Erwin Bohatsch's work is characterized by constant oscillation between representationalism and abstraction, between color and non-color, between line and surface.

The conversations and interviews of Hans Ulrich Obrist encompass a broad practice that is dialogic in relation to both words and disciplines.

Concurrent with the exhibition Yuki Okumura, a publication features a conversation among the artist, Aaron Amar Bhamra, and Monika Georgieva, an essay by James Gatt, and numerous illustrations.

Concurrent with the exhibition Autofictions in Stone, a publication features six sixteen-page sheets designed by Aglaia Konrad:

In her film-poems artist and filmmaker Ana Vaz collages images and sounds that revolve around violence and repression, the impact of ecological ruin and the continued colonization of the earth.

GIRL ON CANVAS is an artbook project by Pola Dwurnik about painting and its reception. It explores an aspect of her paintings that is completely beyond the artist's control, the life of her works in the minds of viewers willing to actively engage with them. Over thirty different contributors have written about their intellectual and

“Throughout history and noticeably during the COVID-19 pandemic, many of us in the Asian diaspora have become targets of violence in public spaces. I wanted to create this work with performers of Asian descent to employ movement as a form of solidarity and resistance,” says Chong. Commissioned with the invitation of

This book is published on the occasion of Pablo Bronstein: Pissoir, at Kunsthal Charlottenborg in 2011, curated by Mark Sladen.

Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features

Materials Lab sits between sculpture, installation, documentation and research. Material Lab is a landscape’ of materials such as silk threads, books, book segments, exhibition catalogues, models, text fragments, magazine pages, inkjet prints, notes, drawings, marble, steel, bricks, dirt, dust and fragments of artworks drawn from

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

Disler is regarded as one of the founders of the Neue Wilde movement, making him (along with Miriam Cahn and Klaudia Schifferle) one of the

Over the past intensely productive decade, Louise Bourgeois's drawings have been dominated by diary-like work in which text and sign often mix. This extensive compendium of that work and its antecedents shares a series design with her recent book of sculpture, and the dialogue between mediums is lively in both titles, which also share a

To have children or to make ‘descendants’ was one of the most natural things in the world; the life of people, animals, plants, was considered poiesis per se. Many myths, legends and fairy tales are implicitly or explicitly about reproduction and sexual life. The increasing infertility of the human species and the extinction of

Extending a long-standing dialogue, the book focuses on Oorebeek’s practice, tracing the movement from public space to artwork and back to the printed page.

What might be considered the research output of a walking practice? An important caveat to this would be to ask where and when the research occurs in relation to the walk, the walking, and the walkers. Does the walk activate our senses, or do our senses demand that we walk? Since walking involves encounters with various objects and subjects, how

Die Kunst von Sandra Peters eröffnet Bezüge zwischen Skulptur, Architektur, Sound und bewegtem Bild. Anspielungen auf historisch Bekanntes werden in ihren Arbeiten zur Anregung für die Imagination des Betrachters. Ihre Werke erzeugen

HUSSLEBLATT, 8 1/2 Jahre Husslehof, Catalog project about the exhibition history at Husslehof est. Frankfurt 2013-2022.
New catalog contributions by Bradley Davies @broadleigh_davies, José Montealegre @josehappymountains, Marta Orlando @writingon_water, Bernhard Buff @bernhardbuff, Atelier Leonard Kahlcke @atelierleonardkahlcke, DADADAO @dadacoin.ecosystem, Hüseyin Oylum @husseinozs,

Territory is the second part of his editorial project on Ukraine. Through this book Rafael assumes to distance himself from the documentary to dive elsewhere. By choosing the negative, the rift it opens is spatiotemporal. Electric cables cut shards of carbon sky. Planted in dark snow or white mud : bare poles, destroyed huts, statues of Lenin...

The artist’s works are mounted on panels, sitting on large pieces of veneered furniture placed around the edges of the rooms.

