No Safe Place addresses the subject of trauma and the process of healing, and emerges from the artist’s own experience of being the subject of a violent attack and the subsequent social expectation to bring the episode to closure and move on.

On the occasion of the Wang Bing focus program at the Courtisane festival (March 28 - April 1, 2018) and the subsequent program at CINEMATEK

Compiled on the occasion of new restorations of Michel Khleifi’s films by CINEMATEK and a retrospective film programme organized by CINEMATEK and Courtisane

Numbered edition of 50, Digital print, Ocotber 2025

"A series of drawings show the triangular bone that is situated at the lowest point of our spine.

Imprints, Documents, Fictions is the first monograph devoted to the work of filmmaker and artist Alia Syed.

Avec la participation de Gleize - Notley - Poitrasson - Broqua - Boulard, Laure Gauthier et les étudiantes des Arts Décoratifs/PSL.
Inclut également les "bonnes feuilles" du roman de Chloé Delaume "Ils appellent ça l'amour".

Significantly expanding the scope and functions of the HaFI pamphlet series, Ben Alper and Stanley Wolukau-Wanambwa present visual unknowns and forgotten gestures from the defunct archives of American mid-century news photography.

Straddling criticism and prose, this first monograph of Los Angeles-based contemporary artist Theodora Allen interweaves the artist’s emblematic use of symbols with the cultural history of Saturn and Melancholy from ancient myth to the present.

Issue #5 of Random Photo Journal focuses on neighbourhoods and living conditions in African contexts.

Vienna's Ringstrasse: a world-famous synonym for 19th-century urban design and architecture, whose values remain valid to this day. But hardly anyone would associate the term Ringstrasse with technology.

Catalogue published in connection with the Control+C Festival (Carpi, Italy, December 2009), developed as a project by Studio Blanco.

The monograph presents a selection of paintings produced over approximately five years and documents key aspects of Patrizio Di Massimo’s figurative practice.

Recent developments in Romanian contemporary art are discussed here less in terms of chronological contemporaneity than as a transformation of visual regimes and modes of representation.

Conceived as a special, book-like issue rather than a conventional magazine number, this edition focuses on a group of influential yet often under-represented artists whose practices have significantly shaped contemporary artistic languages.

An essential work of reference for furniture historians and anyone interested in the fine and decorative arts, the

The publication examines strategies for engaging critically with historical memory in the context of contemporary art,

Design is broken. Young and not-so-young designers are becoming increasingly aware of this. Many feel impotent: they

Autonomous labor and its attendant values have now become familiar tools of neoliberal capitalism: work has become freelance,

Geboren 1944 in Budapest und in Wien aufgewachsen, rekonstruiert Christian Reder in Deformierte Bürgerlichkeit familiär vermittelte Beziehungen

Schon um 1900 beschrieben Besucher früher Filmvorführungen das Flackern auf der Leinwand als «Tanz der Bilder». Die Idee,

Wie in keinem anderen Genre ist die Schrift im Film in Bewegung geraten: Ob als Kunst-, Spiel- und Werbefilm oder Musikvideo,

Designer British silver' explores the designer-silversmiths who have shaped British silver from the 1950s through to the present day.

The first publication of the Barnes Foundation’s important and extensive African art collection. The Barnes Foundation is renowned for

Konrad Klapheck (*1935) gehört zu den bedeutendsten Künstlerpersönlichkeiten in Düsseldorf. Seit Anfang der 1960er Jahre ist

Über Giacometti reden. Begegnungen mit Eberhard W. Kornfeld und Ernst Scheidegger ist eine gesprächsbasierte Publikation,

Adesso però (Jetzt aber). Reiseerinnerungen dokumentiert das umfangreiche Œuvre und die Reisetätigkeiten des italienischen Designers und Architekten

"Kunstwerkstatt Erwin Wurm", 2008, Katlog, signiert Erwin Wurm, Vorzugsausgabe mit einem Faksimiledruck nach einem Aquarell des

“The Street Cards” are both a document and an extension of Tobias Kaspar’s “The Street”. Each card has six slots so that the cards me be joined in many different ways

With a 48-page insert Over the past 40 years, much has been said about the RAF and the German Autumn of 1977 from journalistic, historical, literary,

David Claerbout's large-format film projections are characterised by extremely slow-motion image sequences created using computer-generated methods.

Chris Ofilis intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung,

Tatorte und Täter – Polizeiphotographie in Wien 1890–1938 ist eine historisch-fotografische Untersuchung zur Entwicklung der Polizeifotografie in Wien

Untrennbar mit der Geschichte des Roten Wien ist der bis heute als vorbildlich geltende soziale Wohnungsbau verbunden.

Soziale Bauten: Wien 1920–1938 ist eine fotografisch reich illustrierte Studie zur Architektur und Stadtentwicklung Wiens in der Zeit zwischen den beiden Weltkriegen.

Dieses Postkartenbooklet versammelt 22 Postkarten und eine Überblickskarte zu dem Projekt "PIXENDORF WIRD AUSBUCHSTABIERT:

Das Buch vermittelt zentrale Begriffe und Arbeitsweisen wie Form, Fläche, Komposition, Rhythmus, Kontrast, Typografie und visuelle Hierarchie.

Nostalgia by David Horvitz is an artist’s book that explores memory as a fragile, unstable process rather than a fixed archive.

Fredrik Værslev: Open Window documents the artist’s exhibition at Kunstnerforbundet in Oslo, created on the occasion of the 100th anniversary

What changes when we religiously worship the toxic? I

The first publication of artist and architect Frederick Kiesler’s epoch-spanning history of human architecture, largely unknown but still relevant.

Im Atelier d’Oras traten die Größen der Kunst- und Modewelt, der Politik und des Glamour des 20. Jahrhunderts vor die Kamera.

Herbert List war fasziniert von den „künstlichen Menschen“ – lebensgroßen Figuren aus Wachs –, die im Panoptikum im Wiener Prater ausgestellt waren.

The book DER PARASIT/THE PARASITE showcases works by artist Sophie Tiller that were created during her long-term project of the same name.

The Scene (Berlin) series consists of a combination of images reflected in a mirror and images obtained by scanning

There are no smoking cowboys swinging their lassoes or bare-breasted blondes on heavy motorcycles in this droll collection of highly expressive

John Chamberlain – Papier Paradiso: Zeichnungen, Collagen, Reliefs, Bilder offers a revealing look at a lesser-explored dimension of

Zeng Fanzhi is best known for his Mask paintings: figures wearing simplified white masks, often with exaggerated hands and wide, staring eyes.

Christopher Morris’s My America was produced over the past three years while on assignment for Time magazine covering the first and

Neu entdeckt: gesellschaftliche Parallelen, kulturelle Verwandtschaften und gemeinsame Visionen der westlichen Nachkriegsmoderne und des postkolonialem Indiens.

Giulia Casartelli created a series of 111 watercolour postcards, each sent to a different selected recipient.

Since the early 1990s, the work of Pedro Cabrita Reis (born 1956 in Lisbon) has revolved around themes of the house, habitation, architecture, and territory.

Gratwanderung versammelt expressionistische Holz- und Linolschnitte aus der Sammlung des Museum August Macke Haus und bringt sie in einen dialogischen Austausch

The publication documents Rivane Neuenschwander's first comprehensive solo exhibition in the German-speaking world.

Lubok 6 is part of the ongoing Lubok artist-book and portfolio series dedicated to contemporary printmaking.

Der Aargauer Architekt und Bauingenieur Walter Zschokke (1948–2009), der von 1985 an bis zu seinem frühen Tod als Entwerfer,

Knitting and crochet have long been considered forms of folk art, but in the 21st century, these time-honoured crafts are breaking away from the outdated stereotype of cosy domesticity.

Having left South Africa at the age of four as a political refugee with his parents, photographer Koto Bolofo returned to his home country with his wife in 1992,

Dance: Sculpture and Watercolor presents a focused exploration of movement, corporeality, and psychological tension in the work of Eric Fischl.

Since its birth in the first half of the nineteenth century, photography has provided an unprecedented way to analyze works of art for further study.