Thomas Feuerstein hat die Räume der Galerie im Taxispalais Innsbruck in ein zusammenhängendes Ensemble aus Gewächshaus, Laborküche, Kühlraum und Fabrik verwandelt. Schläuche mäandern durch die Ausstellung, sie verbinden Apparaturen und Objekte, aus Algen und Pilzen wird

The title, which is read phonetically as Kollabierende Herde (Collapsing Herd), reveals the subtle humour of the Austrian artist that always accompanies his works.

Die Grenzen der Medien überwindet Ashley Hans Scheirl so mühelos wie die Beschränkungen durch geschlechtliche und kulturelle Normen. Die als Angela Scheirl geborene Künstler*in erlangte Ende der 1980er-Jahre durch ihre experimentellen Film- und

Gehfotografen, literally “walking photographers”, were active on the streets of cities and tourist destinations across Europe between 1927 and 1935. This type of profession became increasingly popular with the Great Depression, when the 1929 collapse of the New York stock exchange led to an economic crisis throughout Europe. Unemployment and poverty eventually led to a civil war in 1934.

How does clothing 'work' socially? Combines images and notes by the artist with sources of inspiration from film, art, literature and philosophy

Mai Ling’s first monograph is published on occasion of their exhibition NOT YOUR ORNAMENT at the Secession, September 15–November 12, 2023. It includes a conversation between

"Healing The Museum" is a mid-career monograph looking at Grace Ndiritu’s diverse practice over the last twenty years, which encompasses performance, film, social actions, painting, publications, textile work, and collection research.

Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space.

This new study critically assesses the work of one of the art world's most creative and controversial duos. It includes a rare specially commissioned interview with Jake Chapman and features essays from leading international art scholars and commentators. Brothers Jake and Dinos Chapman enrage some with their art and reduce others to hysterics, but no one is neutral about two of Britain's most outstanding artistic provocateurs.

In 2018, the Museum Villa Stuck presented a comprehensive retrospective with works by the goldsmith and silversmith Rudolf Bott. The book accompanying the exhibition is a 672-page monumental work. Far from a usual catalog with colorful illustrations, it is "thought in black and white" like the entire exhibition. With a 340-page photo report by Jörg Koopmann and Lene Harbo Pedersen, who photographed the objects across Europe at the lenders and in Bott's studio.

Based on intuition, humor and affection, Jeremy Deller (London, 1966) has explored the ethos of the popular in English culture, that is, the manifestations of social imagination within the framework of a post-industrial capitalist society. .

Noa the Boa is a slave to fashion with the heart of an actor and an obsession with celebrity. He becomes luxurious leather accessories for illustrious clients - from Grace Kelly\ s pillow to the codpieces at the Folies Bergere.&Uumlber den Autor.

Das Gebiet „östlich der ehemaligen Berliner Mauer und westlich der Chinesischen Mauer“ hat das Künstlerkollektiv Slavs & Tatars in das Zentrum seiner Arbeit gerückt. Immer wieder aufs Neue kreolisiert, schafft und setzt es politische und imaginierte Geografien einander entgegen,

„Ich weiß nicht, ob du dich gerade für einen Mann oder eine Frau hältst, aber der Krieg ist aus.“ Der Gedichtband ‚In Frauenkleidung‘ verfolgt den Lebensweg intersexueller Sportlerinnen zu Beginn der 30er-Jahre.

The celebrated Dada artist Hannah Höch explores her use of collage as the artistic medium of choice for both satire and poetic beauty. World-renowned for her work during the Weimar period, Hannah Höch was a pioneer in many aspects, both artistic and cultural. She was the lone woman of the Berlin Dada movement — the riotous form of

A multimedia meditation on the many meanings of the ocean across history

Peter Friedl is a conceptual artist whose practice is characterized by a critical examination of social, political, and cultural narratives. Working across various media such as photography, video, drawing, installation, and text, Friedl challenges established power structures, historical representations, and systems of perception by creating alternative perspectives and narrative strategies.

Spätestens mit ihren Auftritten auf der 50. Biennale Venedig und der Manifesta 5 hat sich die deutsche Künstlerin Amelie von Wulffen auf dem internationalen Kunstparkett einen Namen gemacht. In ihren Collagen, Zeichnungen und fotografischen Überblendungen beschäftigt sie sich mit biografischen Recherchen und Rekonstruktionen.

