As family configurations evolve and atomize, and “exceptions” become the norm—divorced, blended, solo, cooperative, childless, single-parent, widowed, queer, aging, migrant, transnational, foster, adoptive, multigenerational—the material construct of our homes, institutions, and cities asks to be reconsidered.

An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books.

Die Zeitschrift veröffentlicht exklusiv von Künstlern gestaltete Ausgaben in kleinen Auflagen. Seit 10 Jahren ein internationales Sammlerobjekt.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Ausgehend von Fotogeschichten produziert Ernest T. eine Erzählung über zeitgenössische Kunst, wo jeder Satz klingt wie ein Slogan - auf einmal absurd und komisch

Beiträge von: Christa Benzer, Martine Beugnet, Martin Frey, Lars Henrik Gass, Brent Klinkum, Friederike Pezold, Bert Rebhandl, Dietmar Schwärzler, Sylvia Szely, Viktoria Tremmel Interviews mit: Helmut Herbst, Luke Morris, Franz Novotny, Agnès Varda

Gespräche mit: Chris Dercon, Sjarel Ex, Catherine David, Hans Maarten van den Brink, Arno van Roosmalen, Wilma Sütö, De Player, Reyn van der Lugt

Umelec Magazine since 1997 is the only art magazine devoted to current visual culture in the Czech Republic. It is directed to the international scene, particularly the wider European circle. Its emphasis on art in Central and Eastern Europe stems from its unique position in that region.

F.R. DAVID- a journal published twice- yearly by de Appel arts centre, Amsterdam- focuses on the "status" of writing in contemporary art practice. Writing as a mode that informs and feeds, supports and describes, back up and interprets, comments and reflects upon contemporary artistic production. Writing as ‘the core material’ of a number of artists but equally as a mode that exists parallel to or in service of the visual.

With aim to further reflect and pursue the expanding expression onto each particular direction, in 2007, Cosmic Wonder is anouncing three projects with distinct processes: Cosmic Wonder, Cosmic Wonder Light Source and Yukinori Maeda.

Die HKB beschäftigt sich fachbereichsübergreifend mit den Begriffen «Material» und «Materialität». Dabei sind Transformationsprozesse von Material in den digitalen Raum und zurück eine zentrale Frage. Anhand des HKB-weiten Laboratoriums mit dem Titel «MaterialDigital» im Frühlingssemester analysiert und experimentiert die HKB-Zeitung 3/2017 die Übergänge, die Momente der unmittelbaren Berührung von Material und Digital und deren launenhafte Nähe.

"The salon is a place with a natural flow of ideas or thoughts, which is easy to romanticize when you see documentation of the Cabaret Voltaire or Cricot in Krakow.

»Freund« und »Feind« als operative Größen in der Kunst? Selten werden die Verhältnisse so deutlich beim Namen genannt, selten auch werden Feind- oder Freundbilder zu expliziten Bestandteilen künstlerischer Verfahren.

Umelec Magazine ist seit 1997 das einzige Kunstmagazin, das sich der gegenwärtigen visuellen Kultur in der Tschechischen Republik widmet. Es richtet sich an die internationale Szene, insbesondere den größeren europäischen Kreis. Die Betonung der Kunst in Mittel- und Osteuropa beruht auf ihrer einzigartigen Stellung in dieser Region.

Das Magazin begleitend zum steirischen herbst entwickelt einen eigenen, ganz individuellen Blick, eine spezifische Handschrift und wird so zum eigenständigen künstlerischen Projekt.

Today’s consumption of photography and its digital equivalents has enormous effects on the way we deal with pictures, as we have already pointed out in EIKON several times before.

Die Ankündigung, nach zwei Heften von Texte zur Kunst zu feministischen Themen eine Ausgabe „über Männer" machen zu wollen, stieß auf ein belustigtes Echo.

Since its conception in 2000 DDD has immatured into a jocuserious fanzine-journal-orphanage based on true stories deeply concerned with art-design-music-language-literature-architecture.

