MC1R magazine for redheads is the first art based and design forwarded independent print magazine project round about the culture of red hair worldwide and was founded by Tristan Rodgers.

Magazine about contemporary drawing

Magazine about contemporary drawing

Das unabhängige Hafenjournal

"Wir setzen mit unserer unabhängigen Zeitschrift für junge Kunst KubaParis auf die eindrucksvolle Vielfalt, Kreativität, Qualität und Experimentierfreude der jungen Kunst, Kultur- und Musikszene.

Magazine for photography & related matters.
Das limitierte Streulicht-Kompendium enthält die Ausgaben 1-6 in einem Kartonschuber.

Named after the one and only austrian astronaut Franz Viehböck, FRANZ started in 2010 as a small self-published zine made by a group of art-students searching for a way to publish there artworks in a more self-determined way.

FOUNDATIONS aims to reclaim the foundational experience of art: experimentation, emerging ideas, and discovery.

du vendredi 19 au dimanche 21 octobre 2012

Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.
With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests.

Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.
With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests.

Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.
With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests.

Loraine, Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.

Loraine, Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.

The retooling issue
curated by Peter Weibel (Karlsruhe)

Penguen is a Turkish satirical magazine.

Site Magazine, Edition 13.
SITEmagazine first published in 1999, in Düsseldorf Germany. It’s ambition is to butt in the world of media, publication, interpretation and contextualization. Its collaborative, interdisciplinary nature which goes beyond individual artists studio practice is from great value to the publishers. SITEmagazine is not a review magazine. It is rather an exhibition in printed format. SITEmagazine compiles contributions which should be approached as artworks. Each issue adds to the ongoing series of publications. No issue is ever out of date. Since SITEmagazine 11 we are cooperating with guest artists/editors to curate an individual issue. For the distribution of the magazines SITE is making use of existing international paths of printed matter distribution to get spreaded out worldwide. But also it is an ongoing topic to be creative about new strategies distributing SITEmaterial.

„Es gibt kaum etwas, was er nicht schon künstlerisch angepackt hätte. Wenn ich eine Idee habe, ist Timm Ulrichs noch immer der erste, bei dem ich überprüfe, ob er sie nicht schon realisiert hat.

in situ ist ein freies, experimentell künstlerisches Print-Medium.

in situ ist ein freies, experimentell künstlerisches Print-Medium.

Kontrast, Rivalität und Konfrontation – wie eintönig wäre eine konsensuale Welt und insbesondere die Kunst ohne Widerstreit?

CEREMONY is a series of four magazines.
Each of them will comment on the most common/important ceremonial aspects of our lives (baptism, graduation, marriage, funeral) and deconstruct the illusional identities that they create.

Die erste Ausgabe des Sommers 2014, mit einem Schwerpunkt auf der Architektur - Biennale 2014 in Venedig.
Cover von Alice Ronchi.

QuerdenkerInnen und Querdenker jonglieren mit Geschlechtsidentitäten, wissenschaftlichen Grauzonen und verrücken Medialität. Queere Entwürfe verführen zum Zweifel an Dualismen, Dichotomien und binären Systemen und entwickeln einen Gegenentwurf zur Normalität. Welche Strategien legen sich quer zum Alltäglichen, weichen Grenzen auf und spielen mit Vorstellungen von Realität?

Seit 2003 erscheint der Newsletter der HFBK Hamburg, seit 2009 unter dem Namen »Lerchenfeld«.

The 11th issue takes a spirited look at “Photography Here and Now”, and questions the creative force and place of the artistic medium in today’s culture in the age of Instagram, where everyone is a photographer and any cliché a photograph.

Die fünfte Ausgabe der Zeitschrift „bauhaus“ widmet sich den Sehnsuchtsorten der europäischen Avantgardisten zwischen Lateinamerika, Afrika und Asien

Oskar Schlemmers Werk ist mehr als das eines anderen Bauhauskünstlers mit der wichtigsten Gestaltungshochschule des 20. Jahrhunderts verbunden. 70 Jahre nach seinem Tod widmet sich Heft 6 seinem großen Werk und versucht, es neu zu kontextualisieren und zu diskutieren.

Like in writing, drawing has no boundaries; you can easily make a big lump of earth levitate like in Steve Johnson's watercolour-drawings. The impossible becomes possible, everyday objects and places turn into poetry and only the imagination is the limit.

