Die Ausgabe behandelt eine Reihe zeitgenössischer Themen aus Kultur, Politik und Medienkritik. Beiträge befassen sich unter anderem mit der politischen Bedeutung neuer Technologien wie Kryptowährungen,

Between 1993 and 1998, initiated by Chris Dercon, Witte de With and Richter Verlag, Düsseldorf, published a series of in total seven Cahiers.

Die Ausgabe des Jahrbuchs „kursiv“ aus dem Jahr 2011 steht unter dem Leitthema „Der Wert der Kunst“.

Sigmund Freud House Bulletin – Special Issue Autumn 1989 is a periodical publication issued by the Sigmund Freud Museum (House of Freud), Vienna.

Selbstporträt. Mit leeren Händen documents four conversations between Albert Oehlen and Rainald Goetz conducted between 1994 and 1998. Published as Bulletin 23 of the Fama & Fortune series,

Eau De Cologne was a short-lived but influential art magazine project associated with the Cologne contemporary art scene of the 1980s.

Significantly expanding the scope and functions of the HaFI pamphlet series, Ben Alper and Stanley Wolukau-Wanambwa present visual unknowns and forgotten gestures from the defunct archives of American mid-century news photography.

Conceived as a special, book-like issue rather than a conventional magazine number, this edition focuses on a group of influential yet often under-represented artists whose practices have significantly shaped contemporary artistic languages.

Domus – Architekturmagazin. Deutsche Ausgabe, Mai/Juni 2018 ist Teil der deutschsprachigen Edition der international renommierten

Mecca functions as a critical platform that reflects on Crédac’s curatorial concerns through analysis, commentary,

The Bratislava zoo was conceived as an intracity zoo, placed into a diverse basic local government, an urban neighborhood called Patrónka-Mlynská dolina,

JENNY. Ausgabe 11: es geht sich schon aus versammelt künstlerische, literarische und essayistische Beiträge, die

Die documenta 12 im Kunstforum International widmet sich der gleichnamigen Ausstellung als vielschichtigem Diskursraum zeitgenössischer Kunst.

The February 1985 issue of Interview Magazine centers on Mick Jagger and captures the distinctive editorial voice shaped by Andy Warhol.

Lubok 4 continues the artist-led Lubok series dedicated to contemporary relief printmaking.

Lubok 6 is part of the ongoing Lubok artist-book and portfolio series dedicated to contemporary printmaking.

We had long hoped to work with photographer Yoshikazu Aizawa, who had previously contributed to the BadSeed zine project founded by Alessandra Pace.

The issue of Mousse explores language, resistance, memory, and institutional critique across diverse registers—from scholarly essays to fiction and visual interventions.

Be Like Water brings together for the first time a large selection of artworks made by Anouk Kruithof over twenty years (2002–23).

An extension of the non-profit gallery and cultural platform of the same name based in Amsterdam, Motormond is dedicated to centring Black queer artists and "circulating pan-diasporic culture."

A few years after the "digital turn". the change from analog to digital production and storage of images. asks the Fotomuseum Winterthur in the exhibition Status - 24 documents

In issue 45, featured artists include Britta Marakatt-Labba, Rasheed Araeen, Rebecca Belmore, and Zai Kuning. Essays include Alec Finlay on indigeneity, nationality, and statehood in Scotland; Ana Texeira Pinto on the Portuguese art scene; and Wanda Nanibush and Walter Mignolo on indigeneity and decoloniality. Also Stefano Harney on Ground Provisions, Anthony Gardner on Documenta Athens and Kassel, and Vincent W. J. van Gerven Oei on Anri Sala’s Intervista.

The Summer 2023 explores themes of myth, memory, and folklore. Featuring Rasha Abdulhadi, Abdulkareem Abdulkareem, Lydia Abedeen, leena aboutaleb, Nyree Abrahamian, Maya Abu-AlHayyat, Yasmine Ameli, Aida Bardissi, Nwuguru Chidiebere Sullivan,

Starship #19, Apokolypse of the praktikal moment presents artists contributions by John Boskovich, Elijah Burger, Simon Denny, Cornelia Herfurtner, Yuki Kimura, Vera Palme, Nora Schultz, Jack Smith; and by Rosa Aiello, Carter Frasier, María Galindo, Samuel Jeffery & Daniel Herleth, Elisa R. Linn, Paul B. Preciado, and Haytham El-Wardany

Beginning in the 1990s, the efflorescence of a technology-driven, ostensibly post-industrial “new economy” brought with it a revival of interest in an array of concepts and discourses relating systems and systems thinking that had animated both progressive utopian projects of the 1960s and 70s and the totalizing global geopolitical schemas of the Cold War.