NERO is a quarterly contemporary culture magazine – distributed in Europe and in the US – as well as a publishing house specialized in the production of artist’s books, editions, and catalogues commissioned by museums, foundations and private collections. NERO also works in curating, art direction and consulting for cultural projects and contemporary art.

MONU - magazine on urbanism is a unique bi-annual international forum for artists, writers and designers that are working on topics of urban culture, development and politics.

JAB37 was offset printed on the Heidelberg GTO52 (eine farben) at the Center for Book and Paper Arts, Columbia College Chicago by Mary Clare Butler and Woody Leslie under the supervision of Brad Freeman.

Written by people who live well for people who live badly, mixture of the most serious and stupidest philosophical bullshit, vulgar and sober at the same time, PNB continues the tradition of fanzines, comics, counter-culture and the radical and rude criticism of the permanent order of things.

This publication is part of Little Review, Sharon Lockhart’s exhibition for the Polish Pavilion at the 57th Venice Biennale in 2017.

contributors: Gabó Bartha, KAP-HT (Budapest), Sándor Bartha, Detour Brigade (Budapest), Balázs Beöthy (Budapest), Thomas Bratzke, Zast Real Estate (Berlin), Thomas Campbell/Dmitry Vorobyev (St. Petersburg), Doro Carl (Hamburg) ... (Quelle: Verlag).

Pilot-Nummer einer neuen, aufwendig von der Jan van Eyck Academie, Maastricht, produzierten Zeitschrift, die sich mit Text- und Bildbeiträgen auf das Medium Zeichnung (»Drawing's great!«) konzentriert.

Architecture, although we often don't realize it, always played a central role in our culture and life: in our homes, places of worship, offices, and shops.

Co-directed by artists Brian Getnick and Tanya Rubbak, Native Strategies (NS) is a network of performance makers, producers and critical thinkers who seek to invigorate and make globally visible Los Angeles’s performance art community.

A supplement to the magazine "i quaderni di no.made" with drawings by Luciano Trina.

Read in the "Touch" issue: ­­A Singaporean artist connects with Hijikata Tatsumi from beyond the grave • A Lycanthrope turns into a Manta Ray, a story of metamorphosis • Connecting during quarantine, with TikTok • Touching Palestine in a contemporary art center in Dubai • A Norwegian cartel redefines modern-day manhood • Dr. Aline LePierre talks about the healing power of touch

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces. BLACK PAGES comes in the format A5, including 20 pages, printed in black&white. BLACK PAGES invites one artist to collaborate and renames after his/her forename.

Die Zeitschrift Sterz zeigt in dieser Ausgabe Nr. 85 den Fotografen Eckart Schuster.

Blast Ausgabe #10, November / Dezember 2003.

Über Ein- und Ausschlussverfahren, Innen- und Außengrenzen des neuen Europa. Wie können künstlerische Positionen das Festhalten an europäischen Nationalkulturen unterlaufen?

Eine Künstlerpublikation, eine Künstlerzeitschrift mit offenem Konzept.

Loraine, Chicago, Times, Plotter, Helvetica, DIN, Techno, Löhfelm, RR_02, Univers, Tiffany, Circuit, Memphis, Gringo, Zeus, The Mix, Princess Lulu, Pigiarniq, Paper, Libertine, Trixie, Déjà Vu, Auto, Rediviva, Acid and Wanda are the 25 issues of the magazine founded in 2002 in Vienna by a group of Austrian, German and Swiss artists.

Mit einem Text von David Rhodes: „Was war, ist da“. Hrsg. von Julia Friedrich, Museum Ludwig, Köln

Black Pages is a monthly releasing artist-fanzine in an edition of 300 pieces.

„The Dictatorship of the Viewer" diesen presseweit begierig aufgegriffenen Untertitel gab Francesco Bonami, Leiter der 2003er Biennale von Venedig, seiner Großausstellung mit dem Titel „Dreams and Conflicts".

Wahlen zu kommentieren ist wie einen Witz erklären – wenn selbiger auch noch ein schlechter ist, hilft allein Polemik. Auch wenn es preaching to the choir ist und Fakten gegen Irrsinn nichts ausrichten, hegen wir dennoch die Hoffnung, dass die hier versammelten Texte unserer erlesenen Autorinnen und Autoren ein kleine Vademecum gegen den grassierenden morbus volk bieten.

