Schizm Magazine invites contemporary artists and writers to contribute pages in response to a theme which, as the title implies, engages with a paradoxical idea.

Magazin des Verein Ve.Sch für Raum und Form in der bildenden Kunst.

GODSTAR – Über Genesis P-Orridge, eine Geheimgeschichte der Popkultur erzählt vom verqueren Lebensweg des Neil Andrew Megson.

HER steht für Hermetic Experimental Research. Dabei handelt es sich um eine Raumforschung, die am eigenen Leib oder besser:

EVIL KNIEVEL is the self-proclaimed incarnation of the American hero.

Limited Reprint

As the theme, "Form" the content of the first issue has different subjects in articles, stories, illutrations about form, uniform, form without content, masks, image etc.

The fifth issue of Screenshots consists of 40 pages of watercolor paintings based on the film The Endless Summer (1966) by Bruce Brown.

Die erste Ausgabe von Oozy erscheint als Diplom-Projekt von Gerhard Jordan in der Studienrichtung Design, Klasse für Grafik Design, Universität für angewandte Kunst, Wien.

A 3 person artists' book made on the occasion of Kennon and Lipomi's 2 person show at Mesler&Hug in New York.

Der Auslöser konzentriert sich auf die menschlichen Geschichten hinter der Kamera.

With:
Jannah Loontjens (poet-curator)
Aam Solleveld (artist)
Katja van Stiphout (graphic design)

The “On Lives Subway Supplement” is ten essays written by Michael Parish and illustrated by Dan Tarnowski.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Magazine

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Journal für Kunst & Öffentlichkeit

The inaugural issue of Basso Magazine delves into the intricate interplay between art, identity, and corporeality.

basso magazin is edited by Yusuf Etiman. Yusuf was born in Istanbul, Turkey, in 1969 and lives and works in Berlin since 1989.

Basso #5 is the fifth issue of the independent art and culture magazine Basso, dedicated to contemporary discourses at the intersection of art, society, and theory.

#6

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

A crossover zine between sex and art.

a crossover zine between sex and art

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

a crossover zine between sex and art

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Magazine

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Aus den Serien My Personal Hitchcock, Osaka, CCTV, Back of the Head und Games & Movies, die über die Jahre angewachsen sind, und teilweise in der Frau Böhm veröffentlicht wurden, hat Katja Stuke nun endlich ein Buch destilliert. Vielleicht steht der Titel Could Be / Könnte Sein für verpasste Gelegenheiten und verlorene Blicke.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

Das Toponymische Heft ist ein sachüberschreitendes Fachjournal.

The third toponymic journal is devoted to the entire spectrum of expression of seismic mediums.

Aids 3d
Ei Arakawa
Anna Helena Barfuss
Verena Dengler
Alexander Ferrando
Clayton Fynn
uvw....

A quick trip thru the Museum of Modern Art turns into a four hour (inspirational) photo shoot & book.

Was passiert, wenn ein Ortsname implodiert? Wenn ein Name zum Albtraum wird?

Mit »Pool« präsentiert die kestnergesellschaft fünf in London lebende Künstlerinnen und Künstler: Aaron Angell, Alice Channer, Nicolas Deshayes, Magali Reus und Cally Spooner.

HEFT NR. 71 / SEPTEMBER 2008

Die in dieser Ausgabe versammelten Beiträge begegnen der Herausforderung dieser Fragen, indem sie „das Leben“ nicht als biologisches, sondern soziales Faktum begreifen, das es vor der Folie künstlerischer Praktiken zu historisieren gilt.

Versteht man unter „Geschichte“ die Inszenierungen der kollektiven Erinnerung, wie 20 Jahre Mauerfall, 60 Jahre Grundgesetz, 2000 Jahre Varusschlacht etc., ist sie nicht unbedingt ein typisches Thema von Texte zur Kunst. Warum also „Geschichte“?

There is plenty of bad architecture all over the place. Stupid, wrong architecture. Architecture that failed, and failed miserably. Architecture that is full of mistakes. (English)

SAN ROCCO is a magazine about architecture.

If you do dare to mention beauty, then some well-intentioned idiot says “beauty is subjective”, as if this in- disputable truth (given that beauty is, of course, subjective) would implicitly mean that nothing subjective and shared (or universal, or common, or whatever you’d like to call it) could possibly exist; as if subjects could never agree, or could never admit their shared nature and recognize themselves in what, in the end, is nothing more than this: the sudden appearance of something that we all like, something to which we would all like to surrender ourselves (i.e., the sudden appearance of beauty). So, yes: beauty is subjective. But this is no reason to stop worrying about beauty.