FAKTUR 05, edited by Pep Avilés, is part of the journal Faktur: Documents and Architecture.

The 208 pages of ERB Issue Two are bursting with essays, reviews, reportage, interview, photography and experiment by writers from all over Europe — and beyond. It is a reading experience unto itself, designed like nothing else. The ERB’s print designer, Patrick Doan, gave the magazine a distinctive, layered form. TURN the pages to read, but CUT the pages — easily done with a finger — to open a second layer, where you’ll find shorter essays, asides, and the occasional language game. Issue Two features resurrected darlings, psychic detectives, lyrical slang, Chinese palindromes and to every reader their own Dichter und Denker. Discover Europe’s new république des lettres.

“Calls for more Blackness in architecture schools can be simplistic,” writes architect Darell Wayne Fields, guest editor of Log 57. Well-meaning equity and inclusion programs often simply “associate the mere presence of Black bodies with institutional change.” In Log 57, a 208-page thematic issue titled Black is . . . an’ Black ain’t . . ., 29 authors explore the complexities of Blackness as it relates to aesthetics and architectural pedagogy. As Fields notes, “In calling for more Blackness, I, for one, am calling for more Black methodology. An inherent characteristic of [which] is a measurement of difference.”

UKT Issue #21 returns for another issue to venture into the realms of the Unknown. Featuring drawings by 29 contemporary artists from 18 countries around the world, we explore the uncertainties that inundate our everyday lives, the mysteries that are lurking in the shadows, and the vast potential of life beyond our own universe.

Sag ein paar Worte, irgendetwas, Marten hat sich gerade an dich erinnert“, bat mich Eva mit hektischer Stimme am Telefon.

Nach 80 Jahren wieder im Umlauf: bauhaus – die neue Zeitschrift der Stiftung Bauhaus Dessau. Neues aus der Bauhauswelt, Essays, Interviews und mehr. Als im Dezember 1926 das Bauhausgebäude in Dessau eröffnet wurde, erschien zum ersten Mal die Zeitschrift bauhaus. Sie berichtete

Archive und Depots … und Lager und Halden und Haufen und Bunker und Verliese und Kammern. Der Lockdown hat den Schädlingen – Motten, Schimmelpilzen und Käfern – in den Archiven gutgetan. Die relative Ruhe, Dunkelheit und fehlende Störungen durch Besucher und Mitarbeiter*innen haben seit März perfekte Bedingungen für Larven und erwachsene Tiere gleichermaßen geboten.

X is an annual magazine focusing on visual culture and experimental literature: a collective artwork, a material flow of reality that eludes any prediction. X freezes on paper the power of contemporary art and writing, welcoming with joy the delirum of participating in such pursuits. Pain, battles, sequences of errors, vanished memories and unwanted prophecies; X is born because we can still be against everything and also against ourselves.

On subjects including an interrogation on cinephilia and gender, surveillance, infant observation during the pandemic and the screen as psychic portal,

Julie Ault and David Deitcher illuminate the life and work of the influential art historian, New Museum curator, and Visual AIDS co-founder William Olander (1950–1989). Olander’s exhibitions challenged oppressive institutional boundaries, blew open dichotomies, and boldly confronted discrimination, sexual difference, and AIDS, shaping curatorial practice for decades to come.

Next Spring is an occasional series of reviews that offers a different approach to the writing of art criticism. Focused on the reading of one film work, each book in the series presents a parallel text on the artwork as both a critical response and literary production. The film selected and the text produced consider ecological issues, environmental concerns, and systematic revisionings. The language of place is given priority and image reproductions used nominally. Paris, May 16, the pilot issue, includes writings by Clara Schulmann, Barbara Sirieix, and Jennifer Teets, as well as a visual essay by Scott Rogers on the invitation of Richard Frater.

With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests. Each issue present around fifteen contributions, in both texts and images. Artists, writers, scientists and specialists in all kind of fields are invited to contribute and intervene in a sober and efficient layout already acknowledged by the London Design Museum in its exhibition Best European Design 2005.

Auslöser ist ein zweisprachiges Indie-Print-Magazin, das sich auf die menschlichen Geschichten hinter der Kamera konzentriert. Jede Ausgabe enthält vier ausführliche Fotograf:inneninterviews, eine Hinter-den-Kulissen-Reportage und ein fotografisches Objekt im Detail.

