Die in dieser Dokumentation versammelten Texte entstanden ursprünglich für ein Wissenschaftssymposium, das Florian Rötzer im Rahmen des "Steirischen Herbstes" 1993 organisierte.

„Fast unbemerkt im Windschatten der neuen, oft als "wild" apostrophierten Malerei hatte sich Anfangs der 80er Jahre eine Tendenz der Malerei entwickelt, die Markus Brüderlin als „Neue Geometrie“ in dieser Dokumentation vorstellt.

Wie sieht die Zukunft des Erinnerns im Medienzeitalter aus? Dieser Frage geht Hans Ulrich Reck im zweiten Band der Dokumentation zum Thema Erinnern und Vergessen nach.

n ihrem Essay "Die Farbe denkt" gelingt es Amine Haase, die Position Radikaler Malerei genau zu benennen und zu begründen. Sie erläutert, warum es hier um eine "befreite" Kunst geht, die dennoch "essentiell" mit dem Menschen zu tun hat.

Das von Pascal Doury bearbeitete Poesie und Grafik-Magazin vereint die Interventionen von vierzig KünstlerInnen, SchriftstellerInnen, GrafikerInnen, DesignerInnen, FotografenInnen, usw.,

The artists’ journal Pist Protta and the circle behind it have always been good at celebrating themselves. In fact, marking their anniversaries has become an important part of the brand – rather like Danish stalwarts such as the Linie 3 comedy trio and supermarket chains Bilka and Netto. In the case of Pist Protta’s repeat anniversaries there is, however, a strong mitigating circumstance: like the journal itself, they always come in entirely new formats, versions and editions. Also, the simple fact is that there is truly something to celebrate.

teardrops etc. is a one-off magazine dedicated entirely to the theme of the tear –

Spring 2010 Leo Castelli, Christo, David Raymond Conroy, Urs Fisher, Meschac Gaba, Thomas Houseago, Volker Hueller, Ian Kiaer, Matthieu Laurette, Bob Law, Robert Motherwell, Olaf Nicolai, Jim Shaw, Gedi Sibony and Erik and Harald Thys.
AGMA is a quarterly publication dedicated to exhibition making.
AGMA communicates with images, rather than words.

public
clothing collection
kids
a party for losers
grandpa Wang playing ball
streetside Wii
Beijing hutong
the "100 most common" names

»Das Wetter« verbindet Zeitgeist mit Zeitlosigkeit, sowie Diskurs-Punk mit Straßenrap, Pop mit Literatur und ein stilvolles Design mit qualitativ hochwertigen Texten, Fotos und Illustrationen.

Girls Like Us magazine was founded by Jessica Gysel and Kathrin Hero in 2005.
In 2009 Vela Arbutina stepped in as new art director and co-editor. The magazine is made in Amsterdam, published in New York and available in the bigger cities worldwide.

Paper Monument is a semi-annual print journal of contemporary art published in association with n+1.

Continuing its documentation of daily life in the hutong, WEAR number two intertwines HomeShop's series of exercises in cultural exchange with commentary, imagery and special projects on the topic by contributors such as Carol Yinghua LU, RAQS Media Collective, Meiya LIN and Michael EDDY.

Das Symposium „Rückkehr der alten Geister“ wurde anhand von Textbeiträgen, Essays, Bildmaterial, Interviews etc. dokumentiert und erweitert.

Now in its sixth year, This is the Same Ocean returns to present new work from some of the world’s most intriguing contemporary photographers.

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.
It will present sixty projects by emerging artists based in Britian and Ireland, and is being held over six months from 5 May to 2 November 2008.

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.
It will present sixty projects by emerging artists based in Britain and Ireland, and is being held over six months from 5 May to 2 November 2008.

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.

It will present sixty projects by emerging artists based in Britain and Ireland, and is being held over six months from 5 May to 2 November 2008.

Nought to sixty is a programme of exhibitions and events at the Institute of Contemporary Arts, London.

It will present sixty projects by emerging artists based in Britain and Ireland, and is being held over six months from 5 May to 2 November 2008.

On immersing oneself in the working practice of the collaboration artists in this issue, one soon surrenders to the feeling of observing strange, eccentric scientists.

Fall 2010 Rudolf Stingel, Hans Bellmer, Loouise Bourgois, Karthik Pandian, Matthias Poledna, Mario Merz, Walter De Maria, Jean Auguste Dominique Ingres, Ellsworth Kelly, Charlotte Posenenske, Melvin Moti, XIV Biennale di Carrara, Lose Examination, Richard Sera, Jorge Peris, Robert & Ethell Scull, Ryan Gander

Casco Issues #9 is devoted to Past Imperfect, an ongoing research project by Bik Van der Pol, which started in Casco in November 2003. Past Imperfect examines the extent to which radical choices and events influence the course of (art) history and through that, our forms of perception.(English)

Good texts help us to understand more about what we see: in this sense, "The Documenta 12 Magazine" aims to provide background knowledge prior to the exhibition, without restricting in any way the individual experience of viewing the artworks themselves. The broadly conceived themes of Modernity? Life! and Education: are in fact intended to increase our appetite for images, because the significance of art lies within art itself - in its ambiguity, contrariness and stubborn independence. This Sampler comprises all three issues of the printed magazine in book form.

NOTHING BUT A SHOW, Meschac Gaba, Jim Shaw, David Raymond Conroy, Gedi Sinbony, Ian Kiaer, Urs Fischer, Thomas Housago, Cargo, Erik and Harald Thys, Volker Hueller, Bob Law, Matthieu Laurette, Christo, Robert Motherwell, Olaf Nicolai

The 213 magazine is an independent project of the illustration class at Burg Giebichenstein University of Art and Design in Halle and offers the students a platform to publish their artwork.

What determines our place in history? If it is the past, there we also find the material support with which we reconstitute our historical place. Our relation to history remains retrospective, but also anticipatory.
Events begin with a break from history. But they soon are recaptured by it and fetishized as historical triumphs or failures. Still something remains of past events that, although conditioned by history, is irreducible to it: a surplus that finds way to our time, something out of time that forces us to actively anticipate a renewing in past events.

With aim to further reflect and pursue the expanding expression onto each particular direction, in 2007, Cosmic Wonder is anouncing three projects with distinct processes: Cosmic Wonder, Cosmic Wonder Light Source and Yukinori Maeda.

An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books.

SUMMER 2010 With contributions about Andy Warhol, Andreas Hofer, Henri Matisse, Mirror Mirror, Damien Roach, Felix Gonzales Torres, Playing with pictures, Crash, Maurizio Cattelan, ArtBasel....

Starship ist nicht nur eine Kunstzeitschrift, die seit 1998 in Berlin erscheint.

"The World According To" series seeks to challenge an artist to work in an unfamiliar way: using any source other than his own work, he develops an idea, a concept, a subject or a vision which can only be realized on 64 blank paper pages.

Computerspiele beschreiben die Möglichkeiten, die sich jeden Moment ergeben und die man genau dann nutzen muss. Man kann nicht darüber nachdenken, sondern muss handeln. So oft und so viel es geht.

"The World According To" series seeks to challenge an artist to work in an unfamiliar way: using any source other than his own work, he develops an idea, a concept, a subject or a vision which can only be realized on 64 blank paper pages.

Pages 6 Eventual Spaces includes re-prints of magazine and newspaper clippings that reflect conflicts of architecture, design, predicaments of the social engagement of art, ideological convictions and displacements in art, and the discontinuities in modernist paradigms and their practices.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

Warum verlassen gerade junge KünstlerInnen und Kulturschaffende das Land? Gehen sie, weil sie in urbanen Zentren bessere Ausbildungsmöglichkeiten und Jobperspektiven haben?

o.A

Fukt Magazine is an annual magazine dedicated to contemporary drawing. It was established in Trondheim in 1999 and is based in Berlin since 2001. Artist and editor Björn Hegardt selects work from all over the world with a focus on drawing as an independent research and artistic practice.

Over the last 5 years the Austro Sino Arts Program and the Embassy of the Arts have produced an annual catalog with detailed documentation of their programs as well as activities of connected organisation, off-spaces and active individuals.

There are moments when it seems that a horde of vampires has taken over the art world, ..

o.A

In Pages 7 In Translation the editors look at translation as an instance of cultural practice and of political agency. This space is not only found between languages or among cultures, but may be sought, for example, in the spatial and political arrangements of public and private spaces of cities, as communal or individual identities, in representations of state media, and in artistic practice itself.

Ausgabe 9/10 des polnischen Bildmagazins.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

A peculiarity of the current field of curating is an ongoing contestation over the very meaning of “to curate.”

Issue 27 of the Romanian-English arts magazine.

Issue 30-31 of the Romanian-English arts magazine.

Featured artists in this issue:
Mark King, Nicht von Woert, Massimo Nota, Jogis Vandecatseye, Mary Mattingly, Andy Denzler, Trish Morrissey

Featured artists in this issue:
William Lamson, Doug DuBois, Jackie Gendel, Olive Sande, Martina Hoogland Ivanow,
Holly Frean, Petros Efstathiadis

Special edition of Art–ist, a contemporary art magazine from Istanbul, with texts from Marina Gržinić, Inke Arns and Sezgin Boynik.

Ein Magazin als Reaktion auf den Vorschlag, sich eine Null-Nummer und ihr Wesen vorzustellen, ein Magazin, dass die Frage nach Kunst und Graphik erhebt.

various sketches for leaving the room

Starship ist nicht nur eine Kunstzeitschrift, die seit 1998 in Berlin erscheint.

The basic idea of this issue of landscape is to explore the field of landscape design with narrative tools. In doing so, new questions arise about how we see and use landscapes within stories of everyday life, work, science, politics, fiction, movies, dreams, or the news.

"The World According To" series seeks to challenge an artist to work in an unfamiliar way: using any source other than his own work, he develops an idea, a concept, a subject or a vision which can only be realized on 64 blank paper pages.

"The World According To" series seeks to challenge an artist to work in an unfamiliar way: using any source other than his own work, he develops an idea, a concept, a subject or a vision which can only be realized on 64 blank paper pages.

Machtbeziehungen und Machtverhältnisse sind allgegenwärtig. Jeder Einzelne übt Macht aus und steht zugleich herrschenden Kräften ohnmächtig gegenüber. Die Positionen von Macht und Ohnmacht verschieben sich ständig und werden abhängig vom jeweiligen Kontext stets neu verhandelt.