Capsule is a huge new offering from the team at KALEIDOSCOPE, a glossy, chunky, spiral bound design mag—‘indulging in a lavish physicality’—and refusing to be put in a single box. It covers interiors and architecture, fashion and technology, ecology and craft in order to assess and explore the relationship between design and consumption.

The Summer 2023 explores themes of myth, memory, and folklore. Featuring Rasha Abdulhadi, Abdulkareem Abdulkareem, Lydia Abedeen, leena aboutaleb, Nyree Abrahamian, Maya Abu-AlHayyat, Yasmine Ameli, Aida Bardissi, Nwuguru Chidiebere Sullivan,

In my Father's house are many rooms; if it were not so, I would have told you. I am going there to prepare a place for you. And if I go and prepare a place for you, I will come back and take you to be with me that you also may be where l am. You know the way to the place where I am going." John 14:1-4

Stretchy is an Art Magazine that is made purely of art works, it includes fiction, poetry, drawings, and Photography. Participants of the first issue - Merit Trapp, Keren Cytter, Pascal Leyer, Laris Maas, Minhae Kim, Anton Schmutzler, Mira Hyein Sung, Jonathan Hinz, Jana Nestler, Lim Kim, Birthe Langner, Rosa Glaser, Amarin Lawton, Chiaki Nakaune, Kenske Miyano, Alla Zhyvotova

Cabins is the outcome of Matteo Ghidoni’s theoretical and critical research on “being”. Relying on architectural drawing, and through the investigation of a human's most basic needs, Ghidoni produces ten abstractions of architecture, dedicated to the care of body and soul.
Cabins are not residential units as described by modern architecture;

Casa Barragán, built in 1948 by famed Mexican architect Luis Barragán as his private residence and studio, is today considered a landmark of modern architecture. It is filled with all of the artworks and artifacts that Barragán placed in it during his lifetime, faithfully kept as they were when the residence was inhabited by its author. Recognizing the special regard

This book, which brings together for the first time the entire series of films around the figure of Neanderthal Man produced by Nathaniel Mellors since 2012, is also the only monograph currently in circulation on the work of this British artist, since the catalogue The Aalto Natives – A Transcendental Manual published in

In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and

THE LINE - Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth.

The book traces the legacy of Zona. Eastern Europe performance art festival that took place in Timișoara, Romania, between 1993 and 2002,

Published on the occasion of Wardill's exhibition "Matt Black and Rat" at Bergen Kunsthall. Featuring production stills and images from the exhibition, this book also includes new texts by philosopher Michael Marder, critic and writer Kirsty Bell, and a conversation between Martin Clark and Emily Wardill.

John Newling is one of UK’s most important conceptual artists and the first Fulbright Fellow. Writings is the comprehensive collection of the artists essays from 1995-2005. Newling tackles themes such as ‘certainty and uncertainty’, ‘perception and cognition’,

Starship #19, Apokolypse of the praktikal moment presents artists contributions by John Boskovich, Elijah Burger, Simon Denny, Cornelia Herfurtner, Yuki Kimura, Vera Palme, Nora Schultz, Jack Smith; and by Rosa Aiello, Carter Frasier, María Galindo, Samuel Jeffery & Daniel Herleth, Elisa R. Linn, Paul B. Preciado, and Haytham El-Wardany

The most famous example of the modernist residential housing design principle developed by Le Corbusier is located in Marseille and was built between 1947 and 1952.

this book follows a series of performances by the three artists: Yves Mettler, Erin Olivia Weber, Alexander Wolff

Zeichnungen / drawings 1980-1988: Martin Disler, 126 Bilder / images, multimedia, Printed in Switzerland, 1989 Martin Disler, Elisabeth Kaufmann

How do we draft a life, make of it a project, do our daily work? In what material and language does it arrive to us? And what if but it is done with one’s own body, and that body becomes this material but not the subject? Villiger’s autofictions––whether sculpture or image, human or vegetal body––prompt such queries.

