Har Shaam Shaheen Bagh is an ode to the infinite courage and resilience of the women of Shaheen Bagh, Delhi, who sat in protest for a 100 days and nights. A book of photographs, drawings, songs, letters and other material gathered as a record of the iconic protest, marks an extraordinary moment in the political and contemporary history of India.

The photographs that are included in this book form part of the archive of the photographer Alberto Flores Varela. The majority were taken

The publication is an essay written by Kirsty Bell on “Help the Dead” by Every Ocean Hughes.

I don’t care (about football) is a participatory artistic project involving the players of the Marangoni 105 football team, created in 2011 as part of one of the rehabilitation residences of the Udine Mental Health Department managed by the Duemilauno Agenzia Sociale Cooperative. The title, inspired by the words of a girl from the community, suggests how the game is not an end in itself but rather a practice of social inclusion and integration.

Mizna: The Black SWANA Issue, guest-edited by Safia Elhillo and produced by an all-Black takeover team, explores the infinitely varied and kaleidoscopic nature of the Black SWANA experience.

In the book “I used to be a lovely boy but turned out queer,” the author Jovan Josifovski,

12 individual sheets with prints of drawings.
12 einzelne Blätter mit Druckgrafiken.
Edition of 100

12 individual sheets with prints of drawings.
12 einzelne Blätter mit Druckgrafiken.
Edition of 100

Drawing became fashionable in the 18th century when it left the confines of the artist’s studio to enter a broader

Artists’ Letters is a collection of intriguing, entertaining, moving, significant, surprising, witty and

An immaterial museum, a social sculpture, a laboratory for the museum of the future: this book is an exhibition filled with moments of inspiration on Vienna's legendary museum in progress.

Ein umfassendes Forschungsprojekt am Städel Museum untersucht derzeit die Kunstszene der Bundesrepublik Deutschland im Zeitraum von 1960 bis 1989 aus der Perspektive von Zeitzeugen. In Gesprächen mit über 70 Künstlern, Galeristen, Sammlern, Ausstellungsmachern und Journalisten, die maßgeblich an der Entwicklung der westdeutschen Kunstszene mitgewirkt haben, werden wichtige Stationen der jüngsten deutschen Kunstgeschichte

The Olympics – with their sense of historical urgency and unconditional trust in the future and nationalism,

The publication is developed as a reflection on books as archives of touch. Visiting our local public library, the Philipp Schaeffer Bibliothek in Berlin, we checked out a selection of books that caught our attention. Bringing them home, we took photographs of handling and reading the books, which we then printed out and inserted back into the books. Following this, we returned books to the library with these hidden pages added.

Handmade is an ecstatic archive of synthetic handmade Artist’s books. Sequenced in no particular order, the project searches for meaning in the future tense through time, text, and touch.

The exhibition-dossier is conceived as a methodological dispositif—a mediation space drawn on the narratives of art and artists—, used to explore the spiritual, theoretical and poetical undertakings in art and art practices grounded in the local terrain, in order to complement the existing research and to expand the circle of inquiries.

Based on intuition, humor and affection, Jeremy Deller (London, 1966) has explored the ethos of the popular in English culture, that is, the manifestations of social imagination within the framework of a post-industrial capitalist society. .

In Fischerspooner's new project, two things remain constant: the physical space--Casey Spooner's apartment--and the cast--the artists

„Ich weiß nicht, ob du dich gerade für einen Mann oder eine Frau hältst, aber der Krieg ist aus.“ Der Gedichtband ‚In Frauenkleidung‘ verfolgt den Lebensweg intersexueller Sportlerinnen zu Beginn der 30er-Jahre.

With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests. Each issue present around fifteen contributions, in both texts and images. Artists, writers, scientists and specialists in all kind of fields are invited to contribute and intervene in a sober and efficient layout already acknowledged by the London Design Museum in its exhibition Best European Design 2005.

