Bandra Sentimental, the new photography book on the block, documents style on the streets of Mumbai.

F LETTER assembles the feminist poets who have palpably changed the Russian language over the last decade.

Conceived by artist and filmmaker Margaret Salmon, this publication is a tribute to a group of innovative sister cinematographas and to the analogue motion picture camera. The book pairs an enquiry into women’s filmmaking practice with a comprehensive survey of experimental analogue technique across generations.

Mizna: The Black SWANA Issue, guest-edited by Safia Elhillo and produced by an all-Black takeover team, explores the infinitely varied and kaleidoscopic nature of the Black SWANA experience.

In the book “I used to be a lovely boy but turned out queer,” the author Jovan Josifovski,

In Fischerspooner's new project, two things remain constant: the physical space--Casey Spooner's apartment--and the cast--the artists

„Ich weiß nicht, ob du dich gerade für einen Mann oder eine Frau hältst, aber der Krieg ist aus.“ Der Gedichtband ‚In Frauenkleidung‘ verfolgt den Lebensweg intersexueller Sportlerinnen zu Beginn der 30er-Jahre.

QUEER TIME — ASYMPTOPES OF ARTICULATION is about moving through queer time and language, modular and folding, communities, communal, traces, memories, collapsing and building.

In his photo series, Asamoah shows us young men through time, finding contentment within the transitions of boyhood to adult-hood.

CORNER football + society is a periodical publication that proposes a crossdisciplinary approach, taking football and its complex contemporary and historical context as a starting point.

The book was solely designed by women, from cover to paper, from typeface to printing.

The currently favored image of the Weimar Republic is constructed as a liberal one that emphasizes the individual freedom to shape one’s life. Meanwhile, the collectivist face of the workers’ movement and the artists inspired by it were and are mostly ignored.

The winter 2021 issue of Mizna, guest-edited by Tarik Dobbs, challenges conventional forms, language, and ideas within literary processes and traditions.

Mizna is a critical platform for contemporary SWANA literature, film, art, and cultural production centering the work of Arab and Southwest Asian and North African artists. For more than twenty years, we have been creating a decolonized cultural space to reflect the expansiveness of our community and to foster exchange, examine ideas, and engage audiences in meaningful art.

The winter 2020 issue of Mizna is guest edited by Palestinian graphic novelist Leila Abdelrazaq and addresses prompt of A New World Order. These days, it seems as though revolutionary changes are happening daily.

The summer 2020 issue of Mizna is guest edited by Zeyn Joukhadar and speaks to bodily autonomy, embodiment, and self-determination within a queer, transgender, SWANA, and Muslim lens. Mizna: Queer + Trans Voices bears witness to our rich history, and imagines futures for ourselves.

Including essays about Barbara Hammer, Agnès Varda, Camille Billops, Jane Arden, Penny Slinger, Ana Mendieta, Hito Steyerl, Mati Diop, Catherine Breillat, Carol Morley, Ulrike Ottinger, Charlotte Prodger, Charlotte Pryce, Rosalind Nashashibi & Lucy Skaer, Gloria Camiruaga, Margarethe von Trotta, Astra Taylor, Lina Wertmüller. Interviews with Akosua Adoma Owusu, Astra Taylor, Ericka Beckman, Carolee Schneemann, Barbara Hammer

In the book the mind is the body Lisa Gutscher journies into the body and presents a fantastic tapestry of stories and visuals. Like a children's science book, the artist reveals before us readers the magic of the body without confining it to machinic partitioning, binary oppositions or theory as such. It is stories, both visual and textual, that are the fuel and destination of this journey:

FAGS is a photo book by Jacopo Benassi. It brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist.

Soggetto nomade (Nomadic Subject) gathers, for the first time in one volume, shots taken by five Italian photographers between the mid 60s to the 80s. The photographs are

This book is dedicated to the complex artistic trajectory of Chiara Fumai, who played a significant role in the development of performance and feminist aesthetics in the twenty-first century and who died prematurely in 2017, at the age of only thirty-nine.