Over the last 5 years the Austro Sino Arts Program and the Embassy of the Arts have produced an annual catalog with detailed documentation of their programs as well as activities of connected organisation, off-spaces and active individuals.

Magazin für Fotografie und Artverwandtes

“Riss” in German means “fissure”, “crack”, “gash”, and from the crack the light breaks in.

Ausgabe 89 aus dem Jahr 2005

This publication is a counterpart to the „flip“ project-space based in Naples, Italy.

Medien- und spartenübergreifende Ansätze sind mit bildnerischen Methoden unterschiedlichste Fusionen eingegangen. Das Heft »Intermedia 2.0« fragt nach den Potenzialen solch erweiterter Medien- und Kreativitätskonzepte.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces. BLACK PAGES comes in the format A5, including 20 pages, printed in black&white. BLACK PAGES invites one artist to collaborate and renames after his/her forename.

Better Life than bare Lifestyle

Elke Krystufek (* 1970 in Wien) ist bildende Künstlerin, Fotografin, Installationskünstlerin und Autorin in Wien und Berlin.

Mondrian sighted in front of Matisse at MOMA As if it had suddenly stepped off the wall of the museum, a Mondrian—in the form of a coat worn by a woman—strolls through the Matisse exhibition at MOMA (the classic art event of the past winter): Thus does Mondrian steal his way into the show of his colleague.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces. BLACK PAGES comes in the format A5, including 20 pages, printed in black&white. BLACK PAGES invites one artist to collaborate and renames after his/her forename.

While Olaf Breuning and Richard Phillips acquire new insights by devoting themselves to the world of forms and aesthetic appearances as “taste analysts,” Keith Tyson, a latter-day uomo universale, strides through complex scientific universes as if he were strolling around in an amusement park.

Keine Stadt außerhalb Deutschlands ist so sehr mit dem namen bauhaus verbunden wie Tel Aviv. Doch hält dieser Mythos einer historischen Betrachtung nicht stand.

Die Geschichte der Fotografie ist – vor allem im 19. Jahrhundert – eine Geschichte voller Vermutungen, Missverständnisse, Fehler und Irrwege. Erst allmählich wurden die physikalischen, chemischen und technologischen Bedingungen des fotografischen Bildes erkundet.

A two-part publication co-produced and designed by Mark Beasley and Dexter Sinister will accompany Hey Hey Glossolalia.

Color printed version of e-flux journal #23 from march 2011.

Ausgangspunkt von Remo Stollers Unternehmungen bilden Sprach- und Bilddokumente unterschiedlichster Genres:

Eine Künstlerpublikation, eine Künstlerzeitschrift mit offenem Konzept.

[...] Cyprien Gaillard examines the buildings and landscapes as well as the people who inhabit them. In previous works, the modernist housing block was a recurring theme, a structure associated with the utopian aspirations of the architectural avant-garde in the early 20th century that became ubiquitous in the post-war era. As many of the buildings turned into failed experiments, municipalities in various regions decided to dismantle the structures. At times, the demolitions were turned into spectacular sound and light shows. Gaillard has examined these buildings from different vantage points: depicting them as monuments that conjure up associations with ancient ruins or medieval castles, as backdrops for fringe group behaviour, as sites for mega-spectacles, and once demolished, as massive installations. The digital video Desniansky Raion rehearses these aspects particularly vigorously but they find expression in a number of other works as well. Within these spaces, Gaillard occasionally turns his eye to the rituals of young men (binge-drinking students in Cancún, a gang member dancing, packs of young men meeting in a parking lot in St. Petersburg to fight each other) who appear briefly, like mirages, amidst tower blocks and ancient ruins. [...] (Englisch)

„Untragbar“ zeigt die Arbeiten von Studierenden des Integrierten Design der Hochschule für Künste Bremen. Sie haben die Kollektionen entworfen, Fotografie und Styling entwickelt, die Konzepte geschrieben und das Layout gestaltet.