We see crowds in brightly coloured anoraks in front of ski lifts; snowboarders on a halfpipe, the huge crowd of spectators illuminated by colourful beams of light;

Peter Berlin revolutionized the landscape of gay male eroticism in the tradition of Tom of Finland.

Now We See Now chronicles the projects and findings of a firm that is charting bold new directions in generative design and other intersections of science and architecture.

Die Publikation Konstruktionen von Natur – Von Blossfeldt zur Virtualität untersucht, wie Natur in unterschiedlichen historischen und medialen Kontexten bildlich konstruiert wird.

Imprints, Documents, Fictions is the first monograph devoted to the work of filmmaker and artist Alia Syed.

An essential work of reference for furniture historians and anyone interested in the fine and decorative arts, the

Designer British silver' explores the designer-silversmiths who have shaped British silver from the 1950s through to the present day.

John Chamberlain – Papier Paradiso: Zeichnungen, Collagen, Reliefs, Bilder offers a revealing look at a lesser-explored dimension of

Zeng Fanzhi is best known for his Mask paintings: figures wearing simplified white masks, often with exaggerated hands and wide, staring eyes.

This editorial project consists of two interconnected volumes: a Reader that brings together research materials and texts, and a visual Archive that assembles documents, images, and testimonies.

Social media handles before the internet: a window into a unique subculture that prefigures online identities.

Sixty years of letters, official reports, photographs, drawings and paintings of UFO sightings from British government files

For almost five decades, the United Kingdom made plans for a nuclear attack that never came.

Sollen wir mal ein Hochhaus bauen? erscheint als Faksimileausgabe, herausgegeben von Jörg Potthast. Die Publikation rekonstruiert

City Atlas is neither a travel guide nor a traditional atlas, although it could be used as one. It invites us to travel the world without ever leaving the city.

We had long hoped to work with photographer Yoshikazu Aizawa, who had previously contributed to the BadSeed zine project founded by Alessandra Pace.

In the 1980s, there was a marked surge of interest in philosophical, aesthetic, and emancipatory theory.

This volume provides a comprehensive insight into the singular oeuvre of Bas Jan Ader, a conceptual artist whose work—marked by a compelling synthesis of vulnerability, romanticism, and existential inquiry—has profoundly influenced generations of artists.

Celebrated for his fusion of performance, video, and sculpture, Matthew Barney has long been known for constructing dense, mythic narratives that unfold across entire bodies of work.

What art can do in a contemporary world in crisis – that is the question that looms in every facet of the exhibition Fish are folded into the sea just as the sea is folded into fish by Ariane Mueller.

Das Betrachten betrachten: In der neuen Publikation des Instituts für Buchkunst,

Painting Photography Painting is the essential first collection of essays by critic and theorist Carol Armstrong, bringing together writings encompassing the many inflection points

Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world.

Equilibrio traces the deep resonance between Linda Karshan’s drawing practice and the geometric rhythms of Venetian art and architecture.

An artist’s book about language, symbols, and the failure of meaning Two Kids, One Grown-up marks a final punctuation mark—or rather, a blown-up footnote—in John Baldessari’s decades-long engagement with image and language.

Mit Kinder dieser Welt schuf Hanne Darboven Anfang der 1990er Jahre eines ihrer komplexesten Werkensembles, das zentrale Elemente ihrer künstlerischen Praxis bündelt.

The publication dedicated to Günter Brus’ final works focuses on a series of watercolors created between 2020 and 2023, during the COVID-19 lockdowns, which marked a particularly intense and profound expression of his artistic practice.

Tiergarten is a striking artist’s book that explores the boundaries between documentary photography, print aesthetics, and visual abstraction.

Standortvorteile / Location advantages, Site specific sculpture, mixed media, blue carpet, (pure, white & cyan painted) canvas, analogue documentation contacts of former artist setting projects, dimension variable _ mixed media _ edition of 100 _ 2024

Yves Klein’s radical approach to art in the late 1950s culminated in an exhibition that defied the expectations of both viewers and institutions.

The goal of the IMAGINE HUMAN RIGHTS book project is to introduce the 30 Articles of the Universal Declaration of Human Rights to a broader audience and at the same time support humanitarian and educational projects related to human rights.