Der Medienkünstler, Schauspieler, Theoretiker, Musiker und Museumsleiter Peter Weibel der in den 1960er- und 1970er-Jahren zu den österreichischen „Rebellen“ zählte, wurde in diesem Jahr für sein künstlerisches Gesamtwerk mit dem Oskar-Kokoschka-Preis 2014 ausgezeichnet.

“Yves Klein by himself” is the intellectual biography of one of the most influential artists of the second half of the twentieth century. Through his innovative approach to painting, sculpture, film and photography, he influenced minimalism, conceptual art and performance art from the late 1960s to the present.

Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions.

Bezeichnet der Begriff „Speicher“ ursprünglich einen Aufbewahrungsort für Getreide und Vorräte bildet
Nadim Vardags Künstlerbuch Erkenntnisprozesse nicht nur zu Etymologie und Semantik, sondern
insbesondere zur Ästhetik von

Der österreichische Konzeptkünstler und Jurist Guido Kucsko fokussiert in seiner künstlerischen Arbeit grundsätzliche Fragen des Denkens, Fühlens und des kreativen Schaffens.

In 2020 the composer, concept and media artist Hofstetter Kurt was awarded the Austrian Art Prize—Media Art (State Prize of the Republic of Austria) for his internationally recognized oeuvre.

The year of lockdown was an occasion for Markus Redl to undertake a journey in the smallest radius and to deal with the objects that surrounded him.

The first English translation of Karel Teige’s “The Marketplace of Art“ in two volumes includes a critical introduction, inquiries, and extensive commentaries. Originally published in the Czech language in 1936, “The Marketplace of Art“ is the summation of Teige’s artistic, political, and theoretical work.

El artista del Accionismo Vienés, Otto Muehl, fundó en 1970 una comuna con la intención de fusionar arte y vida. El proyecto tuvo un desarrollo excepcional, llegó a contar con más de quinientos integrantes convirtiéndose en una de las mayores comunidades contraculturales de la Europa del siglo XX.

Das plastische Werk von Ursula Burghardt (1928–2008) ist von einer fortwährenden Auseinandersetzung mit dem Alltäglichen geprägt. Mit unterschiedlichsten Materialien und Techniken formte, modifizierte und transformierte sie alltägliche Gegenstände zu überraschenden, die Sehgewohnheiten unterlaufenden Werken.

Das Operndorf Afrika ist zehn Jahre alt geworden. Was ist aus Schlingensiefs Vision, ein Operndorf im westafrikanischen Burkina Faso zu gründen, geworden? Werden dreißig Kilometer außerhalb der burkinischen Hauptstadt Ouagadougou nun Wagner-Opern inszeniert?

Als Blinky Palermo im Alter von 33 Jahren auf den Malediven starb, studierte Förg noch an der Münchner Akademie. Die beiden sind sich nie begegnet. Kann man trotzdem von einer Freundschaft der beiden sprechen? Nein, kann man nicht. Man muss!
When Blinky Palermo died unexpectedly in February 1977 while on a trip to the Maldives, he was 33 years old and Günther Förg studied at the Munich Academy of Fine Arts. So, Förg and Palermo never met.

This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

This book is dedicated to the work of Marcin Rusak, as part of a series of monographs on the thought and work of young contemporary designers. Beside testing new channels of preferential relationship between art and science as well as between artisanal and industrial manufacturing processes, the Polish designer is known for having contributed

“Attached” is a collection of texts that document a diverse range of artworks made by Jessie Bullivant (AU/FI) over the past decade. By replacing the default photographic documentation with written accounts,

Guy Mees’s (1935–2003) photographs, videos, and above all his fragile works on paper are characterized by a formal rigor combined with sensitivity and delicacy. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications.

This publication explores how Heimo Zobernig (Mauthen, Austria, 1958) has become one of the most relevant artists in the current European landscape.

A catalogue as reader: the enclosed texts describe the nearly one hundred works the artist produced through the year 2020 under the name “Stefan Riebel”; these texts, however, are autonomous pieces of writing * in their own right.

Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art.

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos. By subtly distorting familiar, often intimate domestic scenarios, Bishop creates intermediate worlds in which concepts of time are suspended, and clear boundaries between private and public space, exhibition and non-exhibition are blurred.

