An artist’s book about language, symbols, and the failure of meaning Two Kids, One Grown-up marks a final punctuation mark—or rather, a blown-up footnote—in John Baldessari’s decades-long engagement with image and language.

Mit Kinder dieser Welt schuf Hanne Darboven Anfang der 1990er Jahre eines ihrer komplexesten Werkensembles, das zentrale Elemente ihrer künstlerischen Praxis bündelt.

Over the past intensely productive decade, Louise Bourgeois's drawings have been dominated by diary-like work in which text and sign often mix. This extensive compendium of that work and its antecedents shares a series design with her recent book of sculpture, and the dialogue between mediums is lively in both titles, which also share a

Weiner's later work expanded into wall installations, video, film, books, sound art, sculpture, performance art, installation art, and graphic art, maintaining his focus on language as a sculptural element.

Entirely realized by the artists, and rich of more than 540 colour illustrations, this book is like a wide and coloured family album, illustrating almost all works created by Pierre et Gilles between 1976 and 2002.

Between 2003 and 2005, artists Lina Kim and Michael Wesely scoured public and private archives in an ambitious effort to survey, catalog and restore photographs of the construction of Brasilia, many of which were inaccessible to the public and at risk of disappearing. The two carried out a monumental job of researching and

Fernando Botero's distinctive exaggerated forms perfectly complement the exaggerated atmosphere of the circus. The esteemed artist uses bright colors and unexpected movement to artfully manifest the poetry of the circus, inviting the viewer to participate in a circus with Botero as the artful ringmaster.

An extensive monograph/exhibition catalog on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux.

Written in the 1950s and ’60s, the “action poems” comprising a A User’s Manual were published in their complete form in 1969 when they were paired with the 52 collages of Weekly 1967, the first of Kolář’s celebrated series in which he commented visually on a major event for each week of the year. Taking the form of directives,

Don't Trust Anyone Over Thirty charts the career of twenty-four-year-old rock singer Neil Sky, who is elected President of the United States after instigating teenage riots to change the voting age to fourteen and putting LSD in the drinking water of the Congress. But once President Sky retires the over-thirty population in LSD re-conditioning camps, he faces his own unique demise. 

Eine Schlüsselfunktion hat dabei das Artists-and-Architects-in-Residence-Programm: Es setzt diese Ideen um, indem es internationale KünstlerInnen und ArchitektInnen am Anfang ihrer Karriere nach Los Angeles bringt. Um den kulturellen Austausch als zentrales Anliegen des Stipendienprogramms zu intensivieren, haben das Österreichische Bundesministerium für Unterricht,

Trotz seiner Kürze verfolgt der Aufsatz in dieser Edition ein dreifaches Anliegen:

How to disappear in America without a trace. “There are many good reasons to disappear from society.

"Cabaret Crusades - Drawings" is a limited-edition pop-up book by Egyptian artist Wael Shawky, published by Kunsthaus Bregenz as part of an exhibition about the work of Wael Shawky.

Erscheint anlässlich der Ausstellung "Nach Kippenberger" im Museum Moderner Kunst Stiftung Ludwig Wien (11. Juni - 31. August 2003) und im Van Abbemuseum Eindhoven (22. November 2003 - 1. Februar 2004)

Wir berichten vom Anfangen. Von Ritualen und Methoden des Anfangens, von zufälligen Fängen. Von Beginnlosigkeit. Vom Stellenwert des Anfangs und von möglichen Definitionen.

"'Academy' is an international series of exhibtions and projects initiated by Siemens Art Program and realized in cooperations with teh Kunsteverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, zhe Museum van Hedemdaagse Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Endhoven."

The “Poetic Series” brings together works of poetry and literature in combination with visual art, introducing young as well as established writers concerned with challenging the boundaries of traditional forms of narrative. Initiated by Keren Cytter and coedited with Fiona Bryson, the quarterly publications focus on three experimental writers or poets per issue—image content is supplied by one artist.

The artist’s book Ki-da Rilke evolved in relation to the exhibition “Line Wall” by Sung Hwan Kim.

Basso #5 is the fifth issue of the independent art and culture magazine Basso, dedicated to contemporary discourses at the intersection of art, society, and theory.

Chartered as it has been that the work of Jonathan Monk reaches into the past, looking in particular at the strategies of artists synonymous with the birth of conceptual art, adopting the language of conceptualism and infusing it with references he makes to his own personal history [...]

