Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln '67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln '67, as a fair for

See Hear Yoko captures the rich complexity of Yoko Ono-woman, artist, activist, wife and mother-from her days with John Lennon through the present, with intimate portraits by the legendary rock-and-roll photographer Bob Gruen, and words by Ono herself, edited from conversations with Jody Denberg, rock radio's "Voice of Austin, Texas." Conceived expressly for Yoko Ono as a gift between friends on the occasion of her eightieth birthday,

Movement Notation is considered the first publication of the "Eshkol- Wachman Movement Notation" (EWMN), developed by Noa Eshkol and Abraham Wachmann. With this polyphonic notation system, Eshkol and Wachmann centered dance on its basic

Jean-Pierre Brisset, Raymond Roussel, Marcel Duchamp:
three men whose names are inextricably linked by their respective intellectual trajectories, creative processes, and reception histories. Similarities between them abound, and can also be perceived in minute biographical details, accidents, and coincidences. Their well-known penchant for treating aesthetic issues as issues of methodology provided all three of them with the impetus to devote themselves to technical innovations, which is maybe a lesser known aspect of their respective works.

The physical form of the book explored with photographs of reflections, that are positioned with the line of symmetry aligned with the pages binding. The turning of the pages echoes and adds depth to the two dimensional plane of each photo. (ref. the pealing apart of ink blot paintings, Rorschach test cards). The reader is goaded to put stress on the intersection of pages, generating a morphologic change in the shape of the book, producing creases on the spine.

Angelegt als »Emotional Catalog of Booths«, diskutiert das Buch anhand der vielfältigen Stimmen einer eklektischen Gruppe von Autorinnen die Typologie der Booth – Buden, Stände, Kabinen, Kapseln, Zellen – als Inbegriff (räumlicher) Intimität. Mit einer Reihe von ausführlichen Interviews sowie Beiträgen von Künstlerinnen, Architektinnen, Wissenschaftlerinnen und Schriftsteller*innen, bildet das Buch den Kern einer fortdauernden künstlerischen und architektonischen Forschung zur Verschränkung von Raum und Emotion.

Maja Vukoje ist eine der wesentlichen in Österreich le- benden Kunstschaffenden, denen im Bereich der Malerei eine herausragende Position zukommt. Der Katalog gibt einen Überblick über die Produktion der letzten fünf Jahre, die zunehmend eine genuine Sprache der Malerei erkennen lässt.

For the first time, this publication brings together the Mosaic works by the British artist Stephen Willats, which were created in Great Britain and Finland in the 1990s. In these works, Willats uses the medium of the book to enter into an exchange with people and to create a space in neighborhoods, museums, and bookstores where social bonds can be established. It is a collaborative process through which Willats redefines the web of relationships between artist, artwork, audience and society; a process of instituting in which the artwork becomes its own institution.

With contributions by Jamie Allen, Bernhard Garnicnig, Elsa Himmer, Lucie Kolb and Stephen Willats.

In Text und Fotografie hinterfragt das Buch von Claire Laude anhand von Beispielen aus zwei Mittelmeerländern, Italien und Griechenland, unsere Beziehung zur Erde und den Begriff der Spuren und ihrer Beständigkeit in der Landschaft. Welche Spuren können die Geschichte und die Aktivitäten der Menschen in einer ländlichen Landschaft hinterlassen?

View India brings together recent works by Saumya Khandelwal, Selvaprakash Lakshmanan, Ritesh Uttamchandani, Ajit Bhadoriya, Apoorva Guptay, Venkatesh Peevee Perumal, Anoop Ray, Anisha Baid, Nihaal Faizal, Gayatri Ganju, Anushree Fadnavis, Arshad Hakim, Ram Krishna Ranjan, Chinar Shah, Vivek Mariappan, Sl Shanth Kumar, Cheena Kapoor, Vaibhav Bhardwaj and Chandan Gomes.

Lois Weinberger - Debris Field. Publikation, Herausgeber: documenta und Museum Fridericianum GmbH, Kassel 2017, 218 Seiten, ca. 500 Abbildungen, Design: VIER5/Paris, Texte: Harald Stadler, Beatrix Nutz und Lois Weinberger.