This book is an extension and continuation of an artwork titled Proposal for a House Museum of an Unknown Crying Man by artist Mahmoud Khaled, in which he imagines a house museum for an anonymous person who has entered Egypt’s queer history as an „Unknown Crying Man“ and iconic image.

Frederick Weston and Samuel R. Delany come together for a wide-ranging dialogue, reflecting on their overlapping histories in Times Square, the deep impact of AIDS on their creative practices, and the ever-changing intersections of race, sex, language, and art.

Modefotografie existiert nur über das Frauenmagazin. Die Geschichte dieses fotografischen Genres ist daher mit der der Frauenpresse verbunden. Ende des 19. Jahrhunderts, als die ersten Frauenzeitschriften erschienen, war die Fotografie noch immer nur eine Hilfsillustration.

Queer Formalism: The Return is the first installment in the Critic’s Essay Series published by Floating Opera Press. Comprising long-form essays, this series gives voice to critics who offer thought-provoking ways in which to subvert or replace normative modes of discussing culture.

Started as a xerox zine, a saturated compilation of drawings done by amateurs, musicians or comics authors, Nazi Knife explored, in its more recent issues, some more singular editorial approaches: the publication seen as a library, as a collection of motley elements, where raw materials, symbolic references or cultural products could be combined, or as the visual repetition of few fetishistic obsessions, modulated by an architecture of filters, quite opaque to say the least.

Looking at cartographies through sexual dissidence facilitates a process of resignification that speaks in other terms,

In its obsession to classify and find an underlying order to nature, one of the objectives of science has been to develop a system of taxonomies for bodies. Through their representation systems and the devices used for their exhibition, cartographies of the

Window is Alexis's first full length novel in the form of a truelife vignetted memoire. Written from a swivel chair in Crown Heights, the stories meander through Alexis's surreal memories of growing up gay in Kansas, grasping for substance in fleeting hookups, gaining possessive rein on his powers of seduction (often via texting), and abusing them in San Francisco. Accompanied by photos from his voluminous archive, these stories are a full, and blurry, portrait of searching for "true love" in a multitude of disposable romances.

170 drawings of the same beautiful cock. What’s wrong with a cock? Nothing at all. Even less if it is the most beautiful cock in the world, because a cock doesn’t mean anything but itself: source of life, source of pleasure. The life drawings in this book, made with delight and admiration, claim to pay tribute tothe most beautiful cock in the world.

Curator Christine Eyene challenges the Eurocentric and patriarchal frameworks that have informed the history of sound art and, to some extent, continue to define current practice. Sounds Like Her is a challenge

his intimate book explores Broy Lim’s realization of his homosexuality in his hometown of Singapore, where it still remains illegal. Combining personal texts and photos, and now they know narrates Lim’s sexual identity and his nine-year relationship with his partner, while also representing the broader struggle of many youths who navigate their sense of self in conservative heteronormative societies.

An immersive glimpse into the private, domestic world of one of the twentieth century’s most revolutionary artists. Nestled in a leafy, residential section of Los Angeles is the house where Tom of Finland (Touko Laaksonen, 1920–1991) lived and worked during the last decade of his life.

Pupa Press’ Básicos is a collection that assembles unreleased content in an economical, easy to distribute archive format, with the intention of

A very personal choice of art, cinema and fashion. nspired by Wassily Kandinsky and Franz Marc’s Blaue Reiter Almanac that, in 1912, brought together without hierarchy contemporary art works and works of folk art, Puits d’amour offers one possible vision of the best of 2016 in various creative fields. The affection I have for them is the only link between the collected works.

In Klara Kayser's water-proof pocket book of poetry, Hygiene, the Düsseldorf-based artist nibbles at the surfaces of our bodies, desires, and ideas and through words constitutes what washes off and what sticks. Kayser's interest in the human body is a theology of slapstick, translating form into a poetic language that hums the dramatic rhythm of a pick-me-up-and-drop-me-low pop song.

