Magazine

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Journal für Kunst & Öffentlichkeit

The inaugural issue of Basso Magazine delves into the intricate interplay between art, identity, and corporeality.

basso magazin is edited by Yusuf Etiman. Yusuf was born in Istanbul, Turkey, in 1969 and lives and works in Berlin since 1989.

Basso #5 is the fifth issue of the independent art and culture magazine Basso, dedicated to contemporary discourses at the intersection of art, society, and theory.

#6

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

A crossover zine between sex and art.

a crossover zine between sex and art

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

a crossover zine between sex and art

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Magazine

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Aus den Serien My Personal Hitchcock, Osaka, CCTV, Back of the Head und Games & Movies, die über die Jahre angewachsen sind, und teilweise in der Frau Böhm veröffentlicht wurden, hat Katja Stuke nun endlich ein Buch destilliert. Vielleicht steht der Titel Could Be / Könnte Sein für verpasste Gelegenheiten und verlorene Blicke.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Das Toponymische Heft ist ein sachüberschreitendes Fachjournal.

The third toponymic journal is devoted to the entire spectrum of expression of seismic mediums.

Aids 3d
Ei Arakawa
Anna Helena Barfuss
Verena Dengler
Alexander Ferrando
Clayton Fynn
uvw....

A quick trip thru the Museum of Modern Art turns into a four hour (inspirational) photo shoot & book.

Was passiert, wenn ein Ortsname implodiert? Wenn ein Name zum Albtraum wird?

Mit »Pool« präsentiert die kestnergesellschaft fünf in London lebende Künstlerinnen und Künstler: Aaron Angell, Alice Channer, Nicolas Deshayes, Magali Reus und Cally Spooner.

HEFT NR. 71 / SEPTEMBER 2008

Die in dieser Ausgabe versammelten Beiträge begegnen der Herausforderung dieser Fragen, indem sie „das Leben“ nicht als biologisches, sondern soziales Faktum begreifen, das es vor der Folie künstlerischer Praktiken zu historisieren gilt.

Versteht man unter „Geschichte“ die Inszenierungen der kollektiven Erinnerung, wie 20 Jahre Mauerfall, 60 Jahre Grundgesetz, 2000 Jahre Varusschlacht etc., ist sie nicht unbedingt ein typisches Thema von Texte zur Kunst. Warum also „Geschichte“?

There is plenty of bad architecture all over the place. Stupid, wrong architecture. Architecture that failed, and failed miserably. Architecture that is full of mistakes. (English)

SAN ROCCO is a magazine about architecture.

If you do dare to mention beauty, then some well-intentioned idiot says “beauty is subjective”, as if this in- disputable truth (given that beauty is, of course, subjective) would implicitly mean that nothing subjective and shared (or universal, or common, or whatever you’d like to call it) could possibly exist; as if subjects could never agree, or could never admit their shared nature and recognize themselves in what, in the end, is nothing more than this: the sudden appearance of something that we all like, something to which we would all like to surrender ourselves (i.e., the sudden appearance of beauty). So, yes: beauty is subjective. But this is no reason to stop worrying about beauty.

Kultur & Gespenster ist eine deutsche Kulturzeitschrift, welche vierteljährlich erscheint. Sie entstand aus der von Gustav Mechlenburg betriebenen Website textem.de. Das Magazin in Buchformat widmet sich Hochkultur und Trash mit derselben Sorgfalt. Geistreich und trotzdem vergnüglich.

Kultur & Gespenster ist eine deutsche Kulturzeitschrift, welche vierteljährlich erscheint. Sie entstand aus der von Gustav Mechlenburg betriebenen Website textem.de. Das Magazin in Buchformat widmet sich Hochkultur und Trash mit derselben Sorgfalt. Geistreich und trotzdem vergnüglich.

Kultur & Gespenster ist eine deutsche Kulturzeitschrift, welche vierteljährlich erscheint. Sie entstand aus der von Gustav Mechlenburg betriebenen Website textem.de. Das Magazin in Buchformat widmet sich Hochkultur und Trash mit derselben Sorgfalt. Geistreich und trotzdem vergnüglich.

Kultur & Gespenster ist eine deutsche Kulturzeitschrift, welche vierteljährlich erscheint. Sie entstand aus der von Gustav Mechlenburg betriebenen Website textem.de. Das Magazin in Buchformat widmet sich Hochkultur und Trash mit derselben Sorgfalt. Geistreich und trotzdem vergnüglich.

Mit einem Text von David Rhodes: „Was war, ist da“. Hrsg. von Julia Friedrich, Museum Ludwig, Köln

Schnösel Mosel is an annual comics and illustration anthology.

San Rocco is a magazine about architecture. It does not solve problems. It is not a useful magazine. It is neither serious nor friendly.

Beiträge von: Christa Benzer, Martine Beugnet, Martin Frey, Lars Henrik Gass, Brent Klinkum, Friederike Pezold, Bert Rebhandl, Dietmar Schwärzler, Sylvia Szely, Viktoria Tremmel
Interviews mit: Helmut Herbst, Luke Morris, Franz Novotny, Agnès Varda

Die 12. Ausgabe des Magazins Kultur & Gespenster ist fast ein bisschen zu schön geworden und widmet sich ausschließlich der Märchensammlung von Karl Müllenhoff, welche er 1845 veröffentlichte.

This is the 7th Issue of the Art Magazine Cine Qua Non

Co-directed by artists Brian Getnick and Tanya Rubbak, Native Strategies (NS) is a network of performance makers, producers and critical thinkers who seek to invigorate and make globally visible Los Angeles’s performance art community.

Tuukka "Deeli" Kaila is best known from the Numero magazine and his skate photographs for Kingpin etc.

Die Publikation ist eine von Franz West initiierte Wiederaufnahme des berühmten "Brenner", der von Ludwig von Ficker in Innsbruck herausgegebenen Zeitschrift, zu deren Kreis u.a. Georg Trakl und Ludwig Wittgenstein gehörten.

Das Jahrbuch "Der Ficker" erscheint in seiner 2. Ausgabe. Im letzten Jahr von Franz West, Clegg & Guttmann, Benedikt Ledebur und Rudolf Polanszky als philosophisch-poetisch-artistischer, neuer Entwurf des berühmten Innsbrucker "Brenner" konzipiert, hat sich der Kreis der Künstler und Autoren im Zeichen Wittgensteins in diesem Jahr erweitert.

Sigmar Polkes Editionen sind keine Nebenwerke. In ihnen werden die reproduktiven Techniken sichtbar, die auch die Gemälde immer wieder aufgreifen: Druck samt Rasterung, Fotografie und Fotokopie.

ZIP! PLING! POP! KKKCHK! GROWWR! Die Geschichte haben wir noch im Ohr. Der unvergessliche Don Martin erzählte sie in Mad. Carl Ostendarps Zeichnungen reduzieren sie auf ihren Kern – den komischen Krach.

By turning the direction and intensity of the light, a variety of stage effects is produced: the Diorama, compartment within which, through a window, the viewer can discover new worlds and observe them from kaleidoscopic perspectives.

Kerstin Stremmel unterzieht „The Fragile“, ein grafisches Alterswerk der Louise Bourgeois, einer eindringlichen Analyse.