Zum 100. Geburtstag von Inge Morath in diesem Jahr erscheint in der FOTOHOF>EDITION ein Doppelband von zwei selten gezeigten Fotoserien. Beide Bücher nehmen sich Themen im Werk von Inge Morath an, die nicht zum Mainstream ihrer Arbeit gehören, die aber eine ganz besondere Qualität besitzen.

Eine blecherne Taschenlampe mit einer runden Glaslinse und diesem kleinen Schalter, an dem immer wieder der Fingernagel hängenblieb. Eine Farbfilmdose von Agfa, die grobe, altmodische Küchenreibe (ich benutze sie immer noch) und vieles mehr… Dinge.

The book ...Umas […Some] begins before I existed. First of all, because of the artist's own connection with the newspaper: Lenora de Barros worked for many years behind the production of magazines and newspapers, artistically thinking the process of some of the main publications that still circulate in Brazil. The newspaper Folha de São Paulo, as it is known today, also has a lot of her touch.

Cocoon or Carcass. Past or Future. Building the ruin. This edition pays close attention to the metaphorical structures and cultural crisis in South West Cornwall.

Plunder the silver crust. Fill the stained valleys. Deeper into the subterranean. The shocks, the rocks, the flash. Echoes of our old faith tearing loose the earth. Photographs from the Wheal Maid Copper Mine, Gwennap, Cornwall, 2023.

This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud. Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896–1948).

Archive und Depots … und Lager und Halden und Haufen und Bunker und Verliese und Kammern. Der Lockdown hat den Schädlingen – Motten, Schimmelpilzen und Käfern – in den Archiven gutgetan. Die relative Ruhe, Dunkelheit und fehlende Störungen durch Besucher und Mitarbeiter*innen haben seit März perfekte Bedingungen für Larven und erwachsene Tiere gleichermaßen geboten.

Gehfotografen, literally “walking photographers”, were active on the streets of cities and tourist destinations across Europe between 1927 and 1935. This type of profession became increasingly popular with the Great Depression, when the 1929 collapse of the New York stock exchange led to an economic crisis throughout Europe. Unemployment and poverty eventually led to a civil war in 1934.

Inside this box is a book that holds thirteen letters written between 2019 and 2022 by the artist Yamine Elmelegy to the sculptor and industrialist Fathy Mahmoud (1918-1982). Yasmine never met Fathy Mahmoud but started writing

Ernesto de Sousa (1921–1988) was a major and multifaceted figure from the Portuguese avant-garde—artist, poet, critic, essayist, curator, editor, filmmaker, and a promoter of experimental ideas and artistic expressions. Reflecting questions of hierarchy, authorship, and the complexity of framing or dividing within the multiple and complementary practices of

How does clothing 'work' socially? Combines images and notes by the artist with sources of inspiration from film, art, literature and philosophy

X is an annual magazine focusing on visual culture and experimental literature: a collective artwork, a material flow of reality that eludes any prediction. X freezes on paper the power of contemporary art and writing, welcoming with joy the delirum of participating in such pursuits. Pain, battles, sequences of errors, vanished memories and unwanted prophecies; X is born because we can still be against everything and also against ourselves.

The book is the outcome of research on the themes of sex, sexuality and performativity which started in summer 2019 and was concluded in autumn 2021. The investigation starts from a curatorial perspective, situated in the field of contemporary Italian visual and performing arts, and evolves by absorbing contents from a variety of disciplines (philosophy, literature, history and pornography). The research is based on the firm conviction – here turned into a method – that a critical theory able to go beyond the disciplinary compartments of knowledge is an important practical tool for facing the political challenges of our contemporary world.

