Das Kunst-Konzept Heinz Gappmayrs zeigt uns das Besondere der sprachlichen Wirklichkeit, leicht und transparent und auf die Aktivität des Betrachters ausgerichtet.

Germaine Kruip's first monograph The Illuminated Void will be launched to coincide with the exhibition. The Illuminated Void expands on the concept of writing about a body of work of a single artist by extending the context in which the work is discussed. With a series of essays on wider notions such as the history of perception, social conditioning, the performative and the multiple meanings of scripted space, The Illuminated Void is a new look at contemporary modes of making, and an in depth look at Kruip's work.

Matthew Collings explores Lucas's art and ideas in this first thorough look at one of today's most important artists. In the first monograph to be published on Lucas, Matthew Collings explores the issues relating to her art and ideas and the historical moment they inhabit. Six key works are examined in depth. The text intends to be witty and accessible, Collings provides a thorough overview of the life and work of one of the most important artists working in Britain today. This title forms part of Tate Publishing's new "Modern Artists" series

An insight to the work of Jorge Otero-Pailos for the 53rd Venice Biennale. With texts by Thordis Arrhenius, Daniel A. Barber, Daniel Birnbaum, Valeria Burgio, Dorota Chudzicka, Lorenzo Fusi, David Gissen, Francesca von Habsburg, Caroline A. Jones, Adam Phillips, and Raqs Media Collective; as well as a conversation between Francesca von Habsburg, Albert Heta, Jorge Otero-Pailos, Dinko Peračić, François Roche, Andreas Ruby, and Mark Wigley.

Artist and illustrator Sara Fanelli is one of the world's foremost illustrators, renowned for her experimental techniques that have spawned many imitators. 'Fanelli's originality has brought a breath of fresh air to the world of picture books . . . with an off-beat humour and an inventive approach to everything from page design and typography, to choice of materials' (The Guardian)

With 100 colour illustrations, this book by writer, editor and broadcaster Charlotte Mullins is the first significant survey to examine Whiteread's career to date.

Wie wird man (sehr) alt? (Deutsch)

Es gehört schon eine ordentliche Portion Mut und Willenskraft dazu, den Beruf der Architektin anzustreben, in einer Zeit, in der sich noch niemand vorstellen kann, sich von einer Frau ein Haus bauen zu lassen. Margarete Schütte-Lihotzky berichtet, wie sie es dennoch wagte und als erste Österreicherin ein Architekturstudium absolvierte. In ihren Erinnerungen zeichnet sie sehr persönliche Portraits, u. a. von Oskar Strnad, Ernst May, Otto Neurath und dem Architekten und (politischen) Menschen Adolf Loos, mit dem sie nicht nur in der Wiener Siedlerbewegung zusammengearbeitet hat. Sie erzählt ihre »Klimt-Anekdote« und von der Nacht, die sie mit Hitler unter einem Dach verbracht hat.

Ausstellung Fabian Reimann, Amateur und Überflieger 16.02.-31.03.2013

One of the top-selling female artists in the world, Marlene Dumas is a young painter whose works deal with the cycle of life as well as issues of gender, sexuality, pleasure, and pain. This is an intimate look at her life—and the intellectual, ethical, and moral questions that stimulate and absorb her—as well as a comprehensive catalog of her drawings and paintings. Essays by prominent South African artists and her curator shed light on Dumas as a person as well as her creative work and its perception in the art world.

Monica Studer und Christoph van den Berg sind mit ihrem seit dem Jahr 2000 laufenden Internet-Projekt "Hotel Vue des Alpes" bekannt geworden. Von diesem gross angelegten Projekt ausgehend, widmen sich ihre Ausstellung im Kunstmuseum Solothurn und die vorliegende Publikation "Somewhere else is the same place" vor allem dem Motiv der Landschaft.

Die echten Kerle kommen zurück. Vorbei die lasche Zeit der Softies und Weicheier. Der "Macho-Guide" schafft Ordnung, erklärt die Wunderwelt der harten Typen und zeigt, wo diese begehrten Exemplare zu finden sind - von Aachen bis Zürich. Auch längere Anfahrten lohnen.

Jacques Rancière nimmt in einer Sammlung von Essays den Evangelisten Johannes beim Wort und untersucht das Schicksal des in die Welt entlassenen Wortes, das ein prekäres ist, denn es könnte von seinen Exkursionen nicht zurückkehren – nicht in sich selbst zurückkehren wollen.

Ein Schuber mit 20 individuell gestalteten Heften die eine Monografie des Haus am Gern darstellen. (Engl./Germ)

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos. By subtly distorting familiar, often intimate domestic scenarios, Bishop creates intermediate worlds in which concepts of time are suspended, and clear boundaries between private and public space, exhibition and non-exhibition are blurred.

‘With less to look at, there is more to think about.’ That was the motto Bernard Brunon gave to his Houston based company ‘That’s Painting Productions’ some twenty years ago, when his work as a house painter became his activity as an artist. This process, however, did not happen overnight. The interviews in this catalogue, accompanied by images, describe and explore the processes and motivations behind these developments.

The Tate Britain Companion to British Art draws on Tate Britain's unrivalled collection to provide a lively and informative introduction to the story of art in Britain over the last five hundred years. Richard Humphreys examines works by all the major artists, both in their own right and placed in broader contexts to convey their full richness and beauty.

The Story of Unknown Youth of Prof. Erna Furman, Prominent Child Psychoanalytic, Friedl Dicker-Brandeis’s Student and Survivor of Terezin Concentration Camp. This publication is including a CDRom which presents the discussion between Furman and Elena Makarova in Atlanta 2002.

By rephotographing an image from a magazine to make his 1977 work Untitled (couple), Richard Prince extracted the uncanny from the generic.

After Venusia (2005) and Mercury Station (2009), both published by Semiotext(e), New Dystopia is Mark von Schlegell’s third novel. (Engl./French)

In Manders's drawings, which clearly occur on a two-dimensional plane, a complex world is constructed. Certain elements continually resurface in different forms. In this way, he invests these individual elements with a visual past. Manders's technical style is diverse. The drawings seem to have been created quickly and directly, sometimes with only a few lines that encompass interior spaces. Depth is created with simple methods of perspective; these never deny the two-dimensional surface of the drawing paper, however. In his drawings, Mark Manders plays with the spectator's perception and seems to be able to anticipate how one thought follows the next; his images direct the thought process.

Die Publikationsgeschichte von Raymond Roussels posthumem Werk sollte derselben Logik des Zufalls und des Geheimnisses gehorchen wie sein Leben.