light on the field as a whole.

Homosexuelle Frauen und Männer gehören bis heute zu den oft vergessenen Opfern des Nationalsozialismus. Über ihr Schicksal, ihre Verfolgung und ihren Alltag ist wenig bekannt.

Multiple Spirits is a "Bilingual Queer Art Zine from/within Japan".

This video documents the exhibition Gender Check at MUMOK Vienna.

Die Entwicklung von Genderkompetenz ist Teil der gesellschaftspolitischen Verantwortung der Angewandten und ein wichtiges Element ihrer künftigen inhaltlichen Profilbildung.

Looking at cartographies through sexual dissidence facilitates a process of resignification that speaks in other terms, deals with other territories and breaks away from the hegemonic ideals of cartography. These are maps that do not intend to be utilitarian objects, but rather an exchange of perspectives and experiences around other ways of thinking of and occupying space.

A magazine about queers and cinema, mostly.

The studies of Gendering Post-Socialist Transition presented in this volume follow the economic, political, social and cultural effects and traces of system changes in the lives of women and men after 1989 in eleven countries of Central and South Eastern Europe.

Das Nackte ist ein ureigenes Phänomen der europäischen Kultur, das alle Länder, Epochen und Künste des Okzidents verbindet. In der Skulptur, der Malerei und der Photographie des Westens, von Griechen über die Renaissance bis zur Photographie etwa eines Ralph Gibson: der Akt gehört zu den größten Herausforderungen der Künste. Selbst die Kirche verbarg zwar das Geschlecht, doch bewahrte das Nackte.

Including essays about Barbara Hammer, Agnès Varda, Camille Billops, Jane Arden, Penny Slinger, Ana Mendieta, Hito Steyerl, Mati Diop, Catherine Breillat, Carol Morley, Ulrike Ottinger, Charlotte Prodger, Charlotte Pryce, Rosalind Nashashibi & Lucy Skaer, Gloria Camiruaga, Margarethe von Trotta, Astra Taylor, Lina Wertmüller. Interviews with Akosua Adoma Owusu, Astra Taylor, Ericka Beckman, Carolee Schneemann, Barbara Hammer

The fifth issue of "FAQNP" looks at "visualizations" of queer nerds. The title of the publication is a recursive acronym (popular in programming communities). Design elements of the publication are intentional to the smallest detail - the font used is OCR-B, designed early in computer production to be easily read by both computers and the human eye.

This book is dedicated to the complex artistic trajectory of Chiara Fumai, who played a significant role in the development of performance and feminist aesthetics in the twenty-first century and who died prematurely in 2017, at the age of only thirty-nine.

"The Queerness of Memory" proposes ways of remembering a past that cannot be clearly seen, one which is loaded with affective confusion, historical disorientation and the desire to return to that which still hurts.

In the years since Stonewall, the world has witnessed an outpouring of research, critical inquiry, and re-interpretation of gay life and culture. This book draws on groundbreaking new material to present a comprehensive survey of all things gay.

The artist book consists of three different photography series MEMENTO MORIENDUM ESSE 2012 In this five-part series, shot in dark locations, the photographer uses a hard light flash to capture the reflections of shiny leather jackets on the backs of various men.

In the book the mind is the body Lisa Gutscher journies into the body and presents a fantastic tapestry of stories and visuals. Like a children's science book, the artist reveals before us readers the magic of the body without confining it to machinic partitioning, binary oppositions or theory as such. It is stories, both visual and textual, that are the fuel and destination of this journey:

»Ich nehme das Testosteron nicht, um mich in einen Mann zu verwandeln, sondern um das zu verraten, was die Gesellschaft mit mir vor hat. Ich will schreiben, vögeln, eine Art postpornografischer Form der Lust empfinden, meiner low-tech Identität eine molekulare Prothese hinzuzufügen. Um deinen Tod zu rächen.« B.P.

Pupa Press’ Básicos is a collection that assembles unreleased content in an economical, easy to distribute archive format, with the intention of creating an agile way to publish contents that can generate networks and synergies between our contributors and followers.

Brice Dellsperger pushes the boundaries of genre and gender. In his multifaceted reprises of iconic film sequences—all assembled under the title Body Double—the cineast and artist reenacts selected scenes from well-known films frame for frame and lets his “body doubles” perform all of the roles, be they male or female

b o r n is a book about nudity and silence. A collection of spontaneous photos of skin as nature, empty spaces and light. A nonchalant chronicle of texts that document a life, a young perspective on actuality.

Mode verwandelt. Mode lebt davon, dass sie alles, was in ihrem Namen in die Welt gesetzt wird, zur Inszenierung macht.

The magazine is created by and for queer nerds who feel outside the mainstreaming of queer culture. It covers the ordinary lives and interests of queers, because the ordinary is often quite interesting.

Visual AIDS artist member Ben Cuevas speaks to Annie Sprinkle about art, knitting, postporn, ecosex, HIV, love, loss, risk, activism, feminism, go-go dancing, orgasms, humor, death and more.

