A Visit with the Artists documents an extended interview conducted by Sylvère Lotringer and published in 1994 as part of the Melbourne-based Pataphysics Series.

History and Other Objects brings together a substantial selection of works by Ekaterina Shapiro-Obermair, ranging across media such as installation, object, photography, and archival engagements.

In his collages, films, and architectural stagings, David Maljković engages critically with the legacy of modernism. Central to his practice are sculptural and

Selbstporträt. Mit leeren Händen documents four conversations between Albert Oehlen and Rainald Goetz conducted between 1994 and 1998. Published as Bulletin 23 of the Fama & Fortune series,

Wear Me Out is a publication centered on the work of Austrian contemporary artist Erwin Wurm, known for his playful, provocative explorations of everyday objects and bodily presence.

Eau De Cologne was a short-lived but influential art magazine project associated with the Cologne contemporary art scene of the 1980s.

Founded by artists Warren Fischer and Casey Spooner in 1998, Fischerspooner began as a philosophical provocation that sought to explore the expressive potential located in the gap between popular entertainment and art.

Out of the Shadows is a publication issued by Courtisane, known for its focus on experimental cinema and artist moving-image practices.

The Rambling Figures of Mani Kaul addresses the cinematic practice of Indian filmmaker Mani Kaul, whose work is associated with experimental and parallel cinema.

Konrad Klapheck (*1935) gehört zu den bedeutendsten Künstlerpersönlichkeiten in Düsseldorf. Seit Anfang der 1960er Jahre ist

Jürgen Claus arbeitet universell, ist Maler, Kritiker, Theoretiker, Lehrender und Medienkünstler und interdisziplinär zeigt sich auch diese Autobiographie.

The work of the American artist Philip Taaffe (born 1955) engages with historical sources while translating them into a contemporary pictorial language.

In his exhibition mâcistan, Duane Linklater not only refers to the inherited storage practices of his ancestors, but also critically addresses the violent systems of

Carolee Schneemann (1939–2019) was a groundbreaking artist whose work helped redefine the relationship between body, gender, and art.

Stemming from Matt Mullican's (born 1951) acclaimed retrospective held at Hangar Bicocca, Milan, in summer 2018, this publication follows Rubbings Catalogue 1984–2016 (2016).

A book of text and image, My Birth interweaves photographs of the artist Carmen Winant’s mother giving birth to her three children with found images of other, anonymous women undergoing

17th Istanbul Biennial - Guide - Small Size Book Description

„Marlene Dietrich: Adressbuch ‚Europa‘“ bietet einen seltenen und intimen Einblick in die private und berufliche Welt einer der bekanntesten Persönlichkeiten des 20. Jahrhunderts.

Dieses Interview führte der Psychoanalytiker Georg Gröller mit seiner Frau, der Künstlerin Friedl Kubelka.

The conversations and interviews of Hans Ulrich Obrist encompass a broad practice that is dialogic in relation to both words and disciplines.

Weiner's later work expanded into wall installations, video, film, books, sound art, sculpture, performance art, installation art, and graphic art, maintaining his focus on language as a sculptural element.

For their inaugural Venice edition, Index Art Book Fair will bring sixteen art book fairs from around the world presenting their personal selection of art and artists publications, accompanied by an exciting public program.

A conversation between Oscar Tusquets and Luis Cerveró. Co-Produced by BD and Terranova. Photography by Eduard Sánchez Ribot

FACES OF ATHENS sheds light on the consequences of the collapse of the social and healthcare system in Greece following the implementation of the austerity measures imposed by the EU finance ministers.

The first book of the online-network Norient discusses contemporary movements and trends within globalised music scenes in Europe, Africa, Latin-America, Asia and the US.

Crip Modes explores social movements around disability across different historical contexts and examines alternative narratives,

2017 begann das Künstlerkollektiv Triple Candie (Shelly Bancroft und Peter Nesbett) mit der Arbeit an einem vielschichtigen Forschungsprojekt, im Zuge dessen sie die Werke und Methodologien des amerikanischen Künstlers Michael Asher (1943–2012) untersuchten. In diesem performativen Projekt unternahmen sie den Versuch, die verlorenen, experimentellen Potenzialitäten von Ashers situationellen Kunstwerken wiederaufleben zu lassen. Dafür führten die KünstlerInnen profunde

The book deals with the process of visualising music using the first movement of Mozart's Symphony in A major as an example.

Seit dem Ende der 1960er Jahre gehen vom Wirken des Museosophen, Designers, Architekten und Medieninterventionisten Peter Noever – seit 1986 Direktor des MAK in Wien – wesentliche Impulse aus.

The eleventh issue of the series Pleased to Meet You is devoted to Derek Jarman (1942-1994), a major figure in British cinema during the 1970s and 80s as well as a highly versatile artist, painter, draughtsman, costume and set designer, author and gardener. Before his premature death in 1994 of an AIDS-related illness,

Nach 80 Jahren wieder im Umlauf: bauhaus – die neue Zeitschrift der Stiftung Bauhaus Dessau. Neues aus der Bauhauswelt, Essays, Interviews und mehr. Als im Dezember 1926 das Bauhausgebäude in Dessau eröffnet wurde, erschien zum ersten Mal die Zeitschrift bauhaus. Sie berichtete

The Secession Talks. Exhibitions in Conversation versammelt 46 Ausstellungsgespräche, die von 2011 bis 2022 in der Secession stattfanden.

Agency of Singular Investigations (ASI) wurde 2014 von Anna Titova und Stanislav Shuripa gegründet, um gegenüber den dramatischen Veränderungen der politischen Realität und kulturellen Atmosphäre in Russland Stellung zu beziehen und angesichts des postfaktischen Zeitalters über andere Möglichkeiten von Bildern und Kommunikationsmitteln für die Konstruktion von Identitäten und Weltanschauungen nachzudenken. 

Die Untersuchung beginnt mit ethnografischen Erkundungen einer Kunsthochschule. Unter diesem Blickwinkel sind die 96 % derer, die freie Kunst studieren, ohne je von ihrem Metier leben zu können, genauso interessant wie die Stars des Kunstbetriebs.

Los Angeles Studio Conversations ist der vierte Band einer laufenden Interviewserie, die 2013 von der Kunsthistorikerin Stephanie Buhmann in New York ins Leben gerufen wurde. Mit bislang siebzig bis publizierten Gesprächen zielt dieses Projekt darauf ab, ein permanentes und wachsendes Forum für internationale zeitgenössische Künstlerinnen zu schaffen.
Los Angeles Studio Conversations stellt die folgenden Künstlerinnen vor: Lita Albuquerque, Sarah Cain, Andrea Fraser, Liza Lou, Shana Lutker, Kristen Morgin, Catherine Opie, Silke Otto-Knapp, Monique Prieto, Alison Saar, Analia Saban, Fran Siegel, Lisa C. Soto, Despina Stokou, und Diana Thater.

Zur Ausstellung erscheint eine Publikation mit einem Essay von Stephen Ellcock, in dem er die spirituellen und mythologischen Bezüge in Delaine Le Bas’ Werk und insbesondere in der für die Secession konzipierten Installation exemplarisch anhand von Referenzen aus der griechischen Mythologie und altägyptischen Totenkulten darlegt.

Julie Ault and David Deitcher illuminate the life and work of the influential art historian, New Museum curator, and Visual AIDS co-founder William Olander (1950–1989). Olander’s exhibitions challenged oppressive institutional boundaries, blew open dichotomies, and boldly confronted discrimination, sexual difference, and AIDS, shaping curatorial practice for decades to come.

Ein umfassendes Forschungsprojekt am Städel Museum untersucht derzeit die Kunstszene der Bundesrepublik Deutschland im Zeitraum von 1960 bis 1989 aus der Perspektive von Zeitzeugen. In Gesprächen mit über 70 Künstlern, Galeristen, Sammlern, Ausstellungsmachern und Journalisten, die maßgeblich an der Entwicklung der westdeutschen Kunstszene mitgewirkt haben, werden wichtige Stationen der jüngsten deutschen Kunstgeschichte

An early discussion at an Independent Space Index Stammtisch led to a proposal that Vienna’s independent scene could be considered a large and diverse intergenerational institution, presenting hundreds of exhibitions and projects per year, creating a responsive web of international networks.

Edited by Eric Troncy and Stéphanie Moisdon, Frog is an international art and architecture magazine. Published in October 2016 this issue features: Dominique Gonzalez-Foerster, Jim Shaw, Alex Israel / Bret Easton Ellis, Christian Rosa, Lili Reynaud Dewar, Sarah Lucas, Ugo

You’ll Never Work Alone: Collective Infrastructures in Moving Images demonstrates the possibilities and challenges inherent in collective cinematic and artistic work by presenting international and local perspectives from academics and practitioners.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine:

Forms of Migration explores the potential of literary and aesthetic forms of expression to shape our understanding of transnational migration processes. The volume emphasises form because it is often the compositional structure and rhetoric of texts and images – their literary nature and formal qualities – that impact readers and beholders, opening up new interpretations of im/migrant experiences and identities.

How can art and culture contribute to creating new imaginaries of the future within the current political and social discourse marked by misinformation, radicalization, populism, and a general crisis of representative democracy? Shaping Desired Futures draws the map of a changing Europe that can help contextualize today’s burning questions and trace still unknown narratives shared by Eastern and Central Europe. Through a series of interviews, essays, and artistic contributions, it proposes new means through which art can model alternative visions and help shaping different desirable futures.

The book is published in relation to the exhibition 1971 – Parallel Nonsychronism, a joint exhibition of Kiscell Museum – Municipal Gallery and tranzit.hu, which examined the parallel tendencies of art in state socialist Hungary, during the so-called Kádár era (1957–1989)

THE LINE – Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth. This volume focuses on a segment that goes from the River Rhine to the High Alps extending through the territory of Liechtenstein. THE LINE is a project by the Institute for Linear Research, an independent research platform.

Including essays about Barbara Hammer, Agnès Varda, Camille Billops, Jane Arden, Penny Slinger, Ana Mendieta, Hito Steyerl, Mati Diop, Catherine Breillat, Carol Morley, Ulrike Ottinger, Charlotte Prodger, Charlotte Pryce, Rosalind Nashashibi & Lucy Skaer, Gloria Camiruaga, Margarethe von Trotta, Astra Taylor, Lina Wertmüller. Interviews with Akosua Adoma Owusu, Astra Taylor, Ericka Beckman, Carolee Schneemann, Barbara Hammer

Frederick Weston and Samuel R. Delany come together for a wide-ranging dialogue, reflecting on their overlapping histories in Times Square, the deep impact of AIDS on their creative practices, and the ever-changing intersections of race, sex, language, and art.

Published on the occasion of the collaboration between 3 137 and Ilaria Conti, within the framework of the sync Curatorial Fellowship (January – March 2020), Around Labor, Art, and the Auratic Condition (This is Not a Love Song), this non-linear

Dissent Without Modification (Bergen Kunsthall), written by Grace Ndiritu, is a research book composed of interviews with radical and progressive artists and thinkers, who started their education and careers in the 1990s. Some are well-known, some are not. They are African, European, and American women working as painters, photographers, performers, hackers, activists and educators, among other roles such as Lisha Sterling, Monster Chetwynd and Kathrin Böhm.

As an independent art publisher, Lugemik has mapped a large part of the Estonian contemporary art and design landscape through numerous collaborations with artists, designers, theorists and cultural institutions, resulting in a variety of printed matter. The exhibition strives to talk about the aspect of translation in Lugemik’s practice, and will also reflect on topics related to book-making, such as graphic design, contemporary methods for art reproduction, and various forms of collaboration.

Looking at cartographies through sexual dissidence facilitates a process of resignification that speaks in other terms,

In its obsession to classify and find an underlying order to nature, one of the objectives of science has been to develop a system of taxonomies for bodies. Through their representation systems and the devices used for their exhibition, cartographies of the

The Repetition Festival Show Tessa Giblin, Saskia Vermeulen, Rhea Gaardboe Dall, Andrea Viliani Parution date: 2011

Impulse Interviews consists of over 60 interviews with some of the 20th Century’s most engaging and important cultural creators.

Morceaux choisis is the first seminal overview of Saâdane Afif’s artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

In the 17th issue of zweikommasieben something that has been apparent from the beginning of the magazine—whose credo is to study the present—only seems increasingly true: in the supposed present, temporalities overlap and intersect. They burst out, reaching at once backwards and forwards.

Rab-Rab Press announces the publication of Free Jazz Communism, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.