Bodies are agents and products of history. Bodies are history made flesh, but they are also primary tools for understanding the past, present and future. History is a choreographed sequence of gestures that makes bodies intelligible to each other. Every gesture is a link in a chain binding us to gender, race and social class. Gestures solidify into identities. They enact identities that become natural through the systematic repetition of identical

Brice Dellsperger pushes the boundaries of genre and gender. In his multifaceted reprises of iconic film sequences—all assembled under the title Body Double—the cineast and artist reenacts selected scenes from well-known films frame for frame and lets his “body doubles” perform all of the roles, be they male or female

Taking HIV criminalization as a starting point, Cell Count brings together artists who unpack and reconfigure the metaphors and assumptions that enable the punishment and incarceration of people living with HIV.

Visual AIDS artist member Ben Cuevas speaks to Annie Sprinkle about art, knitting, postporn, ecosex, HIV, love, loss, risk, activism, feminism, go-go dancing, orgasms, humor, death and more.

Poster Boy is a quarterly print poster magazine that features six models that have been captured in modern minimalist forms.

Barbara Jean Hammer (1939-2019) gilt als Pionierin des queeren und feministischen Kinos und war eine der ersten Filmemacherinnen, die sich ausdrücklich dafür einsetzte, lesbische Realitäten sichtbar zu machen. In experimentellen sowie dokumentarischen Filmen, Fotografien, Zeichnungen, Collagen und Performances beschäftigte sich die Künstlerin mit der Auflösung der vorherrschenden Geschlechterrollen, der lesbischen Identität und der Sexualität. Hammers Arbeit beleuchtete Tabuthemen wie Altern, Krankheit und Tod.

The site of the leather bar Eagle LA, in Los Angeles, has been home to three highly popular leather bars over the decades: the Shed, the Outcast, and the Gauntlett II. The Eagle LA, opened in 2005, follows a long-standing tradition of leather fetish and uniform, set forth by leather Eagle bars around the country.

»Der Dildo stiftet Unbehagen/ Lust. Und tatsächlich ist der Dildo das Stück, das fehlt, um das paranoide Rätsel zu lösen, das der lesbische Sex im sexuellen heterozentristischen Modell darstellt; als ermögliche er die Antwort auf jene drängende Frage: wie ficken Lesben ohne Penis?"

Die in diesem Band gesammelten Vorträge sind Teil einer von der Universität für angewandte Kunst im letzten Jahr organisierten Reihe, die diesen Themenbereich insbesondere mehr in den Mittelpunkt des Interesses der Studierenden rücken sollte.

Queer Publishing - A Family Tree: The Queer Tree of Life maps the landscape of queer LGBTQ publishing between 1880 and 2019 in an international context.

Alberto García del Castillo writes genre fiction and nonfiction about communities and queer, performs his own and other people’s writings, and collaborates in multiple configurations.

Hipster Porn nimmt Butts stilbildende Originalität in den Blick.

A collaborative project between the Austrian Cultural Forum New York and Kontakt. The Art Collection of Erste Bank Group. September 23 – November 29, 2008.

"THEY SOFT” is a collaboration between the artists Elke Auer and Toni Kochensparger, exploring femininity, fragility and queer feelings in New York, during the first 100 days of Donald Trump’s presidency, through photographs, writing, collages and drawings.

Multiple Spirits is a "Bilingual Queer Art Zine from/within Japan".

Die Entwicklung von Genderkompetenz ist Teil der gesellschaftspolitischen Verantwortung der Angewandten und ein wichtiges Element ihrer künftigen inhaltlichen Profilbildung.

Valerie Solanas' SCUM Manifesto was first published in 1986 after she had shot and nearly killed Andy Warhol. The text used here is the very slightly altered version issued later.

The unravelment of the fundamental conditions of the possibility of interpretation is needed not for getting outside the circle, but for staying within in the right way. (English)

Poets, activists, writers and artists respond to what it means to be lonely in 2017.

"Johnny, are you queer?" is a brief meditation on the steamy dynamics churning beneath the surface of The Wild One, one of the most deliciously homoerotic epics of all time, intentionally or not.

Artworks by Megan Francis Sullivan, 2010-2012. All source images found in “Boys, Kerle, Männer”, Issues 1 to 11, 1971.

This publication brings together papers from the 2012 conference and writing on artworks and art practices.

The fifth issue of "FAQNP" looks at "visualizations" of queer nerds.

A crossover zine between sex and art.