Intro by Adam Carr

What does it mean to publish today?

Mehr als zwei Jahrzehnte nach ihrer Veröffentlichung hat diese Publikation nichts an Dringlichkeit verloren. Sie versammelt zentrale Arbeiten Hans Haackes, die sich mit nationaler Identität, Erinnerungspolitik und der Sichtbarmachung historischer Verantwortung auseinandersetzen – Themen, die heute aktueller sind denn je.

"The Way Things Are..." explores the question of artistic representation of today´s ever more precarious work and social spheres within advanced economies.

A voluminous book containing a precise composition of images from other books. The result of a long term investigation, this voluminous encyclopaedia contains solely images collected from other books, and reads as an exhilarating and extremely rich filmic sequence. Suter's interest lies not only in the iconographic value of images and the way that the human brain processes visual information, but also the causes by which images become charged with associative values.

Ausgangspunkt der Arbeit sind Fotografien von Felsbrocken wie man sie auf Autobahn Raststätten, in verkehrsberuhigten Wohngebieten, auf Parkplätzen von Einkaufzentren, etc. findet.

Mit der umfangreichen zweibändigen Monografie liegt eine Retrospektive vor, die zum ersten Mal die Werkgruppen seit Ende der 1990er Jahre sowie neueste Arbeiten vorgestellt und zueinander in Beziehung setzt.

Herbert Brandls Malerei entfaltet sich in einem komplexen Spannungsfeld zwischen Naturbeobachtung, kunsthistorischer Referenz und der kontinuierlichen Reflexion über das Medium selbst.

State of Sabotage's Stamp Edition

1979, Sir Anthony Frederick Blunt ist nicht mehr Sir. Der Grund dafür liegt weit zurück in Cambridge, wo er studierte. Dort kam er mit einem geheimen Kreis von Männern zusammen, jung und von glühender Leidenschaft für den Kommunismus. Später wurden sie bekannt als die Cambridge Five. Der erste von ihnen wurde 1951 enttarnt, der zweite ein Jahr später.

The snapshots are quick poetic communiqués, a visual report on Felix's outlook at particular moments in time, small gestures of hope, pleasure, and desire.

Helen Major is a non-fictional account. The adventure began in August 2008 when A. M. Szaflarski placed classified ads in The Vancouver Sun and The Province newspaper.

The Walk Book collects and preserves some of the words and dialogues that are part of Janet Cardiff’s walks, transposing them into a literary form and yet dissolving all possible determinations and codifications.

Das Buch untersucht die historische „In-Betweenness“ der jugoslawischen Moderne und die verschiedenen Strategien, die Architekten einsetzten, um ihre eigenen Positionen inmitten der unterschiedlichen ... Konzepte von Leben, Kultur, Praxis und Zeit zu definieren.

This book contains a number of true and fictitious stories by writers, curators and artists about the city of Vilnius, that have been generated by the X Baltic Triennial of International Art Urban Stories staged at the Contemporary Art Centre (CAC) and diverse places and spaces throughout Vilnius in the autumn of 2009.

»Visible World« compiles nearly three thousand photographs taken by Peter Fischli and David Weiss over the course of fifteen years. Depicting almost every corner of the globe, from deserts and mountains to cities and jungles, the collection is as quixotic as it is encyclopedic.

An accordion postcard booklet made to accompany a work of Horvitz's that was in Art Basel, 2013. On the reverse is an interview with Horvitz by David Senior. This publication and the piece is premised upon the artist's discovery that "in early February, the California sunset coincides with the Maldives sunrise...."

Ein reich illustriertes Buch über Bücher, die aus der Reihe fallen und sich dem internationalen System des Warenaustauschs entziehen.Welche Rolle wird das Selbstverlegen im 21. Jahrhundert spielen? Kann der Druck auf Papier eine Alternative zum elektronischen Austausch darstellen? Wie lässt sich zwischen Subversionsgestus und Neuem Biedermeier unterscheiden?
10 letzte Exemplare

»Nichts ist dingfest bei David Moises. Dass die Bewegung die Substanz der Dinge ist, braucht ihn niemand zu lehren: Socken tanzen, Knoten atmen, ein Videoschirm rotiert am Jojoband.