The monograph “Modifications” is an associative book about the works of Samuel Schaab from the last years. Published by Salon für Kunstbuch. With texts by Karolina Preuschl, Ferdinand Schmalz, and Samuel Schaab. Designed by Anna Liska.

This book is dedicated to the complex artistic trajectory of Chiara Fumai, who played a significant role in the development of performance and feminist aesthetics in the twenty-first century and who died prematurely in 2017, at the age of only thirty-nine.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

In addition to texts on the work of Alexander Wolff by Camila McHugh, Nikola Dietrich, Christian Egger, Kerstin Cmelka, Nora Schultz, Ariane Müller, Sabrina Soyer, also an essay by Marcelin Pleynet entitled "Painting and 'Reality’" from 1969 - translated from French into English for the first time.

Morceaux choisis is the first seminal overview of Saâdane Afif’s artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

Günther Selichar’s preferred thematic field of work, and his oeuvre has revolved around it since the early 1980s, is the media and mass media. this publication not only documents in its entirety what is probably his most extensive body of work who’s afraid of blue, red and green? (1990–2017),

Das Buch gibt einen umfassenden Einblick in das vielgestaltige Werk Ingrid Wieners, die die Gobelinweberei als zeitgenössisches Medium neu entdeckt hat.

Das Katalogbuch umfasst von vorbereitenden Skizzen bis zu minuziös ausgeführten Studien die unterschiedlichsten Typen von Zeichnungen. Ebenso reich ist das Spektrum der eingesetzten Zeichentechniken, von Silberstift über Kreide und Federzeichnung bis zum Aquarell.

Die Bedeutung des Ausnahmekünstlers Carl Andre zeigt sich in dieser umfassenden Publikation auf das Eindrücklichste. Die über 300 Objekte umfassende Retrospektive untersucht erstmalig das gesamte Oeuvre dieses wegweisenden Bildhauers des 20. Jahrhunderts und eröffnet somit die seltene Möglichkeit der gründlichen Rezeption seines vielfältigen Werks.

Michael Snow is, without doubt, one of foremost living artist, and a central figure in North American art in the latter half of the Twentieth Century. Since the reception of the “Independent Film Award” (1968) from the journal Film Culture, his work was placing in the ranks of such major figures of avant-garde cinema as Stan Brakhage and Gregory Markopoulos as well as in the company of two other artists-turned-filmmakers: the photographer Robert Frank and the painter Andy Warhol.

«Lead Season» is the first thorough monographic catalog of Argentine artist Mauro Giaconi. Taking the drawing as a starting point, the texts address the multidisciplinarity that characterizes the artist's work, while also stressing the current socio-political context in Latin America based on the sense of impermanence, the presence of the body and a critical awareness of the matter.

The work of Nicolas Paris compromises of research into the processes of learning and speculation, and is based on four concepts: tool, method, idea and system. This book is separated into four sections that address these four concepts, forming a manual that can be used by everyone, not merely artists or art lovers.

Martin d’Orgeval’s photographs show the animals and insects that survived the disaster in situ, against a background of charred woodwork in the shop that had been their habitat since their ‘natural’ death.

Becoming Disfarmer uses a compelling sequence of over 100 images to tell the story of Mike Disfarmer's vernacular portraiture and its transformation into art. This monograph features his vintage prints along with a selection of enlargements made from his negatives in the 1970s, through which his work first became known.

For Markus Guschelbauer, the landscape is a reference point and a backdrop for his photographic interventions and stage settings. Guschelbauer’s photographs ‘are imbued with a continually reactivating, obsessive urge to find oneself within the ambit of one’s personal background, one’s own identity and its place in an apparently indefinable and dreamlike natural landscape’

Schriften und Manifeste

Seit 1974 macht Ulrike Ottinger Filme, die sich zwischen fiktionalem Kunstfilm und postmoderner Dokumentation bewegen.

"FROM / TO" bietet einen fundierten Überblick über das OEuvre des österreichischen Künstlers Karl-Heinz Klopf, der sich seit mehr als fünfundzwanzig Jahren mit dem Thema Urbanität, Medien und Topografie auseinander setzt.

Mit «Pleasure, Habeas Corpus, Motoricity. The Great Western Possible» legt der Luzerner Künstler Robert Estermann aus Anlass der Verleihung des «Manor-Kunstpreises 2007 Luzern» im Kunstmuseum Luzern erstmals einen Überblick über sein Werk vor.