Die Texte widmen sich dem Radio als Spukmedium, der elektronischen Präsenz von der Telegrafie bis zur Television und der Schizophrenie.

Zeitschrift für Theorie und Kunst, Heft 9 (2/2013)

Issue 56 (Fall 2013), titled "The Beauty of Horror and the Horror of Beauty", of the Canadian cinematic magazine "Cinema Scope".

"Neues Europa" ist 2013 für das mobile Ausstellungsprojekt "Cultural Clash Nomade" entstanden, das durch 6 Städte (Leipzig, Nordhausen, Frankfurt, Ludwigshafen, Straßburg, Genf) getourt ist.

Mitteilungen zur Geschichte des Kunsthandels. Zentralarchiv des internationalen Kunsthandels, ZADIK

Vom Bibliothekar zum Galeristen: Erhard Klein hat unvergleichlich enge partnerschaftliche und freundschaftliche Beziehungen zu seinen Künstlern aufgebaut. Ungewöhnliche Bilddokumente und charmante Geschichten um den Galeristen und Art-Cologne-Preisträger von internationalem Rang, der allein 60 Kataloge und 180 Editionen publiziert hat.

Trotz seines internationalen Einflusses auf Künstler entdeckte der europäische Kunstbetrieb die Arbeit Allan Kaprows erst zu Beginn der 1970er Jahre. Kaprow, Begründer des Happenings, nahm 1970 an der von Harald Szeemann im Kölnischen Kunstverein kuratierten Überblicksschau »Happening & Fluxus« teil. Diese Einladung führte den Künstler zum ersten Mal nach Deutschland. Seine Kunst öffnete sich einem breiteren Publikum durch erlebbare Aktivitäten, die durch die Galeristen René Block und insbesondere Inge Baecker initiiert und mithilfe von Museen, Universitäten und Sponsoren ausgeführt wurden.

Die Schilderungen der Zeitzeugen werden ergänzt durch die Abbildung zahlreicher Text- und Bilddokumente und eröffnen manche neue Einsicht zu einer der bedeutendsten Künstlerpersönlichkeiten der zweiten Hälfte des zwanzigsten Jahrhunderts.

Maerz 1913 - 2013

Das Magazin für Narrative Zeichnung.

Das Magazin für Narrative Zeichnung.

Franz the Lonely Austrionaut - Sailors & Moons

Catalogue from Werkleitz festival 2011. Including scientific essays by Susanna Brogi and Christina Wessely, an interview with the documentary filmmaker Peter Kubelka held by Cord Riechelmann and a prosaic approach by Maik Schlüter to the performance Playstation.

The Berlin based publication FUKT, founded in 1999 by Björn Hegardt, is dedicated to drawing.

An Architektur 15/ FFM Heft 11 ist eine Kooperation zwischen der Forschungsgesellschaft Flucht und Migration und An Architektur im Rahmen des Projekts TRANSIT MIGRATION.

freiStil #50

Open Space Lab comissioned a vedic astrologer to do a day by day forecast for art Karlsruhe 2012. (Deutsch)

Mousse is a bimonthly magazine published in Italian and English. Established in 2006 (Englisch)

[...] Ryan McGinley’s steep ascent within the world of photography appears almost as effortless as his images: Born in 1977 in New Jersey, he moved to New York in 1996 to study graphic design at Parsons School of Design, where almost by accident he discovered his love for photography. Incessantly shooting his friends and surroundings, McGinley inadvertently documented the microcosm of youth culture in New York at the turn of the millennium in a body of work that stood out for its energy and optimism, despite the grit and rawness of the images – a style that should later draw comparisons to the work of Nan Goldin, Larry Clark and Robert Frank. In the meantime, McGinley befriended a group of local artists and creative types – among them his close friends Dan Colen and the late Dash Snow – that would soon be hyped as a ‘new movement’ by the press, a label based more on the excessive lifestyle the three had in common than their actual and quite disparate work.[...] (Englisch)

Martino first attracted widespread attention in 2007 with the project 100 Chairs in 100 Days, for which he reworked elements of existing chairs into a collection of charismatic new pieces of furniture. Taking on the ultimate design object of the chair within severe self-imposed constraints in terms of time and material, the results were odd, to put it mildly – at times impractical, at times funny-looking, but always refreshingly unexpected. Martino returned to the idea of remaking several times, most notoriously when he dis- and reassembled furnishings by famed architect and designer Gio Ponti into new pieces, an act of homage that was misinterpreted by some as irreverence.[...] (Englisch)

