Der südafrikanische Künstler William Kentridge (*1955 in Johannesburg) arbeitet medienübergreifend mit Zeichnung, Skulptur, Film und Theater.

Die Publikation Bilderwende. Zeitenwende – Geschichte der frühen Fotografie in Salzburg 1839–1877 bietet eine umfassende Darstellung der fotografischen Anfänge in Salzburg und

Das Werk des Österreichisch-britischen Exilfotografen Wolf Suschitzky (1912–2016) wird im Bildband »Exil und Reisen« in einer umfangreichen Retrospektive gezeigt.

»Franz West war ein paar Jahre älter als ich, dafür war ich jünger als er und hatte den Heimvorteil.« Gerald Domenig hat mit »GD WEST« ein Künstler:innenbuch konzipiert, in dem es um Franz West geht.

Diese Festschrift ist Monika Faber anlässlich ihres siebzigsten Geburtstages gewidmet und würdigt ihre außergewöhnlichen Leistungen auf dem Feld der Fotografie.

In 1911, Agust Klipstein and his friend Charles-Édouard Jeanneret (the later Le Corbusier) set off on a seven-month trip to “the Orient”.

The radical⇌matter journal unfolds as a two-volume journey through the shifting relations between art, science, technology, and ecology.

From the 1950s onwards, football match programmes regularly featured Face In The Crowd competitions - crowd photographs with a lucky face circled.

»Wir stehen am Rande des Desasters, ohne es in dem, was kommt, verorten zu können: Es ist vielmehr schon längst vergangen, und dennoch stehen wir am Rand oder werden davon bedroht«, so Maurice Blanchot 1980 in Die Schrift des Desasters.

John Smith’s films unfold at the intersection of conceptual art, structural film, and documentary practice, drawing consistently on his own life and immediate surroundings.

Off Limits by Rab Lewin offers a rare insight into Berlin’s squatter and techno-traveller communities in the years immediately following the fall of the Wall.

You’ll Never Watch Alone: The Screen as a Place of Work deals with one pressing issue within the hypercapitalist system that prevails globally: the screen as a workspace, an infrastructure, and a veil that renders workers largely invisible.

““High up in the air”, that’s how one could translate the ancient Greek word μετέωρος (metéōros), which the term “meteorite” derives from.

METABOLICA takes us into the factory of life and tells a molecular story about metabolic cycles in five chapters—from the Industrial Revolution to the present and future, from whaling and petro-modernism to current and future scenarios of the bioeconomy.

Over the past 25 years, Austrian artist Christian Eisenberger (born 1978) has created an extensive multimedia oeuvre in which

Austrian artist Manfred Wakolbinger has been working on his enormous collection of underwater photographs for many years.

VALIE EXPORT is one of the most radical and most significant audiovisual artists of the twentieth and twenty-first centuries. This volume focuses

A FIELD GUIDE TO THE SNOWDEN FILES is the first book to critically engage with artists responding to the NSA-files leaked by whistle blower Edward Snowden. Considering the most

Travelling to the Sun through the Night assembles photographs predominantly of Angola and its elusive capital, Luanda, from 2005 to 2013. It was only

Stories offers a comprehensive insight into the multifaceted practice of Ghanaian photographer James Barnor, spanning four decades of profound political and cultural change.

The title 272 pages minus 232 equals celluloid refers to a process of subtraction, transformation, and recontextualization.

A concise and poetic meditation on materiality—of the body, the image, and thought—by Turkish artist and writer Deniz Gül (*1982).

Herbert List’s working approach is characterized by a deeply intuitive and self‑reflexive engagement with photography.

Artisan craft is quickly evolving to combine handwork with machine technology, providing unlimited possibilities for customization.

Von 2016 bis 2023 arbeitete der Künstler Christoph Srb als Wohnbetreuer in einer Wiener Notschlafstelle für Obdachlose.

You'll Never Watch Alone: The Screen as a Place of Work addresses a pressing issue within today’s dominant hypercapitalist system:

Carsten Nicolai's art unfolds as a spatial investigation of form, structure, and perception.

De sculptura: Reflections on Sculpture brings together 27 essayistic reflections by Belgian artist Philip Van Isacker on the relevance and perception of sculpture in the 21st century.

Jeremy Shaw’s artistic practice revolves around altered states of consciousness, belief systems, and the aesthetics of transformation.

KONKRET is an artist’s book by Erik Steinbrecher, published on the occasion of his exhibition Books & Prints at the Graphische Sammlung ETH Zürich.

Stemming from Matt Mullican's (born 1951) acclaimed retrospective held at Hangar Bicocca, Milan, in summer 2018, this publication follows Rubbings Catalogue 1984–2016 (2016).

Borrowing its title from an Athenian neighborhood, NEOΣ KOΣMOΣ ("New World") explores the fragile, often absurd nature of how we construct and perceive the world.

Das Heft untersucht, wie Fotos sich heute online verbreiten und wem sie gehören. Drei prägnante Aufsätze erklären –

Ingeborg Strobl (1949 – 2017) vereinte Grafik, Aquarell, Fotografie, Collage, Objekt und Text zu dichten Bild‑Gefügen, in denen Fundstücke aus Natur und Alltag ein neues poetisches Eigenleben erhielten.

Derived from the same series of compositions, Dissolvè and Scillions are drawn from modular synthesizer recordings which have been reworked, treated and composed in the computer.

