Die sechste Personale im Rahmen des Projektes „wir zeigen“ ist der Künstlerin Georgia Creimer gewidmet. Die Publikation versammelt Arbeiten aus den letzten Schaffensjahren der Künstlerin und zeigt ihr umfangreiches und vielgestaltiges Oeuvre.

Dieses Buch ist zum Anlass einer Ausstellung von dem italienischen Künstler Alighiero e Boetti als Katalog erschienen.

Eine umfassende Personale des in New York und Wien lebenden Künstlers Martin Beck. Neben ausgewählten Werken der letzten zehn Jahre, die sich mit Fragen des Displays, also der Zeigestrategien,

Ausstellungskatalog: Martin Beck rumors and murmurs

This monograph features a new body of work, which artist Ida Ekblad realized for a solo exhibition at De Vleeshal in Middelburg, The Netherlands.

Katalog zu den Musikerköpfen von Anton Herzl anlässlich der Ausstellung im Haus der Musik in Wien.

This publication presents a rich selection from the MAK Collection in the field of commercial art and ephemera, spanning from the 18th century to the present day.

Zeitgenössische Kunst im Dialog mit alten Meistern

Der Tätigkeitsbericht „Kunst & Kultur 2016“ umfasst die Sach- und Förderbereiche der Stabsstelle Museen und kulturelle Sonderprojekte, des Referates Kunstförderung und Kulturbetriebe und des Referates Volkskultur und Erhaltung des kulturellen Erbes.

This publication accompanies the exhibition Let’s Talk About Nationalism! Between Ideology and Identity at the Kumu Art Museum in 05.02.–25.04.2010.

This catalogue is dedicated to the exhibition and competition "Societies on the move" which aims to stimulate the artistic imagination of cosmopolitan and multi-ethnic views of our society.

Nè Qui Nè Altrove” is the title of a book and show that is the result of a collaboration between two artists and friends: Giuseppe Pietroniro and Marco Raparelli.

Ob im Sprachlichen oder Bildlichen, im Vortrag oder in Ausstellungen: Im Zentrum von Dominik Sittigs (*1975 in Nürnberg) Kunst steht das Problem des ästhetischen Ausdrucks. Vorstellungen von Transparenz, expressiver Unmittelbarkeit und künstlerischer Authentizität verkehren seine Arbeiten ins Undurchsichtige, Paradoxe und Artifizielle. In Texten und Bildern schafft Sittig

Made in Tokyo includes Van Golden’s recently created series of Double Prints, essentially digital collages conjoining visually work from early/late periods of his practice, ephemera including photographs, invitation cards, periodicals and other material related to his time in Japan as well as the floral patterned painting Untitled (Tokyo) from 1964.

80 color illustrations

Album of works by Rafał

In The Nine Eyes of Google Street View (2008–), Jon Rafman employs a new approach to the strategy of artistic appropriation, extracting screenshots from Google Street View’s vast online archive to create singular photographs that range from the lyrical to the abject.

Der reich illustrierte Band zeigt 120 einzigartige Kleidungsstücke aus wichtigen öffentlichen und privaten Sammlungen.

„Das Projekt fungiert als Szenerie, als abstrakte Situation, in der es um die Wahrnehmung der Zukunft in der Gegenwart geht, wobei die Ausstellungsräume und ihre Begrenzungen als Behältnis dienen, das der Zukunft für die Dauer der Ausstellung metaphorischen Raum gibt.

At the center of the exhibition, on view at the Orangerie of the Lower Belvedere from November 9th, 2016 to February 5th, 2017, is the latest series of works by Hubert Scheibl.

The work this book explores is a very patient, reverse anthill that, by appealing to everything personal and collective, enabled a golem to be reconstructed in nine month. It is the organ of a titan that exceeds, revolves, and absorbs almost everything. As the reader will soon understand, this engine is much greater than the sum of its parts.

Dieses Künstlerbuch erschien in Zusammenarbeit mit dem Gestalter Emmanuel Crivelli zur Ausstellung Il frutto dentro di me im Kunsthaus Langenthal.

This Book was published on the occation of the exhibition at Kunsthalle Basel, Prisoners of Shothik.

Exhibition presented at the Serralves Museum of Contemporary Art from April 30 to July 4, 2004.

This Book was published on the occation of the exhibition "Interpretation" in the Kunsthalle Basel 2010.

Conceived through a close and extensive dialogue with graphic designer Frédéric Teschner, Helbling presents the last four years of Leblon’s sculptural, installation and drawing work, and describes the newest developments in his practice.

For over a month I traveled through Sardinia, exploring its towns and villages to learn more about one of the oldest traditions on the island and in the Mediterranean basin: textiles.

This book is published on the occasion of the exhibition of Julien Bismuth at CRAC Alsace in 2010.

Published on the occasion of the exhibition 'No Goal' held at The Power Station, Dallas, April 11 - July 13 2012.

In this exhibition, Kasper Andreasen presents drawings and artists’ books that investigate acts of printing, writing, and collecting.

Since the 1960s, Stephen Willats is counted as one of the most influential protagonists of international conceptual art in England.