Concurrent with the exhibition Autofictions in Stone, a publication features six sixteen-page sheets designed by Aglaia Konrad:

“Throughout history and noticeably during the COVID-19 pandemic, many of us in the Asian diaspora have become targets of violence in public spaces. I wanted to create this work with performers of Asian descent to employ movement as a form of solidarity and resistance,” says Chong. Commissioned with the invitation of

Over the past intensely productive decade, Louise Bourgeois's drawings have been dominated by diary-like work in which text and sign often mix. This extensive compendium of that work and its antecedents shares a series design with her recent book of sculpture, and the dialogue between mediums is lively in both titles, which also share a

Capsule is a huge new offering from the team at KALEIDOSCOPE, a glossy, chunky, spiral bound design mag—‘indulging in a lavish physicality’—and refusing to be put in a single box. It covers interiors and architecture, fashion and technology, ecology and craft in order to assess and explore the relationship between design and consumption.

Starship #19, Apokolypse of the praktikal moment presents artists contributions by John Boskovich, Elijah Burger, Simon Denny, Cornelia Herfurtner, Yuki Kimura, Vera Palme, Nora Schultz, Jack Smith; and by Rosa Aiello, Carter Frasier, María Galindo, Samuel Jeffery & Daniel Herleth, Elisa R. Linn, Paul B. Preciado, and Haytham El-Wardany

Matthias Wermke is teaching a seminar (Zweckfreie Räume - Intervention und Performance) with four students at ETH Zurich (Department of Architecture and Art, Prof. Karin Sander) on the topic of "appropriation and theft in art". Later, this very technical title is changed to "Absenz – das Abwesendsein von einem Ort" (absence - being absent from a place ).

Wenn wir angesichts des aktuellen gesellschaftlichen Wandels über radikale Veränderungen des Zusammenlebens nachdenken, müssen dabei auch das Wohnen und die zugehörigen Prozesse und Ressourcen miteingeschlossen werden.

Susan Philipsz is one of the internationally most renowned contemporary artists. Her art explores the boundaries between sculpture and sound, between materiality and immateriality.

Can we decolonize art book fairs? Can we decentralize knowledge and deconstruct privilege in our contexts?
Decolonizing Art Book Fairs aims to rethink through the existing and speculative frameworks of organizational practice in the art book fairs.

Midnight Deer Abstractions is a collaboration between artist Geoff Farnsworth and poet Erin Knight to produce limitless in-betweens and vast spaces where slight variations contain all the precisions of colour and diction, rendered immediately nebulous. Creating spectral selves, they invite us to look “between foreground and background” for the traces and sketches of identities, whose edits are vague, always disappearing to be retraced, resketched.

Here live the near-blind. In their eyes the city dwells like aureoles on suckling lips. Here they apprehend the city with knowledge viscous and immediate. And here they also live uneasily, for tranquillity is found only in pictures they are disinclined to make.
In essays, letters and aphorisms, this book makes near-blindness tangible as one condition of living in. protracted war.
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Between 2003 and 2005, artists Lina Kim and Michael Wesely scoured public and private archives in an ambitious effort to survey, catalog and restore photographs of the construction of Brasilia, many of which were inaccessible to the public and at risk of disappearing. The two carried out a monumental job of researching and

Cindy Sherman is among the most influential artists of her generation. Using herself as a model in a range of costumes in invented situations, she plays with images created and popularized by mass media, popular culture, and fine art. Television, advertising, magazines, fashion, and Old Master paintings--they are all fair game.

Fernando Botero's distinctive exaggerated forms perfectly complement the exaggerated atmosphere of the circus. The esteemed artist uses bright colors and unexpected movement to artfully manifest the poetry of the circus, inviting the viewer to participate in a circus with Botero as the artful ringmaster.

OPTIONS offers a non-linear reading of the events that led to the annexation of South Tyrol to Italy at the end of WWI. When the area between the present-day Austrian and Trentino boundaries officially became an Italian province in 1919, a choice was given to the local communities: they could either stay, naturalise as Italians and side with the Fascists, or they could emigrate to the Third Reich and leave behind their culture and possessions.

