"The Way Things Are..." explores the question of artistic representation of today´s ever more precarious work and social spheres within advanced economies.

The snapshots are quick poetic communiqués, a visual report on Felix's outlook at particular moments in time, small gestures of hope, pleasure, and desire.

Ausgangspunkt der Arbeit sind Fotografien von Felsbrocken wie man sie auf Autobahn Raststätten, in verkehrsberuhigten Wohngebieten, auf Parkplätzen von Einkaufzentren, etc. findet.

A voluminous book containing a precise composition of images from other books. The result of a long term investigation, this voluminous encyclopaedia contains solely images collected from other books, and reads as an exhilarating and extremely rich filmic sequence. Suter's interest lies not only in the iconographic value of images and the way that the human brain processes visual information, but also the causes by which images become charged with associative values.

An extensive monograph/exhibition catalog on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux.

The artist’s book Ki-da Rilke evolved in relation to the exhibition “Line Wall” by Sung Hwan Kim.

1979, Sir Anthony Frederick Blunt ist nicht mehr Sir. Der Grund dafür liegt weit zurück in Cambridge, wo er studierte. Dort kam er mit einem geheimen Kreis von Männern zusammen, jung und von glühender Leidenschaft für den Kommunismus. Später wurden sie bekannt als die Cambridge Five. Der erste von ihnen wurde 1951 enttarnt, der zweite ein Jahr später.

Don't Trust Anyone Over Thirty charts the career of twenty-four-year-old rock singer Neil Sky, who is elected President of the United States after instigating teenage riots to change the voting age to fourteen and putting LSD in the drinking water of the Congress. But once President Sky retires the over-thirty population in LSD re-conditioning camps, he faces his own unique demise. 

Written in the 1950s and ’60s, the “action poems” comprising a A User’s Manual were published in their complete form in 1969 when they were paired with the 52 collages of Weekly 1967, the first of Kolář’s celebrated series in which he commented visually on a major event for each week of the year. Taking the form of directives,

Chartered as it has been that the work of Jonathan Monk reaches into the past, looking in particular at the strategies of artists synonymous with the birth of conceptual art, adopting the language of conceptualism and infusing it with references he makes to his own personal history [...] Intro by Adam Carr

The Walk Book collects and preserves some of the words and dialogues that are part of Janet Cardiff’s walks, transposing them into a literary form and yet dissolving all possible determinations and codifications.