blank is an international students publication, organised by students who felt the need to express ideas freely.

Eine Publikation der Hochschule für Künste Bremen mit Interviews mit: Joachim Baldauf, Berlin / Christopher Breward, London / Liliana Cacopardo, Zürich / Arnold Gevers, Paris / Lena Meltzer, Stockholm / Andreas Kronthaler, London / Peter Wiesmann, Paris und Essays von: Wolfram Bergande, Kolja Burmester, Annette Geiger, Judith Gerdsen, Julia Preckel u. a.

La belle revue is a web contemporary art magazine, with an annual paper edition available for free.

The third edition of STREULICHT is dedicated to the theme: Photography & Cinematic.

In der Ausgabe N° 5 von Streulicht - Magazin für Fotografie und Artverwandtes - zeigen wir auf das, was sich dem Bildlichen entzieht und unsere visuelle und emotionale Wahrnehmung herausfordert.

The photographic impulse to put the world in a frame – the view through the viewfinder – makes photography the per se medium of order, of sequence, and of the fragmentation of our environment.

The Retroprospectiviste season reveals the genesis of the idea.

A limited edition magazine each issue of which is effectively a "performance" by a chosen artist who determines every detail of the text and graphics.
Published since 1990. A collector's item.

Fukt magazine is dedicated to drawing, inviting the most interesting and adventurous international artists and writers to publish their images and views on contemporary drawing practice.

Magazine

This workbook is a critical resource pack for educators teaching employability, ‘professional practice’ and work-based learning.

Die Zeitschrift veröffentlicht exklusiv von Künstlern gestaltete Ausgaben in kleinen Auflagen.
Seit 10 Jahren ein internationales Sammlerobjekt.

Die Zeitschrift veröffentlicht exklusiv von Künstlern gestaltete Ausgaben in kleinen Auflagen.
Seit 10 Jahren ein internationales Sammlerobjekt.

The book project I was (t)here. is a collection of stories compiled over a few years. The sources are newspapers, books, magazines, TV, Internet, museums, rumors and encounters. Both texts and images.

The book consists of re-narrations of collected stories, frequently taken out of context, highlighted or twisted according to memory and perception. It is all so-called nonfiction and second or third hand information.

FUKT Magazine is dedicated wholly to contemporary drawing. Established in Norway in 1999 but later settled in Berlin, this international publication has been archiving exquisite collections of drawing based artwork.

"Es darf gelacht werden" - eine in Bereich der "hehren" bildenden Kunst zumeist verpönte Aufforderung, scheint sie doch die Ernsthaftigkeit des in Frage stehenden Sujets herabzumindern und es abzuqualifizieren als oberflächlich und nicht der olympisch erhöhten Sphäre der wahren Kunst zugehörig.

Annäherungen zwischen Kunst und Wissenschaft hat es viele gegeben. Natürlich in der Renaissance sowie insbesondere auch an der Wende vom 19. zum 20.Jahrhundert - immer wieder haben Künstler in der Rezeption wissenschaftlicher Erkenntnisse nach neuen Weisen der Darstellung gesucht.

Independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature. It eschews both commercial portfolio presentations an stuffy academic theory instead offering a wide variety of inventive critical writing on all aspects of culture.

Die in dieser Dokumentation versammelten Texte entstanden ursprünglich für ein Wissenschaftssymposium, das Florian Rötzer im Rahmen des "Steirischen Herbstes" 1993 organisierte.

„Fast unbemerkt im Windschatten der neuen, oft als "wild" apostrophierten Malerei hatte sich Anfangs der 80er Jahre eine Tendenz der Malerei entwickelt, die Markus Brüderlin als „Neue Geometrie“ in dieser Dokumentation vorstellt.

Wie sieht die Zukunft des Erinnerns im Medienzeitalter aus? Dieser Frage geht Hans Ulrich Reck im zweiten Band der Dokumentation zum Thema Erinnern und Vergessen nach.

n ihrem Essay "Die Farbe denkt" gelingt es Amine Haase, die Position Radikaler Malerei genau zu benennen und zu begründen. Sie erläutert, warum es hier um eine "befreite" Kunst geht, die dennoch "essentiell" mit dem Menschen zu tun hat.