The oceans are rising. On the rise are the metrics of accelerated human activities: sea level, water temperature, acidity, algal blooms, and the depletion of fish communities and marine life. The loss of abundance and diversity has devastating effects on the services the oceans render to the earth, exhausting their unrecognized labor of

A multimedia meditation on the many meanings of the ocean across history

"Type I enacts a hyperreality, in which the effects of climate change are damaging our world, and technological advances are held up as the key innovative tools for alleviating ecological collapse. Merging poetics, visuals, fiction and essaying to create a vivid, multi-layered novel, Max Parnell's debut offers up not only an

The H-block, or Høyblokka as it is called in Norwegian, was the Government Quarter’s main building. The was building was completed in 1958. Architect Erling Viksjø was inspired by the French modernist Le Corbusier, and set out to create an elegant, monumental but sober functionalism.

An early discussion at an Independent Space Index Stammtisch led to a proposal that Vienna’s independent scene could be considered a large and diverse intergenerational institution, presenting hundreds of exhibitions and projects per year, creating a responsive web of international networks.

Curated by Kris Lemsalu and Sarah Lucas at MEYER KAINER Vienna October 2020

SCHÖN VERMÄHLT is an artist’s book by Kamilla Bischof accompanying the most comprehensive solo exhibition of her work to date at KM - Künstlerhaus, Halle für Kunst & Medien in Graz.

"The textual whole forms that empty space in which the eyes can both rest and open to see the unexpected."
With Martina Steckholzer painting is documentary, deconstructive and poetic. In large-format room images, she looks at exhibition architecture and

Spätestens mit ihren Auftritten auf der 50. Biennale Venedig und der Manifesta 5 hat sich die deutsche Künstlerin Amelie von Wulffen auf dem internationalen Kunstparkett einen Namen gemacht. In ihren Collagen, Zeichnungen und fotografischen Überblendungen beschäftigt sie sich mit biografischen Recherchen und Rekonstruktionen.

Herbert Fuchs macht aus seinen Künstlerfreunden Geiger, Zobernig und Kippenberger Kunstfiguren, die in seinen Textmontagen aus facts und fiction, aus Erinnerungen an gemeinsam verbrachte Tage und Nächte,

Es gibt Themen, die Horn in vielen ihrer Arbeiten verhandelt. Dazu gehören vor allem die Frage nach der Wandlungsfähigkeit und Vielfältigkeit von Identität sowie das Aufzeigen von Abweichungen zwischen dem Wesen der Dinge und deren visueller Erscheinung mit künstlerischen Mitteln.

An account of an album about Albania by British experimental musicians made in the eighties.

“Urban Kitsch”, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalization of the Indian economy. Plastic toys, celebrity mud flaps, and postmodern architecture collide into a new formal category—both celebrated and derided—as Praneet Soi traverses the city on his trusted Yamaha RX 100.

In “Sculptor's Notebook”, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then. Centred largely around themes of adolescence and womanhood, her sculptures had won her the Sixth Triennale Award and the National Award.

“Where Do You Draw The Line Between Art and Politics?” consists of a series of interviews with individuals who have been active in various capacities at the intersection of art and politics.

In the turbulent square of Martim Moniz, stands a robust building by the architect Bartolomeu Costa Cabral. Invited by TECLA PLAY Cultural Association, artist Leylâ Gediz presents an installation of paintings in the interior gallery of the building,

First publication to document the use and potential of Decentralised Autonomous Organisations in the arts that use blockchain technology and build on NFT innovations. Decentralised Autonomous Organisations (DAOs) offer unique tools for translocal peers to encode rules, relations and values into their joint ventures using blockchain technology.

Yves Klein (1928–62) first traveled to Japan as a young man in 1952, motivated primarily by his interest in judo. During his 15 months abroad, Klein had numerous important creative and philosophical revelations that culminated in the launch of his artistic career upon his return to Paris.

Gaëlle Lauriot-Prévost and Dominique Perrault invited the historian Frédéric Prot and the photographer Philippe Chancel to reveal, both in writing and images, this radical work by the architect Jean Dubuisson that he designed during the 1960s, as well as the commitment of his client André Weil to build a domain at Pontpoint.