Los Angeles Studio Conversations ist der vierte Band einer laufenden Interviewserie, die 2013 von der Kunsthistorikerin Stephanie Buhmann in New York ins Leben gerufen wurde. Mit bislang siebzig bis publizierten Gesprächen zielt dieses Projekt darauf ab, ein permanentes und wachsendes Forum für internationale zeitgenössische Künstlerinnen zu schaffen.
Los Angeles Studio Conversations stellt die folgenden Künstlerinnen vor: Lita Albuquerque, Sarah Cain, Andrea Fraser, Liza Lou, Shana Lutker, Kristen Morgin, Catherine Opie, Silke Otto-Knapp, Monique Prieto, Alison Saar, Analia Saban, Fran Siegel, Lisa C. Soto, Despina Stokou, und Diana Thater.

A multifaceted play with language and meaning can be grasped in their work and exhibition titles. In their practice, they have been working against the grain of some of the art world’s conventions, from medium specificity to questions of branding and commodification.

Supplement 7 traces Joar Nango's artistic process, mapping the development of his temporary installation and sculpture Uncle Doug’s Fishing Shack presented at Plug In ICA (Winnipeg) in 2019 as part of Stages. The publication features an interview between Nango and Indigenous architect David Thomas about an abandoned military barracks’ transformation into Canada’s largest urban reserve.

What happens to curatorial practices when treated as multi-voiced, pluralistic, and process-based? Politics of Curatorship: Collective and Affective Interventions asks what curatorship could be when it is freed from its elitist notions.

Selbstinszenierung, Selbstentblößung, Selbstauslöschung – das sind die Themen, die Michaela Moscouw (*1961) über drei Jahrzehnte kompromisslos, exzessiv und einprägsam bearbeitete. Bis Anfang der 1980er-Jahre malte die Wiener Künstlerin abstrakte Bilder, dann zerstörte sie ihr gesamtes Werk und filmte sich dabei. Damit wechselte sie das Medium und verwendete

he first monograph by the Taiwanese artist Chen Chieh-jen (*1960 Taoyuan, Taiwan) appears in the Secession's publication series. The book, designed applying various shades of black, includes the artist’s introduction to his recently completed film Worn Away (2022–23), which is presented at the Secession, sketches and handwritten notes, as well as a selection of video stills. In his essay, Jon Solomon, professor of sinology in Lyon and Paris and a proven expert on the work of Chen Chieh-jen, provides an interesting background analysis to the new film, among other things. Each book contains a paper bookmark printed with the image of a disposable RFID wristband, which plays a key role in the film. The artist has also hand-stamped the Chinese film title on each bookmark.

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans.

»Von wunderbarer Klarheit« – mit diesen Worten beschrieb Friedrich Simony die Aussicht vom Gipfel des Dachsteins im Jahr 1847. Diesen Pionier der Alpenforschung und Geografie faszinierte

Sarah Dobai’s The Donkey Field weaves a link between a racist attack in on a young boy and the story of the persecution of Marie and Balthazar in the acclaimed film Au Hasard Balthazar (Robert Bresson, 1966).

C21ST RECENT HISTORY: Handmade in an edition of 100, B&W digital and four-colour riso plates on Munken Pure smooth 120gsm paper, Stardream Metallic SILVER 120gsm, Xerox Bright White coated 170gsm with matt black foil debossed Fedrigoni Ultra Black 185gsm boards; pearl Plastikoils binding;

The photographs that are included in this book form part of the archive of the photographer Alberto Flores Varela. The majority were taken

The publication is developed as a reflection on books as archives of touch. Visiting our local public library, the Philipp Schaeffer Bibliothek in Berlin, we checked out a selection of books that caught our attention. Bringing them home, we took photographs of handling and reading the books, which we then printed out and inserted back into the books. Following this, we returned books to the library with these hidden pages added.

Based on intuition, humor and affection, Jeremy Deller (London, 1966) has explored the ethos of the popular in English culture, that is, the manifestations of social imagination within the framework of a post-industrial capitalist society. .

In Fischerspooner's new project, two things remain constant: the physical space--Casey Spooner's apartment--and the cast--the artists

With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests. Each issue present around fifteen contributions, in both texts and images. Artists, writers, scientists and specialists in all kind of fields are invited to contribute and intervene in a sober and efficient layout already acknowledged by the London Design Museum in its exhibition Best European Design 2005.