Das von Pascal Doury bearbeitete Poesie und Grafik-Magazin vereint die Interventionen von vierzig KünstlerInnen, SchriftstellerInnen, GrafikerInnen, DesignerInnen, FotografenInnen, usw.,

"Kunst als Massenware und deren beständiges Prinzip des hemmungslosen Konsums" auf der einen Seite, der "Diskurs über die Verarmung und Unmittelbarkeit" auf der anderen Seite: So benennen Tricia Collins und Richard Milazzo die beiden Pole, zwischen denen sich die aktuelle Kunst in New York entwickelt.

Picasso, Dalí oder Miro - drei Namen, die oft als die aktuellen der spanischen Moderne genannt werden. Aber längst hat sich das Nachholbedürfnis in Sachen bildender Kunst im Spanien der Post-Franco-Ära weiterentwickelt.

Markiert "Technoimaginäres" das "Ende des Imaginären?“, fragt Florian Rötzer seinen einleitenden Essay zu der zweiteiligen Dokumentation über eine "Ästhetik des Immateriellen".

Markiert "Technoimaginäres" das "Ende des Imaginären?“, fragt Florian Rötzer seinen einleitenden Essay zu der zweiteiligen Dokumentation über eine "Ästhetik des Immateriellen".

teardrops etc. is a one-off magazine dedicated entirely to the theme of the tear –

Spring 2010 Leo Castelli, Christo, David Raymond Conroy, Urs Fisher, Meschac Gaba, Thomas Houseago, Volker Hueller, Ian Kiaer, Matthieu Laurette, Bob Law, Robert Motherwell, Olaf Nicolai, Jim Shaw, Gedi Sibony and Erik and Harald Thys.
AGMA is a quarterly publication dedicated to exhibition making.
AGMA communicates with images, rather than words.

public
clothing collection
kids
a party for losers
grandpa Wang playing ball
streetside Wii
Beijing hutong
the "100 most common" names

»Das Wetter« verbindet Zeitgeist mit Zeitlosigkeit, sowie Diskurs-Punk mit Straßenrap, Pop mit Literatur und ein stilvolles Design mit qualitativ hochwertigen Texten, Fotos und Illustrationen.

The artists’ journal Pist Protta and the circle behind it have always been good at celebrating themselves. In fact, marking their anniversaries has become an important part of the brand – rather like Danish stalwarts such as the Linie 3 comedy trio and supermarket chains Bilka and Netto. In the case of Pist Protta’s repeat anniversaries there is, however, a strong mitigating circumstance: like the journal itself, they always come in entirely new formats, versions and editions. Also, the simple fact is that there is truly something to celebrate.

Das Symposium „Rückkehr der alten Geister“ wurde anhand von Textbeiträgen, Essays, Bildmaterial, Interviews etc. dokumentiert und erweitert.

Now in its sixth year, This is the Same Ocean returns to present new work from some of the world’s most intriguing contemporary photographers.

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.
It will present sixty projects by emerging artists based in Britian and Ireland, and is being held over six months from 5 May to 2 November 2008.

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.
It will present sixty projects by emerging artists based in Britain and Ireland, and is being held over six months from 5 May to 2 November 2008.

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.

It will present sixty projects by emerging artists based in Britain and Ireland, and is being held over six months from 5 May to 2 November 2008.

Girls Like Us magazine was founded by Jessica Gysel and Kathrin Hero in 2005.
In 2009 Vela Arbutina stepped in as new art director and co-editor. The magazine is made in Amsterdam, published in New York and available in the bigger cities worldwide.

Paper Monument is a semi-annual print journal of contemporary art published in association with n+1.

Continuing its documentation of daily life in the hutong, WEAR number two intertwines HomeShop's series of exercises in cultural exchange with commentary, imagery and special projects on the topic by contributors such as Carol Yinghua LU, RAQS Media Collective, Meiya LIN and Michael EDDY.

