Imprints, Documents, Fictions is the first monograph devoted to the work of filmmaker and artist Alia Syed.

Straddling criticism and prose, this first monograph of Los Angeles-based contemporary artist Theodora Allen interweaves the artist’s emblematic use of symbols with the cultural history of Saturn and Melancholy from ancient myth to the present.

Anton Hanak’s sculptural practice is frequently characterised by what can be described as a calligraphic formal language — a mode of

Palio di Vita chronicles Mueller’s Black Flamingo Sad Boys (BFSBs), the Naxos Racing Team (NRT), and residents of Tiberio Beach Resort

The art book Birgit Zinner. Kunst mit Wesen (Birgit Zinner. Art with Essence) is a work of art that artist Birgit Zinner created together with her brothers Johannes (photography) and

Colour, light, and perception form the conceptual foundation of Ingo Nussbaumer’s painterly practice. Painting is understood here

The book presents a selection of silk textiles designed by Cornelia Hesse-Honegger, whose work combines scientific observation with artistic

Der Maler Wilhelm Kaufmann war in Salzburg so etwas wie eine Institution und über die Grenzen hinaus eine hoch geschätzte Persönlichkeit.

Vivienne Westwood is one of the icons of our age. Fashion designer, activist, co-creator of punk, global brand and grandmother;

4321 ZERO ist eine umfangreiche kunsthistorische Publikation zur ZERO-Bewegung und ihren internationalen Verflechtungen seit den späten 1950er-Jahren.

Konrad Klapheck (*1935) gehört zu den bedeutendsten Künstlerpersönlichkeiten in Düsseldorf. Seit Anfang der 1960er Jahre ist

Walter Niedermayr: Raumfolgen 1991-2001 dokumentiert die fotografische Werkgruppe Raumfolgen, an der der italienische Fotograf

Gil & Moti, written by William Easton, is a monographic study of the collaborative practice of the artist duo Gil & Moti. The publication

Als führender Filmemacher seiner Generation wurde Derek Jarman bezeichnet. Mit seinen Experimenten mit Licht, Farbe

Gustav Mahler und Wien – „Leider bleibe ich ein eingefleischter Wiener“ ist der Ausstellungskatalog zur gleichnamigen Schau i

John Fahey: Paintings is the first comprehensive publication dedicated to the visual art output of American musician and artist

Wols – “Das Maß der Handfläche ist heilig”: Aquarelle, Zeichnungen und Druckgraphik 1936–1949 is an exhibition catalogue

Complete Prints 1962–2005 is a comprehensive survey of the printed works of British artist Bridget Riley, chronicling her exploration of

Between 1969 and 1973, Vito Acconci's creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in

Die Publikation erscheint in einem eleganten Schuber, der vier Booklets enthält, ein Paperback und ein gefaltetes Catalogue Raisonné-Poster mit den Cover aller Björk-Alben

Egon Schiele ist ein kunsthistorischer Ausstellungskatalog, der 1984 im Verlag Mazzotta, Mailand, erschien und im Kontext der damaligen internationalen

In 1966, Mel Bochner, then-young instructor at the School of Visual Arts in New York was asked to organize a “Christmas show on drawings,” to run

Geta Brătescu was born in Ploiești, Romania, in 1926. Despite state repression during the communist-Stalinist dictatorship under Nicolae Ceaușescu (1965–1989),

Untrennbar mit dem Namen Jackson Pollock sind dessen abstrakte Drip Paintings verbunden, die auf dem Boden seines Ateliers entstanden.

2017 begeht die Kunstwelt das 100. Todesjahr von Auguste Rodin (1840–1917), des Schöpfers so gewaltiger und bahnbrechender Bronzeskulpturen

Chris Ofilis intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung,

Anne Truitt: Drawings showcases a selection of works on paper by the American artist Anne Truitt (1921–2004), known primarily for her

Eva Hesse: One More Than One is a comprehensive exhibition catalog and monograph dedicated to the life and work of Eva Hesse (1936–1970)

Joannis Avramidis. Ausstellung Leopold Museum, Wien is the official catalogue for the retrospective exhibition of

This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography.