The Healthy Boy Band has done it again. After they founded their magazine The Healthy Times in 2020, the third issue is already being published.

Featuring contributions by Tristan Duke, Christian Egger, Milano Chow, Miriam Jung, R.M. ­Erdahl, Jutta Koether, Mariam Akubardia & Guram ­Sakvarelidze, Christian Kosmas Mayer & GPT-3, Rosa Aiello, Matthias Meyer, Loji ­Höskuldsson, Oli Surel, Mathias Kessler & ­Chiara ­Juriatti, Krasimira ­Stikar & an ­Interview with Monika Rinck.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine:

CORNER football + society is a periodical publication that proposes a crossdisciplinary approach, taking football and its complex contemporary and historical context as a starting point.

POSTER BOY is a magazine made up of posters – a poster magazine. Created in The Netherlands, it's a quarterly collection of six male models shot in both colour and black-white with a contemporary cool, minimalist vibe. So you get six posters wrapped in a belly band, each section revealing a larger poster with each unfolding, eventually becoming one giant poster.

FUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 20th edition. This new anniversary release looks at the art of portraits in drawing.

soлomiya is an independent magazine founded in April 2022 by Kyiv-based photographer Vsevolod Kazarin and Sebastian Wells in response to the Russian war in Ukraine, with the aim of exploring and publicizing the country's young cultural arts scene.

The winter 2021 issue of Mizna, guest-edited by Tarik Dobbs, challenges conventional forms, language, and ideas within literary processes and traditions.

Mizna is a critical platform for contemporary SWANA literature, film, art, and cultural production centering the work of Arab and Southwest Asian and North African artists. For more than twenty years, we have been creating a decolonized cultural space to reflect the expansiveness of our community and to foster exchange, examine ideas, and engage audiences in meaningful art.

The winter 2020 issue of Mizna is guest edited by Palestinian graphic novelist Leila Abdelrazaq and addresses prompt of A New World Order. These days, it seems as though revolutionary changes are happening daily.

“I also don't know the five new federal states and, if I want to film there, I have to have a leading figure. It is the profiteer, development aid worker and missionary all in one. He breaks into the accession area from the West in army strength. The film is about such a salesman.” –– Harun Farocki, 1990/91

In 1976, Harun Farocki and Hanns Zischler directed Heiner Müller’s plays The Battle and Tractor for Theater Basel. For Farocki, this production remained his only directorial work for theater. With Heiner Müller, however, he remained in intellectual exchange. The two collaborated on the adaptation of Müller’s text The Hamletmachine for radio in 1978; for the May 1981 issue of the magazine Filmkritik, they conducted a conversation.

In the mid-1970s, Harun Farocki wrote a two-page call programmatically entitled “What Ought to Be Done,” followed by a survey addressed to potential collaborators and supporters.........
Mitte der 1970er Jahre schrieb Harun Farocki einen zweiseitigen Aufruf mit dem Titel „Was getan werden soll“, der von einer Umfrage unter potentiellen MitarbeiterInnen und UnterstützerInnen begleitet wurde.........

THE LINE – Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth. This volume focuses on a segment that goes from the River Rhine to the High Alps extending through the territory of Liechtenstein. THE LINE is a project by the Institute for Linear Research, an independent research platform.

It creates expanded and stratified performances which also include the implementation and dissemination of design collections, audio-visual formats and editorial products.

This limited edition of PROVENCE includes 42 posters by: 5 posters 83 x 63.5 cm, 34 posters 55.5 x 42.5 cm, 3 posters 28 x 42.5 cm

Werner Dütsch (1939-2018), together with other commissioning editors of the film department of Westdeutscher Rundfunk (WDR) Cologne, devoted his work to the past and present of the cinema like few others.

Looking at cartographies through sexual dissidence facilitates a process of resignification that speaks in other terms,

In its obsession to classify and find an underlying order to nature, one of the objectives of science has been to develop a system of taxonomies for bodies. Through their representation systems and the devices used for their exhibition, cartographies of the

For the 17th International Architecture Exhibition, La Biennale di Venezia, the Lithuanian Space Agency and its founder Julijonas Urbonas present Planet of People, an artistic study into a hypothetical artificial planet made up of human bodies. Along with the exhibition in Venice, the LSA introduces its first annual report.

Another Gaze, a feminist film journal #04 brings together essays, conversations, and critical reflections that examine cinema through feminist, queer, and