The book "Blod som skuggor i vatten" contains 72 drawings made during a two month period when the artist, Ingvild Hovland Kaldal, received treatment in hospital for a postpartum psychosis in 2013. The drawings are all made with charcoal on paper, and towels. They vary in their expression from abstract to figurative. The book can be seen as a journal from a state beyond time. A state that moves between heaven and hell, where chaos meets ecstasy and darkness is mixed with light.

‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin,

Queer Exhibition Histories comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and

John Armleder and his class at the Hochschule für Bildende Künste in Braunschweig, Germany, who call themselves Team404, solicited original graphic works made on A4 paper from over 500 artists (Corrie Colbert, Sylvie Fleury, Thomas Hirschhorn,

A text by Merle Kröger inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A text by Iman Mersal inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

Indian stunt artists who hide their faces are paid more than those who show their faces, while Black women stunt artists are often cast for character types who don't even get a proper name in the script. Madhusree Dutta writes on hierarchy and exclusion in cinematic practices, with alternating chapters from the life stories of two female film students. Situated in a space between

The book begins with one single verse of poetry on "Abdallāh - The Slain" (Abdallāh al Qateel), a poet who was killed by the last thing he saw: the columns of the castle as palm trees. The rest of the book is footnotes on each word in this verse, and on the works of this poet, who only exists on the margins of the arabic literary canon.

“Russians could say: If you tie yourself to the tree, they will simply cut you down together with the tree.

Do you really want to remember your dreams? I often wish to forget mine, probably because I sometimes remember them to the point that

Matthias Wermke is teaching a seminar (Zweckfreie Räume - Intervention und Performance) with four students at ETH Zurich (Department of Architecture and Art, Prof. Karin Sander) on the topic of "appropriation and theft in art". Later, this very technical title is changed to "Absenz – das Abwesendsein von einem Ort" (absence - being absent from a place ).

Gabrielle 'Coco' Chanel is an icon of fashion, and can lay claim to having invented the look of the 20th century. At the height of the Belle Époque, she stripped women of their corsets and feathers,

In 1954, the French writer, politician, and publisher Andre Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book, Le musee imaginaire de la sculpture mondiale. The enchanting metaphor of the musee imaginaire (imaginary museum) was built upon that

Another Country offers a vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages.

With this work in the form of a book, Maria Lalou & Skafte Aymo-Boot present the phenomenon of a particular pending architecture mutely present all over Athens. The concrete skeletons of polykatoikia – multi-story apartment buildings – are emblematic of the development of modern Greece throughout the second half of the twentieth century.

The richly illustrated book Without and within: essays on territory and the interior contains a series of essays that trace a thread of ideas,

A poignant news photograph, a striking headline or a major international event: for more than forty years Kees de Goede (1954) has been responding very tangibly to the news. For his series of Astral drawings he uses newspapers as subject matter and as the image support.

The Thinking Foot is a study of history and associations. In method and form it claims to be no more (nor less) than an illustrated essay on the architectural expression of surface. It concentrates on the Earth on which we walk: not the Earth in depth (the underground world) nor the geological Earth, but simply the Earth as visible crust, as surface.

Visual artist Diana Scherer (1971, DE) is one of the pioneers in bio tech art. Scherer lives and works in Amsterdam, the Netherlands, where she studied fine art at the Rietveld Academy in Amsterdam. Her work comprises botany, installations, textile and biotechnology.

Kramer’s work is in the fields of sculpture and installation. She combines familiar and unfamiliar objects in unorthodox ways that lead to completely contrary and sometimes even usable objects. While her works are highly distinctive in form and figuration, all the interventions comment on cultural and political phenomena within societies.

Reuse to Reduce shows the future of architecture through the process of building the new BioPartner 5 laboratory.

Scratching the Surface examines graffiti and street art from multiple perspectives.

Landscape Logic is an essay on the need for a landscape-based approach to designing sustainable urban environments.
Urbanization is one of the biggest challenges of this century.