Serial Grey is the publication for Jeff Weber‘s exhibition at Carré d‘Art, Nîmes. The four chapters of the book correspond to the

The first publication of artist and architect Frederick Kiesler’s epoch-spanning history of human architecture, largely unknown but still relevant.

Im Atelier d’Oras traten die Größen der Kunst- und Modewelt, der Politik und des Glamour des 20. Jahrhunderts vor die Kamera.

Herbert List war fasziniert von den „künstlichen Menschen“ – lebensgroßen Figuren aus Wachs –, die im Panoptikum im Wiener Prater ausgestellt waren.

An exceptional talent, one of the greatest designers of all time – every superlative seems appropriate to describe the experimental imagination

This publication accompanies Ai Weiwei’s exhibition Disposition at Lisson Gallery in London, presenting a focused selection of work that

This volume, belonging to the two-part publication accompanying Müller’s exhibition at the Kunsthalle Baden-Baden, is an invitation to

Marcel Broodthaers is “an artist’s artist.” His influence on recent art history cannot be overstated.

Louise Bourgeois: Passage dangereux widmet sich einem zentralen Motiv der Louise Bourgeois: der Spannung

William N. Copley (1919–1996) was initially an American gallery owner representing major surrealists such as

This is a monograph on *Kara Walker, offering a comprehensive overview of her work and its development.

Die Entwürfe der Textilkünstlerin Ursi Fürtler erinnern einerseits an das schillernde Gefieder von Perlhühnern oder Paradiesvögel, andererseits an die Haut von Echsen oder an Blatt- und

Since the mid-1960s, On Kawara (b. 1933) has objectively recorded his existence through everyday numbers, words, and found images.

Carolee Schneemann: Kinetische Malerei widmet sich einem zentralen, lange unterschätzten Aspekt im Werk von Carolee Schneemann:

Light & Noise. Objects & Installations focuses on the artistic practice of Alfred Resch, in which light and sound function as sculptural and spatial materials.

Hans Purrmann (1880–1966) is regarded as one of the most important German artists of the first half of the twentieth century.

In Franz Schreker: Die Gezeichneten setzt Günter Brus sich zeichnerisch mit der Oper Die Gezeichneten von Franz Schreker auseinander.

Drawings, Collages, and Book Drafts presents a concentrated view of Rosemarie Trockel’s works on paper, revealing drawing and

Sculptures and Installations 1979–2007 offers a comprehensive view of Robert Gober’s sculptural practice, foregrounding his transformation of

Lawrence Weiner (b. 1942) is one of the primary figures associated with the emergence of conceptual art in the 1960s.

Sculptures and Installations 1979–2007 offers a comprehensive view of Robert Gober’s sculptural practice, foregrounding his transformation of

Since the early 1990s, the work of Pedro Cabrita Reis (born 1956 in Lisbon) has revolved around themes of the house, habitation, architecture, and territory.

Edmund Teske (1911-1996) was one of the alchemists of twentieth-century American photography. Over a sixty-year period, he created a diverse body of

»Das Ziel sollte eine Verständigung zu dritt sein: die Wand, der Architekt, der Maler«, so 1933 der französische Maler Fernand Léger (1881–1955).

I am. presents a focused exploration of the work of Birgit Jürgenssen, foregrounding questions of identity, self-representation, and the construction of the female body.

The publication is dedicated to the work and thinking of Wolf Vostell and presents his practice as a radical fusion of art, life, politics, and media critique.

The publication documents Rivane Neuenschwander's first comprehensive solo exhibition in the German-speaking world.

Dieter Roth (1930–1998) is considered one of the most important universal artists of the last century, whose uncompromising appropriation of reality seems more relevant than ever.

Die Gesammelten Schriften von Robert Smithson versammeln Essays, Notizen, Interviews und Projektbeschreibungen eines der einflussreichsten Künstler der Nachkriegszeit.

Ein einzigartiges Künstlerbuch, in dem Wolfgang Tillmans seine Produktion der letzten zwanzig Jahre in assoziationsreichen Konstellationen arrangiert und reflektiert: