André Thomkins zählt zu den innovativen und vielseitigen Künstlern der zweiten Hälfte des 20. Jahrhunderts.

What does “family” mean today?

Photography becomes a way of reading Mondrian’s self-image, his studios, and the public perception of his work.

Outer space appears in Thomas Ruff’s work not as a romantic distance, but as a technically produced image.

Peter Piller’s Von Erde schöner is based on an archive of aerial photographs of German single-family houses.

Die Spätgotik erscheint hier als eine Epoche tiefgreifender künstlerischer und medialer Veränderungen.

Historical image traditions are examined here as material of the present.

This book looks at Paul McCarthy's drawings, a rarely examined aspect of his oeuvre, and offers a greater understanding of the work of this provocative artist.

History appears in Thomas Demand’s work as an unstable image: familiar, mediated, reconstructed, and never entirely reliable.

Science and technology have always played a crucial role in advancing medical treatment.

From the wooden foundations beneath Amsterdam, extending upstream to rural timber traditions in the German Rhineland,

The red line functions here as motif, method, and conceptual connection.

Thomas Struth’s Unconscious Places examines urban spaces beyond representative images of the city.

Death, preservation, belief, beauty, and excess form the central field of Damien Hirst’s work.

The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century.

The book traces the history of Raphael through the reproduction of all his paintings,

Derek Boshier drew his artistic themes from American pop and consumer culture.

This volume celebrates a new body of work by British artist Michael Craig-Martin--monumental, vividly colored sculptures that explore the nature of illusion and belief.

Zoffany’s painting presents the eighteenth century as a stage of social roles.

How Richard Riemerschmid’s designs of everyday—but “extraordinary”—objects recalibrate our understanding of modernism.

"This “history” came about because my friends, Sarah Dudley and Ulie Kuhle, litho printers in Berlin, were given about 100 litho stones from a former Socialist art academy in what was the D.D.R.

Food production is examined here as an industrial, cultural, and political field.

The Düsseldorf School marks one of the most influential developments in late twentieth-century photography.

Joseph Beuys used the poster as an important medium for communication, distribution, and public visibility.

Am 14. Oktober 1959 erschien die erste Ausgabe des Schweizer Boulevardblatts BLICK.

Photography is approached here as a form of social observation, political attention, and critical image-making.

What makes a person an artist? How do works of art come into being, and

Artemisia Gentileschi was the greatest female artists of the Baroque age.

Buenos Aires is seen through façades, shopfronts, signs, interiors, and fragments of everyday urban life.

Featuring an interview with curator Massimiliano Gioni and an essay by novelist Andrew Winer, this beautifully illustrated catalog documents virtuosic new work by British artist Glenn Brown.

Industrial photography appears here as a broad visual field in which labour, technology, architecture, production, and social organization become visible.

Industrial photography is presented here as a field in transition:

The publication explores labour, industry, and social change through photography.

German photographer Thomas Demand (b. 1964) is one of the most highly acclaimed artists of his generation.

In her films, photographs, and sound works, Tacita Dean uses silence, time, and entropy to explore particular human sensibilities.

Trees are commas, is a short research-creation text in which the author observes six landscape photographs by Josh Müller.

Lucy McKenzie creates spaces that seduce and unsettle. Blending painting, architecture, fashion, and film, she stages environments where surface, meaning, desire, and control converge.

In Von Mutti verbindet Béla Machemer überlieferte Kochrezepte mit einer persönlichen Recherche nach familiärer Erinnerung.

For decades, Berlin has been a place shrouded in myth as a haven of sexual freedom, particularly for the LGBTQ+ communities.

FLYING LIKE A BUTTERFLY: a dream machine is a collaborative publication by WIRWIR Publishing in Berlin and Pitzilein Books in Mexico City.

Hervorgegangen aus der Zusammenarbeit des Künstlers Thomas Demand und des Direktors der Nationalgalerie in Berlin Udo Kittelmann, versammelt der Band Beiträge von Autoren aus den verschiedensten Bereichen des öffentlichen Lebens, die alle etwas gemeinsam haben:

Luigi Ghirri’s Kodachrome, first self-published in 1978, is both an avant-garde manifesto for photography and a key work within his oeuvre.

The duo Payer Gabriel approaches still life in a graphic-pictorial as well as theoretical-historical manner.

Die Doppeldeutigkeit des Titels Einen Dreck muss ich! gilt es zu beachten.

Peter Kogler is regarded as one of the most important Austrian artists to have consistently integrated digital technologies into his artistic practice.

In Ovid’s Metamorphoses, EOOS is one of the driving forces behind the Sun Chariot:

In his work, Miklós Erhardt explores artistic avenues for action in relation to sociopolitical and economic issues.

Kleine Welt examines the visual and semantic life of the book cover, focusing on the recurring use of images by Caspar David Friedrich and Paul Klee in academic publishing.

Graffiti 101, a coloring book for adults, contains “outlines” from all over the world.

Central to Hannes Schüpbach’s work are the conditions from which art emerges: moments of perception, encounter, and translation. In this project,

Jeunesse Youth Part 1 is a publication by Saâdane Afif that can be understood in relation to a practice shaped by transfer, reinterpretation, and the movement of works across media.

This booklet explores the idea of “home.” It begins at a table in a Vietnamese restaurant in Hawaii, and brings together people I met there, fragments of events, and memories through photographs, drawings, and text.

It's been thirty years that Nina Zivancevic has been offering us the wisdom of her thought and creative observation, be it through numerous analytical publishing, specialized art reviews, critical essay writing or through her poetry.

Handmade is a series of images whose motifs show digitally imagined books made by hand.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

Heinz Franks Arbeit bewegt sich zwischen Zeichnung, Sprache, Objekt, Architektur und philosophischer Reflexion. Seine Zeichnungen und Texte arbeiten häufig mit Paradoxien, Verdichtungen und einer bewusst instabilen Bedeutung.

Atelier Van Lieshout chez beaumontpublic was published on the occasion of Atelier Van Lieshout’s exhibition at beaumontpublic in Luxembourg in 2004.

Monolithische Mahnmale versammelt Zeichnungen und Essays zu Bunkern in Hamburg.

The book is connected to Abu Hamdan’s installation Earwitness Inventory, an ongoing work consisting of sourced and custom-designed objects used to reconstruct, describe, or evoke remembered sounds.