Casco Issues #9 is devoted to Past Imperfect, an ongoing research project by Bik Van der Pol, which started in Casco in November 2003. Past Imperfect examines the extent to which radical choices and events influence the course of (art) history and through that, our forms of perception.(English)

Good texts help us to understand more about what we see: in this sense, "The Documenta 12 Magazine" aims to provide background knowledge prior to the exhibition, without restricting in any way the individual experience of viewing the artworks themselves. The broadly conceived themes of Modernity? Life! and Education: are in fact intended to increase our appetite for images, because the significance of art lies within art itself - in its ambiguity, contrariness and stubborn independence. This Sampler comprises all three issues of the printed magazine in book form.

NOTHING BUT A SHOW, Meschac Gaba, Jim Shaw, David Raymond Conroy, Gedi Sinbony, Ian Kiaer, Urs Fischer, Thomas Housago, Cargo, Erik and Harald Thys, Volker Hueller, Bob Law, Matthieu Laurette, Christo, Robert Motherwell, Olaf Nicolai

The 213 magazine is an independent project of the illustration class at Burg Giebichenstein University of Art and Design in Halle and offers the students a platform to publish their artwork.

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.

It will present sixty projects by emerging artists based in Britain and Ireland, and is being held over six months from 5 May to 2 November 2008.

On immersing oneself in the working practice of the collaboration artists in this issue, one soon surrenders to the feeling of observing strange, eccentric scientists.

Fall 2010 Rudolf Stingel, Hans Bellmer, Loouise Bourgois, Karthik Pandian, Matthias Poledna, Mario Merz, Walter De Maria, Jean Auguste Dominique Ingres, Ellsworth Kelly, Charlotte Posenenske, Melvin Moti, XIV Biennale di Carrara, Lose Examination, Richard Sera, Jorge Peris, Robert & Ethell Scull, Ryan Gander

An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books.

SUMMER 2010 With contributions about Andy Warhol, Andreas Hofer, Henri Matisse, Mirror Mirror, Damien Roach, Felix Gonzales Torres, Playing with pictures, Crash, Maurizio Cattelan, ArtBasel....

Starship ist nicht nur eine Kunstzeitschrift, die seit 1998 in Berlin erscheint.

"The World According To" series seeks to challenge an artist to work in an unfamiliar way: using any source other than his own work, he develops an idea, a concept, a subject or a vision which can only be realized on 64 blank paper pages.

Computerspiele beschreiben die Möglichkeiten, die sich jeden Moment ergeben und die man genau dann nutzen muss. Man kann nicht darüber nachdenken, sondern muss handeln. So oft und so viel es geht.

What determines our place in history? If it is the past, there we also find the material support with which we reconstitute our historical place. Our relation to history remains retrospective, but also anticipatory.
Events begin with a break from history. But they soon are recaptured by it and fetishized as historical triumphs or failures. Still something remains of past events that, although conditioned by history, is irreducible to it: a surplus that finds way to our time, something out of time that forces us to actively anticipate a renewing in past events.

With aim to further reflect and pursue the expanding expression onto each particular direction, in 2007, Cosmic Wonder is anouncing three projects with distinct processes: Cosmic Wonder, Cosmic Wonder Light Source and Yukinori Maeda.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

Warum verlassen gerade junge KünstlerInnen und Kulturschaffende das Land? Gehen sie, weil sie in urbanen Zentren bessere Ausbildungsmöglichkeiten und Jobperspektiven haben?

o.A

Fukt Magazine is an annual magazine dedicated to contemporary drawing. It was established in Trondheim in 1999 and is based in Berlin since 2001. Artist and editor Björn Hegardt selects work from all over the world with a focus on drawing as an independent research and artistic practice.

Over the last 5 years the Austro Sino Arts Program and the Embassy of the Arts have produced an annual catalog with detailed documentation of their programs as well as activities of connected organisation, off-spaces and active individuals.

There are moments when it seems that a horde of vampires has taken over the art world, ..