This special issue is the cataLog for “Model Behavior,” a group exhibition of models, architectural and otherwise, curated by the Anyone Corporation and presented by The Irwin S. Chanin School of Architecture at The Cooper Union, in New York City. The exhibition, which ran October 4–November 18, 2022, questioned the role of the model in projecting or eliciting social behavior.

In “Playing with Ludwig”, artist Nikolaus Gansterer and philosopher Klaus Speidel adress fundamental questions of sense making in language and visual forms. In a playful dialogue with the writings of Ludwig Wittgenstein, they tackle subjects like pain and pictures,

arbitrary presents “Delirious Cartographies” (arbitrary13) by composer, improviser and synthesist Richard Scott. Part of the Danish imprint’s Framework editions, this release includes three pieces on 12" vinyl and six printed drawings – as well as a text by Scott – published as a limited edition portfolio folder.

arbitrary presents the third in the “Black Box” series of releases by Mads Emil Nielsen. The release, which showcases a more sample and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

Surreal arrangements of artifacts from skulls and teapots to fried eggs and dirty socks by Théo Mercier. Théo Mercier (born 1984) employs found objects in his photography and sculpture to subvert viewers’ expectations. His inaugural monograph reveals the impressive scope of his oeuvre.

Forked Apologies gathers twenty-five texts by Michael Van den Abeele, all but two written on invitation by fellow artists and architects in the course of the last ten years. Drawings by Michael Van den Abeele of the concerned works and exhibitions accompany the texts. In fiction or description,

The apparent primary goal of Eric’s treatise is to define something called ‘the Real’, with the help of a patchwork of theoretical materials drawn from contemporary mathematics, mathematical physics, ‘neurophysics’ and continental theory. Other topics in the text,

"In a house you wanted to intrude, searching for a narrative you've detected between a character, images and photographs. I remember bumping against a floor lamp, causing its glow to waver briefly. Trying to ascertain the transmissions while already standing in front of objects that demand to be looked at."

"If it is somehow identifiable as part of a referential system, we immediately understand the meaning of a line on a piece of paper. A horizontal line will be easily read as a minus, an em dash or a way on a map, no matter how sloppily it is written or drawn."

A Female Gaze explores the paintings and drawings of contemporary artist Caroline Walker through the lens of Laura Knight, arguably Nottingham's most famous artist and the first woman to be elected a Royal Academian.

Tabea Blumenschein (1952–2020), Hilka Nordhausen (1949–1993) und Rabe perplexum (1956–1996) waren exzentrische Künstler*innen der achtziger Jahre – sie agierten abweichend von Normen und außerhalb des Zentrums im subkulturellen Milieu.

In the Making: In the Desert of Modernity: Colonial Planning and After. A Research-Based Practice is about the working method of the artist and exhibition maker Marion von Osten.

Body. Listening. Book. Library. Institution. How can art libraries be generative resources and sites of action for all who identify as queer, as women, as Black, as Indigenous, as people of colour? What does it mean to consider the art library as a collective practice that spans multiple scales?

Ein Buch über 1971 und die Zeit davor, Freiheit als Bild, die Materialität eines Übergangs, Musik, Sexualität und was ein aus Italien kommender, in Kairo geborener crooner in Berlin verliert: Ricky Shayne

Die antikolonialen und antirassistischen Bewegungen des 20. Jahrhunderts gingen mit künstlerischen und theoretischen Gegenentwürfen zur Exklusivität der westlichen Moderne einher.

QUEER TIME — ASYMPTOPES OF ARTICULATION is about moving through queer time and language, modular and folding, communities, communal, traces, memories, collapsing and building.

We see women looking at art, everything an exhibition has to offer: paintings, sculptures, installations. If we’re women, then one could say they’re women looking at women looking at art.

In art around 1990, an entire series of work forms indicates the existence of a broad spectrum of strategic shifts into other professional roles that are taken up on a fictional level by artists.