The publication both documents Judith Raum's solo-shows at uqbar, Berlin and The Return, Dublin and translates the lecture performance harmless entrepreneurs (2011), which was shown at both locations, into a book format.

Our relationship with animals is fraught and contradictory: we simultaneously mythologize, venerate, sacrifice, and exploit those who are not of our species.

The Communist Manifesto was first printed as a 24 page pamphlet in February 1848, in London. Since that time, it has been reproduced in countless contexts — making it not only one of the most widely read texts ever, both one that continues to be disputed for the efficacy of its call to action.

The essays collected in this book were first presented in the autumn of 1990 as part of a lecture series entitled Vancouver Anthology, a forum in which each contributing writer could test his or her research on the question of art and politics in public, before their papers were sent into print.

Catalogue of the Exhibition "Geography and Plays" by Silke Otto-Knapp from 20 September to 17 November 2013 at Kunsthal Charlottenborg.

The first monograph to be published on the work of Leonor Antunes, villa, how to use is released in association with the exhibition Antunes conceived for the Serralves Villa in 2011.

After the explosion of the Neo-avant-garde in the ’60s, primarily heralded in Slovenia by the OHO group, the ’90s brought a second explosion of artistic production, which was, in its own way, a continuation of the radical art practices from the ’60s and ’70s. The exhibitions in Ljubljana showcase a segment of artistic production that we might label as ‘art after post-modernism’.

This printed matter functions as a supplement to the content conveyed in these screenings and lectures, but it also signifies the transformation of the immateriality of these works into a materialized form.

Painting belongs together with cults, magic, miracles - and illusions.

Acknowledged today as one of the most influential figures of post-war Yugoslavian art, mangelos is the pseudonym that the Yugoslavian art critic and historian Dimitrije Bašičević (1921–1987) used for his artistic activity, a parallel career he would only make public in the 1970s.

Published on the occasion of Nairy Baghramian’s (1971, Isfahan, Iran) new outdoor sculptural work for the Sonae|Serralves Commission, this fully illustrated book draws upon the artist’s interest in the ways sculpture functions in the public domain.

Dieser Katalog erschien anlässlich der Ausstellung Heimo Zobernig im Palacio de Velázquez und dem Kunsthaus Graz.

A supplement to exhibitions held at Museum Abteiberg, Mönchengladbach, and Muzeum Sztuki, Łódź, this book centers around the apple as an art object and as a case study in biodiver sity under threat.

Nathalie Du Pasquier was one of the founding members of Memphis, the groundbreaking Milanese design and architecture collective.

“New Ways of Doing Nothing,” a group exhibition that took place at Kunsthalle Wien in 2014, devoted itself to artistic production that opposes activity and instead gives an affirmative slant to forms of doing nothing or refraining—a major influence being the titular character of Hermann Melville’s “Bartleby the Scriviner: A Story of Wall Street.”

For almost fifty years, Lydia Okumura has explored the realm of geometric abstraction.

Keramiken gehören zu den ältesten Artefakten, und in fast allen Kulturen schätzte man nicht nur ihren Gebrauchswert, sondern erfreute sich auch an deren ästhetischer Wirkung.

Charlemagne Palestine works from a highly personal universe of ritual, intoxication, and shamanism.

For the last 20 years, New York based German contemporary artist Josephine Meckseper s practice has interrogated consumerism, politics and art history through juxtapositions of images and objects.

Requests and Antisongs is an artist’s book to accompany a sequence of exhibitions by James Richards held at Bergen Kunsthall, Norway; Institute of Contemporary Arts, London; and the Kestner Gesellschaft, Hanover.

Spells is the first collection of Irena Haiduk’s writing, gathering her texts and limited-edition publications since 2007.

This publication expands a 2014 multisite contemporary art exhibition that took place in Nanaimo, British Columbia, a small city on the eastern edge of Vancouver Island.

This publication brings together three newly commissioned essays by art historian Ian McLean and curators and arts writers Helen Hughes and Julie Nagam. The selection of works from the Estate of Gordon Bennett comprises drawings,

Luminary Petals on a Wet, Black Bough is an artist’s book focusing on Victor Man’s series of paintings.

The subject of this book is a deceased prop, an object of a particular color, the green of cinematic trickery and special effects.

In cooperation with the Academy of Fine Arts and the University of Applied Arts, the Kunsthalle Wien Prize is awarded for outstanding final projects at the two universities of art in Vienna.

In Kate Newby’s site-responsive installations, handcrafted and found objects are often combined with words or phrases to form artworks that engage with the particularities of place.

Durch Mitautorschaft und Kollaboration sowie durch das Wiederaufgreifen von Werken aus diversen Schaffensphasen und die Einbeziehung von Arbeiten anderer Künstlerinnen und Künstler führte Franz West ein subversives, oftmals auch humorvolles Spiel mit der Autorschaft von Kunstwerken.

Das vorliegende Buch – der vierte und letzte Band der KUB Arena-Publikationsreihe – geht über eine Dokumentation der Aktivitäten von KAMP KAYA weit hinaus.