[...] Cyprien Gaillard examines the buildings and landscapes as well as the people who inhabit them. In previous works, the modernist housing block was a recurring theme, a structure associated with the utopian aspirations of the architectural avant-garde in the early 20th century that became ubiquitous in the post-war era. As many of the buildings turned into failed experiments, municipalities in various regions decided to dismantle the structures. At times, the demolitions were turned into spectacular sound and light shows. Gaillard has examined these buildings from different vantage points: depicting them as monuments that conjure up associations with ancient ruins or medieval castles, as backdrops for fringe group behaviour, as sites for mega-spectacles, and once demolished, as massive installations. The digital video Desniansky Raion rehearses these aspects particularly vigorously but they find expression in a number of other works as well. Within these spaces, Gaillard occasionally turns his eye to the rituals of young men (binge-drinking students in Cancún, a gang member dancing, packs of young men meeting in a parking lot in St. Petersburg to fight each other) who appear briefly, like mirages, amidst tower blocks and ancient ruins. [...] (Englisch)

Michaël Borremans is an artist who is extremely focused, concentrated and refreshingly serious about what he does, with a very consistent vision that’s been apparent throughout all of his work from the mid-90s until today.

Sonic Youth, of course, created a legacy of musical innovation. Thriving on the playgrounds of noise music for more than three decades, they stoically pursued their own particularly dirty blend of noise-punk experimental rock music, building along the way not only a league of dedicated followers, but also miraculously achieving mainstream success without ever ceding ground to mediocrity. If anything, Sonic Youth became a household name for integrity and that specific kind of cool in a genre where cool is firmly attached to youth – which certainly had a lot to do with the unfailing detached charisma of Kim Gordon, who brought a certain glamour to her male counterparts, Lee Ranaldo and Thurston Moore. (Englisch)

Bless begins with a beautiful story: In 1996, the entirely unknown fashion label of sorts announced its existence to the world via an advertisement in the British style bible i-D, offering a – fur wig. Maybe naively expecting the world to take notice, the phone ended up ringing just once, but as it happens, it turned out to be a call from Paris. A few months later, all models for Maison Martin Margiela’s Autumn / Winter 1997 collection ended up wearing fur wigs on the catwalk. The fashion world took notice, and Bless got the attention it had hoped for, after all. [...] (Englisch)

First, silence. Then, as from afar, frantically, a violin descends, emerging from the shadows, ever more insistently. A piano answers, slows the pace. And thus begins a careful courtship of two opposing voices: teasing, complaining, questioning, refuting, embracing. And thus begins one of the most compelling recordings of modern music.

Later on, we hear a bell, the pulse, introducing the second movement – a requiem, a dream, a heart-stopping descent, unreeling slowly, ever so relentlessly, into a depth where there is nothing but mourning, brutal, encompassing, rapturous. [...] (Englisch)

cura. is a quarterly magazine, a publishing house, an exhibition space and a platform for editorial and curatorial activities.

(Englisch/Italienisch)

Die Ausgabe entstand im Rahmen eines Workshops mit dem Künstler Achim Lengerer mit Beiträgen von Geela Eden, Katrin Grimm, Eva Hartmann, Alexandra Haase, Nadja Haase, Jonas Hasselmann, Catharina Hoops, Marleen Krallmann, Max Kühl, Charlotte Ladiges, Elina Martian, Omar Nicolas, André Offenhammer, Jakob Runge, Björn Schmidt, Selina Schnetger, Evelyn Solinski, Jan-Peter Thiemann.

Die Publikation zeigt 24 ganzseitige Reproduktionen von Anzeigenseiten aus Magazinen, deren profane Vertrautheit durch Ausschnitte und Collagen aufgebrochen wird. (deutsch)

Eva Grubinger und die Studierenden der Abteilung Bildhauerei/transmedialer Raum, Kunstuniversität Linz

(Deutsch/Englisch)

„Untragbar“ zeigt die Arbeiten von Studierenden des Integrierten Design der Hochschule für Künste Bremen. Sie haben die Kollektionen entworfen, Fotografie und Styling entwickelt, die Konzepte geschrieben und das Layout gestaltet.

Das Magazin erscheint zwei Mal jährlich. Jede Ausgabe wird von einem anderen Künstler oder Designer gestaltet.

(Deutsch)