"Gay Sex is the Answer" is a reappropriation of gay magazines from the 1970’s and 1980’s.

A collaborative project between the Austrian Cultural Forum New York and Kontakt. The Art Collection of Erste Bank Group. September 23 – November 29, 2008.

Soggetto nomade (Nomadic Subject) gathers, for the first time in one volume, shots taken by five Italian photographers between the mid 60s to the 80s. The photographs are

This book extends from Megan Francis Sullivan’s 2016 exhibition at Kunsthalle Bern, titled ‘The Unanswered Question’.

"THEY SOFT” is a collaboration between the artists Elke Auer and Toni Kochensparger, exploring femininity, fragility and queer feelings in New York, during the first 100 days of Donald Trump’s presidency, through photographs, writing, collages and drawings.

Started as a xerox zine, a saturated compilation of drawings done by amateurs, musicians or comics authors, Nazi Knife explored, in its more recent issues, some more singular editorial approaches: the publication seen as a library, as a collection of motley elements, where raw materials, symbolic references or cultural products could be combined, or as the visual repetition of few fetishistic obsessions, modulated by an architecture of filters, quite opaque to say the least.

Frederick Weston and Samuel R. Delany come together for a wide-ranging dialogue, reflecting on their overlapping histories in Times Square, the deep impact of AIDS on their creative practices, and the ever-changing intersections of race, sex, language, and art.

Bodies are agents and products of history. Bodies are history made flesh, but they are also primary tools for understanding the past, present and future. History is a choreographed sequence of gestures that makes bodies intelligible to each other. Every gesture is a link in a chain binding us to gender, race and social class. Gestures solidify into identities. They enact identities that become natural through the systematic repetition of identical gestures. And yet, a pose does more than that. Posing means becoming aware of how a body makes history. “To strike a pose is to pose a threat”, wrote Dick Hebdige referring to the meaning of style in youth subcultures. That’s why it’s important to trace the history of dissident gestures, to trace the genealogy of poses that are bold enough to confront the norm. This modality of performance may be described as radical because it opens up a space for imagining other possible bodies and futures. A radical performance invokes subjectivities for which no name yet exists and social choreographies that are still to come.

A very personal choice of art, cinema and fashion. nspired by Wassily Kandinsky and Franz Marc’s Blaue Reiter Almanac that, in 1912, brought together without hierarchy contemporary art works and works of folk art, Puits d’amour offers one possible vision of the best of 2016 in various creative fields. The affection I have for them is the only link between the collected works.

This book explores each site in five chapters of photographic images, primarily by AA Bronson, together with a brilliant and often humorous reflection on queer animals, forest rangers, shamanism, and park sex by Peter Hobbs. A group of drawings by Chicago artist Elijah Bergher completes the volume.

This book is an extension and continuation of an artwork titled Proposal for a House Museum of an Unknown Crying Man by artist Mahmoud Khaled, in which he imagines a house museum for an anonymous person who has entered Egypt’s queer history as an „Unknown Crying Man“ and iconic image.

Hipster Porn nimmt Butts stilbildende Originalität in den Blick. Über die Perspektiven von Queer Theory, Masculinity Studies, Medienwissenschaften und Affekt Theorie wird die Welt des Fanzines lesbar, wie umgekehrt auch deren theoretische Positionen durch Butt herausgefordert werden.

This double-reared, pocket-sized zine is a soy-based ink cmyk offset print on 50% recycled fiber paper in an edition of four 69.

“S.T.H.” (Straight to Hell) is an underground gay pornographic magazine.

Initially, inspired by the experimental visual poetry of the mid-sixties, Ketty La Rocca critically investigated questions of communication in the age of mass media.

Beiträge von: Christa Benzer, Martine Beugnet, Martin Frey, Lars Henrik Gass, Brent Klinkum, Friederike Pezold, Bert Rebhandl, Dietmar Schwärzler, Sylvia Szely, Viktoria Tremmel Interviews mit: Helmut Herbst, Luke Morris, Franz Novotny, Agnès Varda

»Der Dildo stiftet Unbehagen/ Lust. Und tatsächlich ist der Dildo das Stück, das fehlt, um das paranoide Rätsel zu lösen, das der lesbische Sex im sexuellen heterozentristischen Modell darstellt; als ermögliche er die Antwort auf jene drängende Frage: wie ficken Lesben ohne Penis?"

Taking HIV criminalization as a starting point, Cell Count brings together artists who unpack and reconfigure the metaphors and assumptions that enable the punishment and incarceration of people living with HIV.

Eine Inspirationsquelle des Projektes stellt die kleine Textsammlung Von der Freundschaft von Michel Foucault dar, wobei der Freundschaftsbegriff bei Smell it! – v.a. bei den Ausstellungsbeiträgen – weiter, mitunter auch thematisch unmittelbarer, aufgefasst wird.