The glare that a shadow can emit is evident in recent Latin American history, a history notoriously scored by oppression, violence, disappearances, and other painful secrets tossed into the gray areas of memory and to the margins of hegemonic historical accounts.

Mots Slow will appear every year, one day before the previous issue.

In the sixth issue X investigates movement in the context of creating and executing drawing.

In the seventh issue X investigates movement in the context of creating and executing drawing.

Reflection
Response
La Critique

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

Reflection
Response
La Critique

New format of Magazine X, which is published twice a year is focused on one artist only.

The fifth issue of X is dedicated to abilities of drawing to visualize memories, record moments and ideas.

This issue comprises various outlooks on “perspective.” This might be taken to mean something as specific as a particular opinion or as general as an axonometric projection; in short, different ways and means of looking at the world.

Magazin für narrative Zeichnung

Ai Weiwei – Translocation – Transformation is a publication that accompanies an exhibition project by Ai Weiwei exploring movement, displacement, and cultural change as artistic material and social condition.

Virtual Inheritance ist die zweite Ausgabe der Publikationsreihe der Agency for Contemporary Artistic Discourse & Collaboration.

Sonderpublikation anläßlich zum 25 Jährigen Jubiläum.

Angesichts der Zustände in Welt und Köpfen mag die Sorgenfresserpuppe auf dem Cover auch daran denken, was der Maler Max Liebermann beim Einmarsch der Nazis in Berlin gesagt haben soll: »Ick kann jar nich soville fressen, wie ick kotzen möchte.«

Die vierte Ausgabe des Magazins "zat", dem Heft für Interdisziplinäre Kunst.

Der Wert der Ephemera. Seit 20 Jahren gestaltet Johannes Wohnseifer die Plakate seiner Ausstellungen.

Diese Publikation ist im Rahmen einer Ausstellung im Zentralinstitut für Kunstgeschichte in München erschienen.

Katalogzeitung zur Ausstellung Zines #3 1980-1986 im Zentralinstitut für Kunstgeschichte in München, vom 06.02. - 31.03.2015. Alle Abbildungen in Farbe und Originalgröße.

Fünfte Ausgabe der Zeitschrift der Akademie der bildenden Künste Wien.

Announcement of ‚a book on this continual phenomenon‘ with statements from the artist Bogomir Doringer, his co-curator Brigitte Felderer from the university of applied arts in Vienna and Matthias Tarasiewicz from the artistic technology lab (also university of applied arts).

Dritte Ausgabe der Zeitschrift der Akademie der bildenden Künste Wien.

Das “Hamsterrad”- Projekt wurde von Urs Fischer und Franz West in Wien ins Leben gerufen und anlässlich der 52. Biennale von Venedig im Juni 2007 veröffentlicht.

Summer 2001. Ninth edition and close of the second cycle of its existence. b-guided approximates with each edition the original goal. b-guided continues to champion eclecticism, creativity, quality and the beauty of integrity. b-guided suggests choices on national, international and virtual level.

The time was not ripe to settle down and get a range life, so here’s the new Occulto issue. It’s dedicated to Constants & Variables, and to our friend 3.14.

The fifth release of Occulto Magazine, Issue δ (4,66920160910299067185320382…) is dedicated to a very special topic: dreams.

The Chap takes a wry look at the modern world through the steamed-up monocle of a more refined age, occasionally getting its sock suspenders into a twist at the unspeakable vulgarity of the twenty-first century.

Kunst am Bau ist seit 1980 ein wesentlicher Bestandteil von künstlerischer Auseinandersetzung in Verbindung mit Bauvorhaben des Landes Salzburg.

fotoK wurde 2004 von Pascal Petignat und Martin Scholz-Jakszus mit der Absicht gegründet, eine Institution zu betreiben, die sich konsequent und nachhaltig mit der Produktion von Fotografie im Kontext von zeitgenössischer Kunst auseinander setzt und diese fördert.

The Year we have been nowhere will have two parts. This is the first one.

Meet the Popular Republic of Photosynthesis; learn how thin and blurry the boundary between living and inanimate can be; read challenging reflections about our interpretation of the theory of evolution; discover how cleverly Queen Dido took advantage of the isoperimetric problem; watch gossip stars morphed into Poltergeist; download the second great selection of music compiled by Onga Boring Machines.

Schweigen als Widerstand; Masken als Widerstand. Beides auf vielleicht paradoxe Weise Mittel des Handelns und des Sprechens, Formen ästhetischer und politischer Partizipation.

J’aime beaucoup ce que vous faites... » magazine was created in 2005 with a desire to focus on literature with a sensitive and affective point of view. The magazine, presented as a mix between a book and a manuscript, demonstrate writing in progress, the hidden side of the process while the author is at work. It also enlights the intimate moments shared with the voice of a writer as well as the excitement of the discovery of singular writing.

American Magazine founded by Andy Warhol and British journalist John Wilcock in 1969.

