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BOOKSTORE/ Graphics & Typography/ Blue
  • 100 Allegories to represent the World
    Peter Greenaway
    Using nude figures as his central subjects in 100 computer-generated collage images, multimedia artist Peter Greenaway illustrates his unique vision of the world, by presenting 100 allegories to represent human existence.
  • Martel S.
    Ingo Mittelstaedt, Kunstverein Hannover
    Zur Ausstellung im Kunstverein Hannover gibt Ingo Mittelstaedt ein Fanzine heraus, das dem Leben und Werk der Künstlerin Martel Schwichtenberg (1896–1945) gewidmet ist.
    13.40 €
  • Cyanotypes
    Christian Marclay
    Cyanotypes documents six distinct series of cyanotypes produced by visual artist, performer, and composer Marclay in collaboration with Graphicstudio.
    1,400.00 €
  • Every finger wiggles
    Jasper Sebastian Stürup
    Primarily known for exploring and emphasizing the practice of freehand drawing, Jasper Sebastian Stürup also works in a range of media including artist books, painting, video, and sculpture.
  • Hollywood
    A Collection of Drawings by Peter Phobia
    Peter Phobia
    This zine, edition of 50, presents a collection of drawings by Peter Phobia, all produced in Rotterdam (NL) from September 2014 to January 2015.
    28.00 €
  • Moby Dick Filet No 21
    Going Abord
    Constantin Luser
    Kapitel No 21: „Going Aboard“, gestaltet von Constantin Luser. Über den Zeitraum von 11 Jahren erscheint monatlich ein Kapitel von Moby Dick Filet bis der gesamte Roman wieder zusammengefügt ist.
  • Moby Dick Filet No 44
    The Chart
    HANS SCHABUS
    Kapitel No 44: "The Chart“, gestaltet von Hans Schabus. Über den Zeitraum von 11 Jahren erscheint monatlich ein Kapitel von Moby Dick Filet bis der gesamte Roman wieder zusammengefügt ist.
    12.00 €
  • Aber Ohne Mein Akkordeon Bin Ich Nichts!
    Pacho Rada
    Johanna Benz
    Johanna Benz erzählt in ihrem Bilderbuch die Geschichte des Mannes, der von sich sagte: »Ohne mein Akkordeon bin ich nichts.« Ein Fest der Farben und Klänge, ein Tanz der Buchstaben, eine bunte Hommage an Pacho Rada.
  • Some Drawings
    Burnbjœrn
    Diese Publikation zeigt Werke des Künstlers Burnbjoern.
    10.00 €
  • Do it yourself!
    Bambi Kramer éditions
    "Fucking kills", it says on one of the cards, printed over the nowadays wellknown message "Smoking kills". Followed by a card showing a naked baby with a Ken-figure head and another card with a dead animal on the road side.
    "Do it yourself!" contains six postcards. Thematically the three-cloured prints circle around sex and procreation, but also death.
  • Daybreak Edition
    Yuki Higashino, Elisabeth Kihlström
    This edition was produced on the occasion of exhibition “Daybreak” at Platform Sarai, Frankfurt am Main. The edition functioned as a complementary printed matter that was generated from the research behind the main exhibit of the show. The exhibition was the first installment of a long-term project that explores the positions and functions of “nature” in modern art.
    49.00 €
  • Nick Oberthaler. Zweifel und Gnade/Le Doute et la Grâce
    Signed copy
    Nick Oberthaler, Gallien Dèjean, Joanna Fiduccia
    Nick Oberthaler is a draftsman whose work is characterized by a range of intriguing techniques.
  • Wahrheit ist Arbeit
    Harald Falckenberg
    Katalog anlässlich der Ausstellung in der Villa Schöningen, Potsdam, 3. Juli bis 31. Oktober 2010

    (Deutsch)
  • Tarzan versus The Hunters
    Dale Wittig
    In this pocket-sized illustrated story, we follow a splendidly buff Tarzan as he escapes the natives, is the sexual plaything of Arabians and horny lizards, finally finding himself at the mercy of those most feared white guys.
  • End Tell
    Julian Palacz
    END TELL ist Täterprofil und versteht sich als künstlerische Ausdrucksform digitaler Literatur, da es sich einer Software als Existenzgrundlage bedient. Es werden nicht nur spezifische, in diesem konkreten Fall verborgene Eigenschaften des Systems Computer reflektiert und in ästhetischer Absicht bedient, sondern der technisch prozessuale, hinter den Dingen stehende Background und dessen Kodes bzw. Sprache in den rezeptionellen Brennpunkt verschoben. Die vormalig unästhetische Kodierung des Systems wird durch die Betrachtung und den Kontext zur Kunst, indem sie so zur Literatur erhoben wird
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