UKT Issue #21 returns for another issue to venture into the realms of the Unknown. Featuring drawings by 29 contemporary artists from 18 countries around the world, we explore the uncertainties that inundate our everyday lives, the mysteries that are lurking in the shadows, and the vast potential of life beyond our own universe.

The eleventh issue of the series Pleased to Meet You is devoted to Derek Jarman (1942-1994), a major figure in British cinema during the 1970s and 80s as well as a highly versatile artist, painter, draughtsman, costume and set designer, author and gardener. Before his premature death in 1994 of an AIDS-related illness,

Der hochwertige Bildband zeigt erstmals das gesamte druckgrafische Werk Philip Gustons, eines der bedeutendsten amerikanischen Künstler des 20. Jahrhunderts. Als er sich zu Beginn der Sechzigerjahre dem Medium der Lithografie zuwandte,

Fashion is often seen as an industry of eccentric personalities and unique, exceptional talents but it's the collaborators, rather than the individuals, who underpin the industry and inspire this book. This stylish volume, compiled by Lou Stoppard, editor-at-large of London's SHOWstudio, delves into the behind-the-scenes worlds of the fashion industry s most intriguing partnerships to explore what, exactly,

Lee Bul ist eine der bedeutendsten zeitgenössischen Künstlerinnen. Mit ihren die Genregrenzen überschreitenden Arbeiten erlangte sie in den 1990er-Jahren internationale Bekanntheit. Ob mit radikalen Performances und monströsen Skulpturen zu Beginn ihrer Karriere

A celebration of the visual artistry behind the evolution of sound recording with specially commissioned photography of iconic, rarely-seen artefacts from the collections of the EMI Archive Trust

Thomas Ruff is one of the most important contemporary German photographers living today. Studying under Bernd and Hilla Becher, Ruff experimented with large-format printing. This comprehensive book focuses on his photographic series from the past twenty years.

Through a series of studio visits that culminated in an artist talk at Residency Unlimited, Dalton and I examined racism and the language systems that perpetuate it; the black body; silenced black people; the African diaspora and its religions; performance and rituals; nature and healing; black protagonism.

Idol Hands presents a wealth of source and visual references, alongside original drawings from the artist’s unique and expanded narrative of imagery stemming from alternative means of communication such as braille, morse code and sign language.

»Die Dinge, die durch den Dunst von gestern so gewaltig erschienen – Eigentum, Klima, Erziehung, persönliche Schönheit und anderes mehr, haben ihre Verhältnisse merkwürdig verändert. Alles, was wir für fest hielten, schwankt u. klappert …«
“The facts which loomed so large in the fogs of yesterday,—property, climate, breeding, personal beauty, and the like, have strangely changed their proportions. All that we reckoned settled shakes and rattles …” Ralph Waldo Emerson (zitiert von / quoted by Robert Musil)

Die Untersuchung beginnt mit ethnografischen Erkundungen einer Kunsthochschule. Unter diesem Blickwinkel sind die 96 % derer, die freie Kunst studieren, ohne je von ihrem Metier leben zu können, genauso interessant wie die Stars des Kunstbetriebs.

To Perform a Ferry is a book that holds eight performance scripts and other material to be spoken. Inspired by the figure of the renegade who leaves land behind and crosses the sea or leaves civilization to take refuge in the vast desert, the eight scripts embody the state of migrating, through space but also through languages, bodies, and writing genres. Written in English by Mohamed Abdelkarim.

They Will Say I Killed Them is the result of a one-year research marked by visits to public film archives, private foundations, and meetings with important testimonies of Italian cinema. The aim was to conduct an in-depth investigation on those Italian movies—from the 1950s to the 80s—that due to censorship have been left on the shelf in the form of a screenplay, or filed away

Bruno Flierl gehört zu den bedeutenden Architekturkritikern unserer Zeit. Diese Textsammlung umfasst eine Auslese seiner wissenschaftlichen Arbeit als Historiker, Theoretiker und Kritiker der Architektur und des Städtebaus seit den Sechzigerjahren des 20. Jahrhunderts.