A book that looks at the work of John Newling over four decades. The book includes images of rarely seen work and documentation of early practice.

Work list of Per Kirkby's etching band III (1998-2015) Foreword by Museum Director Jacob Thage. Texts by German Kirkeby expert Christiane Lukatis & museum inspector Lucas Haberkorn. With biography, exhibition list & literature listing

Yannick Dauby is a french sound artist based in Taiwan since 2007. He relentless explores the soundscapes of his adopted island through field recording,

Rural is the first release in the Continuous Tone series of sound works by visual artists. Each project is issued as a one-off heavy pressing 12-inch vinyl record with carefully designed packaging and specially commissioned sleeve notes inserted as an 10-page illustrated information booklet.

Gerard Gormley is an Irish composer and sound artist whose work explores the actual and latent sonic potentials of spaces, buildings, and sites. His work evolves through various experimental processes that explore sound in relation to space, place, and architecture.

Workbooks present an extensive book that gathers together a creative lifetime of collecting, imagining, sketching and recording by British artist Nigel Shafran from 1984-2024. Below, writer David Chandler reflects on Shafran's Workbooks:

Das vorliegende Künstlerbuch zeigt Linolschnitte von Matt Dillon und Marcel Hüppauff, die ebenfalls in einem wechselseitigen, gemeinsamen Prozess entstanden sind.

Elisabeth von Samsonow lebt und arbeitet seit 25 Jahren in Wien und lehrt seit 20 Jahren an der Akademie der Bildenden Künste in Wien. Um auch den runden Geburtstag von der Philosophin und Künstlerin gebührend zu feiern, ist ein Sammelband

GTR#009, BRUME, Mother Blast, Double LP, All tracks written by Christian Renou, Mixed and produced by Brume at Brume Rec. 1985–2014 Brume (Christian Renou) is a prolific French musique concrete composer/sound sculptor who has won himself a place of his own with his crossover between sound collages,

Mixed and produced by Frederic Bigot at the Padded Cell in Berlin. February 2013, Mastered by Norsq, Front, back and inside sleeve: Nicolas Moulin

RAVI SHARDJA, « Grün ist grau », composed and played by french musician Ravi Shardja (GOL) with participation of Jean Marcel Busson (GOL) and Frederic Rebotier.

Dynamisches Kunstlicht im Museum, In Galerien und Museen wird die Wahrnehmung von Kunst, Raum und Atmosphäre wesentlich durch den Faktor Licht bestimmt.

„Austrian-born photographer Leo Kandl worked for twelve years on this project. He began with a Nikon F camera and later switched to a Rolleiflex. He developed and printed all the images himself. After fruitlessly searching for a publisher for fifteen years, his work was introduced to swiss publisher Stemmle by author and curator Peter Weiermair. Stemmle published the book in 1999.“

Erwin Bohatsch's work is characterized by constant oscillation between representationalism and abstraction, between color and non-color, between line and surface.

In her film-poems artist and filmmaker Ana Vaz collages images and sounds that revolve around violence and repression, the impact of ecological ruin and the continued colonization of the earth.

HUSSLEBLATT, 8 1/2 Jahre Husslehof, Catalog project about the exhibition history at Husslehof est. Frankfurt 2013-2022.
New catalog contributions by Bradley Davies @broadleigh_davies, José Montealegre @josehappymountains, Marta Orlando @writingon_water, Bernhard Buff @bernhardbuff, Atelier Leonard Kahlcke @atelierleonardkahlcke, DADADAO @dadacoin.ecosystem, Hüseyin Oylum @husseinozs,

Territory is the second part of his editorial project on Ukraine. Through this book Rafael assumes to distance himself from the documentary to dive elsewhere. By choosing the negative, the rift it opens is spatiotemporal. Electric cables cut shards of carbon sky. Planted in dark snow or white mud : bare poles, destroyed huts, statues of Lenin...

Stretchy is an Art Magazine that is made purely of art works, it includes fiction, poetry, drawings, and Photography. Participants of the first issue - Merit Trapp, Keren Cytter, Pascal Leyer, Laris Maas, Minhae Kim, Anton Schmutzler, Mira Hyein Sung, Jonathan Hinz, Jana Nestler, Lim Kim, Birthe Langner, Rosa Glaser, Amarin Lawton, Chiaki Nakaune, Kenske Miyano, Alla Zhyvotova

Published on the occasion of Wardill's exhibition "Matt Black and Rat" at Bergen Kunsthall. Featuring production stills and images from the exhibition, this book also includes new texts by philosopher Michael Marder, critic and writer Kirsty Bell, and a conversation between Martin Clark and Emily Wardill.

this book follows a series of performances by the three artists: Yves Mettler, Erin Olivia Weber, Alexander Wolff

The book "Blod som skuggor i vatten" contains 72 drawings made during a two month period when the artist, Ingvild Hovland Kaldal, received treatment in hospital for a postpartum psychosis in 2013. The drawings are all made with charcoal on paper, and towels. They vary in their expression from abstract to figurative. The book can be seen as a journal from a state beyond time. A state that moves between heaven and hell, where chaos meets ecstasy and darkness is mixed with light.

Queer Exhibition Histories comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and

A text by Merle Kröger inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A text by Iman Mersal inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

In 1954, the French writer, politician, and publisher Andre Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book, Le musee imaginaire de la sculpture mondiale. The enchanting metaphor of the musee imaginaire (imaginary museum) was built upon that