ALUAN is an exhibition space in the shape of a magazine. Each issue of this exhibition on paper is produced by a guest curator who explores a different art scene, defines a topic, and selects artists and artworks for display. It is a sequence of images, accompanied by a text that can be read as a guided tour.

Mit „Der Blick des Anderen- drinnen-draussen-Heymat“ erzählt der junge salon in semi-dokumentarischen und in fiktiven Geschichten von Menschen aus dem 15. Bezirk. Von Menschen, die seine Nachbarn und Nachbarinnen sind.

Like all animals, humans are programmed for survival. Fight or flight? Duck! Run for cover! Our reflex, when we register fear, is to protect ourselves.

Starship 14 is 144 pages of original artists' contributions, texts, columns, and reviews, including an insert conceived by Nikola Dietrich which is called "Plastic Island", revolving around dystopic and realistic conceptions of the future.

The Bells is the first publication in the SFU Galleries Critical Reader Series. A discursive forum, the series encourages critical writing and projects that run parallel to programming at SFU Galleries.

Das vierteljährlich erscheinende Kunst Review Magazin 'vonhundert' versammelt Beiträge von verschiedenen Künstlern und Autoren.

To mark the 60th anniversary of the ACF London, section.a (Vienna) is curating an exhibition for the ACF and a special edition of the Parabol Art Magazine entitled “The out of the box issue”.

This book presents, for the first time, the complete series of collages which Thomas Bayrle made between 1988 and 1991 when he started experimenting with digital technology with the help of Stefan Mück, then his student at the Städelschule.

"THE FOX" was started by several members of the New York faction of Art & Language, a conceptual art collective who put out three issues in 1975-76.

"THE FOX" was started by several members of the New York faction of Art & Language, a conceptual art collective who put out three issues in 1975-76.

"THE FOX" was started by several members of the New York faction of Art & Language, a conceptual art collective who put out three issues in 1975-76.

»Österreich ist das einzige Land, das durch Erfahrung dümmer wird.« Dieses vermeintliche Karl-Kraus-Zitat geisterte in den vergangenen Wochen durch diverse Foren. Se non è vero, e ben trovato, wie 49,7 % für Hofer zeigen.

Dass die – realiter – von der FPÖ geführte Landesregierung in Oberösterreich die Mindestsicherung für Asylsuchende halbiert, geht einem Teil des aufrechten und anständigen Fußvolks noch nicht weit genug: Mitte Februar wurden in Linz an zwei Tagen Brandanschläge auf Roma-Zelte verübt, bei denen zwar glücklicherweise niemand verletzt wurde, aber alle Habseligkeiten verbrannten.

By turning the direction and intensity of the light, a variety of stage effects is produced: the Diorama, compartment within which, through a window, the viewer can discover new worlds and observe them from kaleidoscopic perspectives.

By turning the direction and intensity of the light, a variety of stage effects is produced: the Diorama, compartment within which, through a window, the viewer can discover new worlds and observe them from kaleidoscopic perspectives.

Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of austrian, german and swiss artists.
With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests.

The issue with the client is that the reasons why clients should pay for architecture (i.e., the reasons why rich or powerful individuals could become clients) seem to be disappearing.

Artist Lecture Series Vienna transcripts are texts made from transcriptions of selected lectures of the Artist Lecture Series Vienna archives. The texts are in the specific language of the presenting artist.

Ein Nicht-Filmmagazin für öko-philosophisch angewandte Arthaus-Hobby-Cineasten für Unfug und anderes.
Das Magazin erzählt Filmgeschichte so wie sie war, aber vorallem so
wie sie nie war, aber vielleicht hätten (besser) sein sollen oder können.

Out of Print ist ein Magazin des Fachgebietes Buchkunst Grafik-Design an der Hochschule für Grafik und Buchkunst Leipzig.

Das Magazin Künstler "Voleur de feu" hebt jedes Quartal einen Schriftsteller und Künstler hervor und deren einzigartige Werke.

In der dritten Ausgabe unserer Zeitschrift VERSION Nr. 2 beschäftigen wir uns mit kulturellen und künstlerischen Praxen, die im weitesten Sinne im Austausch mit aktivistischen, sub- und popkulturellen Auseinandersetzungen stehen.

“Design Diversity” discusses the role of the design discipline in co-constructing contemporary images of ageing and questions whether an individual ‘style’ is interrupted by stigmatizing products and therefore supports a process of being ‘aged by culture’.

»Mo(ve)ment« focuses on some decisive elementals of art-making and mashes them up against similar kinds of basics of art-seeing.

As family configurations evolve and atomize, and “exceptions” become the norm—divorced, blended, solo, cooperative, childless, single-parent, widowed, queer, aging, migrant, transnational, foster, adoptive, multigenerational—the material construct of our homes, institutions, and cities asks to be reconsidered.

Ab 2015 erscheint die Zeitschrift Bauhaus einmal jährlich, mit Fokus auf das jeweilige Jahresthema. Die Stiftung Bauhaus Dessau widmet 2015 ihr Magazin dem „Kollektiv“ und hat dabei auch Individualisten, Querdenker und Solisten im Blick.