The oceans are rising. On the rise are the metrics of accelerated human activities: sea level, water temperature, acidity, algal blooms, and the depletion of fish communities and marine life. The loss of abundance and diversity has devastating effects on the services the oceans render to the earth, exhausting their unrecognized labor of

"The textual whole forms that empty space in which the eyes can both rest and open to see the unexpected."
With Martina Steckholzer painting is documentary, deconstructive and poetic. In large-format room images, she looks at exhibition architecture and

An account of an album about Albania by British experimental musicians made in the eighties.

“Urban Kitsch”, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalization of the Indian economy. Plastic toys, celebrity mud flaps, and postmodern architecture collide into a new formal category—both celebrated and derided—as Praneet Soi traverses the city on his trusted Yamaha RX 100.

“Where Do You Draw The Line Between Art and Politics?” consists of a series of interviews with individuals who have been active in various capacities at the intersection of art and politics.

First publication to document the use and potential of Decentralised Autonomous Organisations in the arts that use blockchain technology and build on NFT innovations. Decentralised Autonomous Organisations (DAOs) offer unique tools for translocal peers to encode rules, relations and values into their joint ventures using blockchain technology.

Over the years 1919–20, the celebrated medical scientist and doctor Carl Julius Salomonsen began giving public lectures and publishing pamphlets regarding a new “epidemic” that had begun to affect the European populace: the increasing ubiquity of modernist art.

arbitrary presents the third in the “Black Box” series of releases by Mads Emil Nielsen. The release, which showcases a more sample and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Dear world you have made the persons slow uses the World Health Organization's collected 2020 press statements about COVID-19 as its source material. Composed using blackout poetry, the project casts light on the ongoing and mostly unconscious consumption of online information.

Featuring contributions by Tristan Duke, Christian Egger, Milano Chow, Miriam Jung, R.M. ­Erdahl, Jutta Koether, Mariam Akubardia & Guram ­Sakvarelidze, Christian Kosmas Mayer & GPT-3, Rosa Aiello, Matthias Meyer, Loji ­Höskuldsson, Oli Surel, Mathias Kessler & ­Chiara ­Juriatti, Krasimira ­Stikar & an ­Interview with Monika Rinck.

Black Ecologies proposes the concept of Black Ecologies as a “resistance to extractive ecologies across the colonial-capitalist world.” Recognizing our world is at a crossroads, Black Ecologies is a multigenerational, multidimensional dialogue and a reminder that Black resistance is always already tending to other ecologies of being(s).

The term ‘ricochet’ is a means to discuss unintended consequences, rapidly delivered information and viral outbreaks, but it is also used to describe the way in which sound echoes or reverberates against objects in space.

Jenisch-Feu – Third Variation is a publication documenting a series of paintings by artists Thomas Koenig and Vianney Fivel.

Focusing on Rudofsky’s encounters with Japan in the 1950s—he described postwar Japan as a “rear-view mirror” of the American way of life—architectural historian Felicity D. Scott revisits the architect’s readings of the vernacular both in the United States and Japan,

»Fairlady Z« ist die Bezeichnung für einen japanischen Sportwagen der Marke Nissan, der seinen Ursprung – wie die Künstlerin – in den 1960er Jahren hat.

A series of short essays by Payam Sharifi exploring the clash of civilizations between the US and Iran across such cultural phenomena as the monobrow, soft drugs, and men’s ties. Excerpts from a forthcoming book.

This publication brings together six thematic approaches to contemporary photographic practice, developed by artists, theorists, and curators. Central to the discussion are fundamental questions about the role, meaning, and materiality of photographic images in the digital age.

At the center of Klaus Mosettig’s work is a series of large-scale pencil drawings based on photographs of a table surface from a Greek reception center for refugees.

This publication, accompanying the exhibition of the same name by the Generali Foundation, explores the relationship between text, image, and thought.

Diese Publikation versammelt künstlerische Positionen, die das Buch nicht nur als Medium der Dokumentation, sondern als eigenständige Form der Kunst begreifen.